THE ASIAN STUDIES “CRISIS”: PUTTING CULTURAL STUDIES INTO ASIAN STUDIES AND ASIA INTO CULTURAL STUDIES

2004 ◽  
Vol 1 (1) ◽  
pp. 121-136 ◽  
Author(s):  
Chris Burgess

This paper explores the link between globalization, as the source of contemporary crises in representation, and the academic crisis in Asian Studies. The situation of Japanese Studies in Australia is used as a case study to illustrate these links. I argue that traditional area studies, as a colonial structure rooted in the (Cold) War, has become anachronistic. It is suggested that one strategy through which conventional area studies may be reconfigured and revitalized is by more fully and warmly embracing those movements or networks such as cultural studies that can be seen as responses to global changes.

Author(s):  
Dirk Berg-Schlosser

Area studies have undergone significant changes over the last two decades. They have been transformed from mostly descriptive accounts in the international context of the Cold War to theory-oriented and methodological analytical approaches. More recent comparative methods such as “Qualitative Comparative Analysis” (QCA) and related approaches, which are particularly suitable for medium N studies, have significantly contributed to this development. This essay discusses the epistemological background of this approach as well as recent developments. It provides two examples of current “cross area studies,” one concerned with successful democratic transformations across four regions (Africa, Eastern Europe, Latin America, and East Asia), the other with political participation in marginalized settlements in four countries (Brazil, Chile, Ivory Coast, Kenya) in a multilevel analysis. The conclusion points to the theoretical promises of this approach and its practical-political relevance.


2021 ◽  
Vol 19 (2) ◽  
pp. 81-98
Author(s):  
Mieczysław Szlachta ◽  
Andrzej Ciupiński

The paper presents the scope and scale of transformation of the defense industries of Central Eastern Europe (CEE) countries after the end of the Cold War and the collapse of the USSR. The starting point is the role and position of the armaments economy sector (armaments economy environment), embedded in the realities of the centrally planned economy, and its submission to the politics of the USSR. The turn of the centuries was a period of political and economic transformation conducted during the conditions of a deep economic recession. The defense industry was one of the economic sectors most affected by the crisis. The economic and defense policy of CEE countries was aimed at preserving the capabilities of the armaments sector. Restructuring activities initiated and forced by the change of the political and economic environment have already brought noticeable effects, even though the process has not yet been completed. Defense industry enterprises have become entities operating on the same terms and conditions as other companies on the competitive market. The method of comparative analysis and a case study supplemented with elements of descriptive statistics were used to evaluate the course of the processes. The study has been focused on the analysis of the course of the changes and examination of effects of the analyzed phenomena for the economy and defense of the CEE countries, taking into account primarily their scale and scope.


2021 ◽  
Vol 18 (3) ◽  
pp. 395-418
Author(s):  
BESS XINTONG LIU

AbstractThis article examines the underexplored history of the 1973 Philadelphia Orchestra China tour and retheorizes twentieth-century musical diplomacy as a process of ritualization. As a case study, I consult bilingual archives and incorporate interviews with participants in this event, which brings together individual narratives and public opinions. By contextualizing this musical diplomacy in the Cold War détente and the Chinese Cultural Revolution, I argue for the complex set of relations mobilized by Western art music in 1973. This tour first created a sense of co-dependency between musicians and politicians. It also engaged Chinese audiences by revitalizing pre-Cultural Revolution sonic memories. Second, I argue that the significance of the 1973 Orchestra tour lies in the ritualization of Western art music as diplomatic etiquette, based on further contextualization of this event in the historical trajectory of Sino-US relations and within the entrenched Chinese ideology of liyue (ritual and music).


Urban History ◽  
2020 ◽  
pp. 1-23
Author(s):  
Rosanna Farbøl

Abstract During the Cold War, cities were seen as likely targets of modern total warfare and systems of civil defence were created to protect cities and their inhabitants. Yet existing civil defence histories have focused little on the specifically urban aspect, and urban historians likewise have paid civil defence little attention. Using Aarhus, Denmark, as a case-study, this article examines civil defence through planning, practices and materiality in a specific urban landscape. By analysing how civil defence was organized, performed and built in Denmark, the article sheds light on the mutual imbrication of urban planning, geography and materiality and local civil defence. I argue that through biopolitics, local civil defence authorities imagineered an idealized survivalist community of city dwellers who would pull together to protect and save their city and that this contributed to taming an incomprehensible, global, nuclear catastrophe into a manageable, localized, urban calamity.


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