gender representations
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2021 ◽  
pp. 1-14
Author(s):  
Kai Arne Hansen

Demonstrating that gender representations in popular culture are intertwined with a broad range of cultural, historical, and social discourses that shape both their production and reception, the introduction outlines some of the key concerns related to the performance and policing of masculinity in pop music. It discusses the theoretical and methodological foundations that may underpin an interdisciplinary, intersectional, and interpretive approach to the study of popular music and gender, and places an emphasis on grappling with the multiple affordances elicited by pop artists’ construction of identity across several platforms. It advocates for an inclusive definition of pop music that encompasses the range of musical and cultural impulses that circulate in mainstream popular music culture. It also discusses the selection of material for a study of pop music and masculinity, and considers the benefits and limitations of an artist-centered interpretive approach.


2021 ◽  
Vol 21 (2) ◽  
pp. 239-252
Author(s):  
E. M. Kolesnikova ◽  
I. A. Kudenko

The persistent gender imbalance in the labor market - both in Russia and globally - is largely formed during the school years as the period of the development of professional preferences and human capital. The article presents the views of schoolchildren on various aspects of the STEM school subjects, including their common interests, attitudes to the STEM teaching, their role in choosing a career related to STEM, and the ideas of schoolchildren about jobs related to STEM. The authors refer to the Soviet experience of overcoming gender inequality in the labor market, in particular, by helping women to get the industrial and specialized technical education. The results of the search study show that for the majority of girls, especially those not engaged in special education projects focused on STEM, school profile lessons do not contribute to changing gender representations of professions. The authors argue that to change these gender representations we need classes focused not on the academic achievements but on the practical features of professions that are in demand in the labor market. Such an experience is necessary for it is impossible to choose the most promising career if you do not know about it or if you are convinced that you would not cope with a particular job. At the same time, the schoolchildren should understand that some of todays professions have very short future, for instance, due to the inevitable consequences of automation. The schoolchildrens positioning of all professions as gender-neutral can be used for a positive study of career-related challenges and for designing career-guidance activities as taking into account those aspects that are essential for girls and boys, even if at the moment they are perceived negatively.


2021 ◽  
Vol 20 (1) ◽  
pp. 149-153
Author(s):  
Ruxandra Vişan

Abstract Placed at the interface between metalexicography and gender studies, this short article discusses issues concerning gender representations in present-day dictionaries. Evoking recent controversies regarding the representation of gender-related terms such as “cisgender” or “woman” in The Oxford English Dictionary, the essay goes on to discuss the prescriptive/descriptive opposition concerning lexicographical representations, taking its cue from previous approaches, which suggest re-envisaging the prescriptive/descriptive dyad as a continuum (Straaijer, 2009; Wilton 2014), or replacing this traditional binary model with a nonbinary approach (Nossem, 2018; Turton, 2020).


2021 ◽  
Vol 15 (3) ◽  
Author(s):  
Gwen Bouvier ◽  
Ariel Chen

Gendered identities are communicated in places as frequent and ordinary as food packaging, becoming mundane features of everyday life as they sit on supermarket shelves, in cupboards and on office desks. Multimodal critical discourse analysis (MCDA) allows us to investigate how such identities are buried in packaging in relation to health and fitness. Despite observed broader changes in gendered representations of the body in advertising, in particular relating to the arrival of ‘power femininity’, the products analysed in this article are found to carry fairly traditional and prototypical gender representations, and products marketed at both men and women highlight the need for more precise body management. For women, however, this precision is related to managing the demands of everyday life, packaged as a moral imperative to be healthy, responsible and successful.


2021 ◽  
Vol 8 (2) ◽  
pp. 208-218
Author(s):  
Wafda 'Aini ◽  
Elih Sutisna Yanto ◽  
Wahyudin Fitriyana

This study aims to examine how different genders are represented in Indonesia's grade eight English textbooks. The primary goal of this research is to ascertain the various gender representations and how language and images are used in the English textbook "Think Globally Act Locally." The study employs Fairclough's (1989) Critical Discourse Analysis (CDA) frameworks, specifically the description, interpretation, and explanation. Analyses are divided into five categories: Authors' genders, character genders, issues centered on men or women pictures and visibility, and linguistic traits. Additionally, the images have been subjected to a critical image analysis using the Critical Image Analysis program. The investigation's findings reveal that gender prejudice or stereotypes persist in the English textbooks used in Indonesian schools, despite the government's efforts to promote equality and fairness in education through the country's educational policy. Lastly, the study offers some pedagogical implications and recommendations for resolving gender inequality in the educational materials used in English classrooms.


Author(s):  
Anastasiia M. Zinina ◽  

The article describes changes in the vision of gender of the Chinese that are currently taking place due to globalization and the increased role of the feminist movement in the world. The article aims to describe words and phrases that reflect the contemporary gender vision of native Chinese speakers as well as to analyze the influence of global agenda on the formation of ideas about femininity and masculinity. The paper reviews the theoretical studies of Chinese scientists in the field of gender linguistics, determines the areas where the influence of Western theories is the most significant. The article describes the social status of men and women in three main periods: pre-imperial and imperial China, communist China in the 20th century, modern China in the 21st century. However, the main focus of the article is on the modern Chinese language, as there is a lack of studies in this field. Gender representations reflected in the Xinhua Internet Dictionary (新华 网络 语言 词 典) and the online dictionary 小鸡 词典 were selected as the research material. We selected words and set phrases containing such characters as 女 “woman” and 男 “man”, studied their description provided by vocabulary entries, reviewed gender representation in media.


Author(s):  
Sarah Marie Stang

Gender representation in video games has long been a fraught topic of discussion within online gaming communities. In game scholarship, analysis of the usually harmful tropes and trends of female representation has resulted in countless studies demonstrating that video games are often a regressive medium in terms of representation, privileging heterosexual white male subjectivities and erasing, marginalizing, or even vilifying anyone outside of that specific demographic. These conversations and scholarly studies tend to focus on the representation of human women, especially as victimized damsels-in-distress. Considerably less work has been done to analyse the portrayal of villainous and monstrous nonhuman women in games, even though countless science fiction, fantasy, and horror games feature these kinds of characters. Many of these games utilize harmful tropes and design practices related to female villainy and monstrosity, thereby reinforcing misogynistic ideologies. With the understanding that gender representations in games can have deep cultural ramifications, especially as they intersect with representations of race, sexuality, queerness, body size, disability, mental illness, and age, this paper examines online player and developer discourse regarding female-coded monsters from a selection of commercially successful “AAA” video games. The intent of this project is to contribute to ongoing scholarship on monstrosity in games by looking at how developers explain and justify their design processes in online interviews and forum posts and how players/fans articulate their attitudes towards and reception of these monstrous creatures.


2021 ◽  
Vol 2020 (1) ◽  
pp. 308
Author(s):  
India Roberts

This study is an initial investigation of how gender is represented in English language textbooks adapted for schools in the Middle East. A content analysis was carried out to investigate the following areas: visibility in written texts and images; masculine generic constructions; order of mention; and character roles, occupations, actions, and interactions. The findings indicate that both genders have been portrayed equally in written texts in all areas other than masculine generic constructions. However, visibility in images is biased towards males, indicating a need for review. The findings have implications for materials developers, teachers, and trainers, and suggestions are provided for future research. 本稿は、中東の公立学校向けに作成された教科書でジェンダーがどのように表現されているかについて検証したす。内容分析では以下の領域に関して調査した。すなわち、文章と画像における可視性、男性的な一般的構造、言及の順序、キャラクターの役割、行動、職業、および相互作用である。調査結果によると、文章においては、男性的な一般的構造以外のすべての分野で男女が同等に描かれていることがわかった。しかし、画像での可視性は男性に偏っており、見直しの必要性が認められた。本稿の結果は、教材開発者、教師、およびトレーナーにとって有用であり、今後の研究のための提案を含むものである。


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