Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. Edited by Karen Jürs-Munby, Jerome Carroll and Steve Giles. London and New York: Bloomsbury Methuen Drama, 2013. Pp. vii + 324. $114 Hb; £17.99/$28.34 Pb.

2015 ◽  
Vol 40 (2) ◽  
pp. 201-203
Author(s):  
Janelle Reinelt
Keyword(s):  
New York ◽  
The Political ◽  
International Perspectives ◽  
Contemporary Performance

Three Looks at German Foreign Policy before September 11: A Landscape Shifts

2002 ◽  
Vol 20 (4) ◽  
pp. 73-81
Author(s):  
Karen Donfried
Keyword(s):  
New York ◽  
Foreign Policy ◽  
Policy Decision ◽  
The Political ◽  
German Foreign Policy ◽  
State University ◽  
European Monetary ◽  
Monetary Cooperation ◽  
Policy Decision Making ◽  
The Eu

Wolf-Dieter Eberwein and Karl Kaiser, Germany’s New Foreign Policy: Decision-Making in an Independent World (Hampshire: Palgrave, 2001)Adrian Hyde-Price, Germany & European Order: Enlarging NATO and the EU (Manchester: Manchester University Press, 2000)Matthias Kaelberer, Money and Power in Europe: The Political Economy of European Monetary Cooperation (Albany: State University of New York Press, 2001)

Issues Surrounding the Development of the Neo-Nazi Scene in East Berlin

2000 ◽  
Vol 33 (2) ◽  
pp. 45-50 ◽  
Author(s):  
Eric Brothers
Keyword(s):  
New York ◽  
German Democratic Republic ◽  
Democratic Republic ◽  
Third Reich ◽  
Communist Regime ◽  
The Political ◽  
Social Culture ◽  
East Berlin ◽  
The Third ◽  
The Third Reich

The rise of neo-Nazism in the capital of the former German Democratic Republic (GDR) was not inspired by a desire to recreate Hitler's Reich, but by youthful rebellion against the political and social culture of the GDR's Communist regime. This is detailed in Fuehrer-Ex: Memoirs of a Former Neo-Naxi by Ingo Hasselbach with Tom Reiss (Random House, New York, 1996). This movement, however, eventually worked towards returning Germany to its former 'glory' under the Third Reich under the guidance of 'professional' Nazis.

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