Searching for Paradigms and Methodologies Resonant With Women's Experiences

2004 ◽  
Vol 49 (3) ◽  
pp. 283-285
Author(s):  
Hilary M. Lips
1996 ◽  
Vol 41 (10) ◽  
pp. 1022-1024 ◽  
Author(s):  
Margaret R. Rogers ◽  
Meryl Sirmans

2007 ◽  
Author(s):  
Julie R. Ancis ◽  
Trish Raque-Bogdan ◽  
Natasha Gardner ◽  
Tameka Jackson

2020 ◽  
Vol 30 (1) ◽  
pp. 130-139
Author(s):  
Mary M. Valmas ◽  
Stephany J. Himrich ◽  
Kate M. Finn

2020 ◽  
Vol 10 (4) ◽  
pp. 432-441
Author(s):  
Tiffany L. Marcantonio ◽  
Malachi Willis ◽  
Kristen N. Jozkowski ◽  
Zoë D. Peterson ◽  
Terry Humphreys

2008 ◽  
Vol 26 (2) ◽  
pp. 140-167 ◽  
Author(s):  
FELICIA HUGHES-FREELAND

This article explores how gender representations are deployed in anthropological analysis with reference to female performers (ledhek) in rural Java during the last decades of Suharto's New Order Indonesia (1966–1998). 1 It shows how the negative ascriptions given to ledheks were consistent with state promulgated gender ideologies in Indonesia, and explores the women's experiences in performances and everyday life. This different standpoint allows us to understand their dancing from the performers’ points of view, rather than from that of official state endorsed ideas of acceptable performance culture.


2018 ◽  
Vol 57 (3) ◽  
pp. 325-339
Author(s):  
Kate Averis

This article examines Nancy Huston's writing of female ageing in light of her intellectual and personal trajectory as a feminist thinker. It identifies women's ageing as an integrative and ubiquitous phenomenon in Huston's œuvre, tracing the presence of this thematic and theoretical concern to her very first published works, and outlining its development until her most recent works, before examining a key instance of her fictional treatment of female ageing in Lignes de faille. Drawing on a literary, philosophical and sociological theoretical framework, it argues that Huston furthers feminist approaches to female senescence by inscribing women's experiences of later life not in terms of existential crisis but rather as part of the continuous process of change and transformation inherent to subjective development. The analysis aims to address pressing questions surrounding the intersections of gender and age that are at the forefront of Huston criticism and feminist studies.


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