Sharon B. Oster. No Place in Time: The Hebraic Myth in Late-Nineteenth-Century American Literature. Detroit, MI: Wayne State University Press, 2018. 368 pp.

AJS Review ◽  
2020 ◽  
Vol 44 (1) ◽  
pp. 214-216
Author(s):  
Julian Levinson
2014 ◽  
Author(s):  
◽  
Brianne Jaquette

[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] In The Locomotive and the Tree, I challenge the popular myth that the city of Pittsburgh was devoid of literary culture prior to the construction of the Carnegie museum, library, and concert hall in 1895. Pittsburgh, in fact, had a robust and thriving culture in general and specifically a literary scene that was rooted in newspaper production and was invested in the industrial aspects of the city�s growth. Much of the literary material coming from Pittsburgh was nonfiction or poetry, and it was in these forms that writers in Pittsburgh were able to come to terms with the changes taking place in a rapidly industrializing city. In contrast to scholarship that has emphasized the role of regional literature in this time period, my project uses periodical and print culture studies to analyze the localized literary culture of Pittsburgh. Instead of looking broadly at national literary culture that was disseminated from the East Coast outward, I argue for the need for research that broadens the scope of late-nineteenth century American literature by examining smaller networks of print.


Author(s):  
William L. Andrews

The epilogue notes that kinship, privilege, occupation, intragroup status, and social mobility affected crucial transitions in self-awareness as well as class awareness among the narrators. Growing self-respect kindled in many narrators a desire for a future that coalesced around an imagined free self. Narrating this process of inner growth individualized and liberated African American personhood in mid-century literature. Slave narratives from this generation created the most sophisticated commentary on caste and class in the South to be found in nineteenth-century American literature. In the late nineteenth century, former slaves continued to publish autobiographies in large numbers. Their experiences in slavery and perspectives on it were often very different from those of the antebellum narrators. Without taking into account the slave narratives published between 1865 and 1901, our comprehension of slavery and the full diversity of African American self-portraiture in the slave narrative will remain limited and partial.


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