The Impact of Jean Paul Sartre on Simone De Beauvoir

2014 ◽  
Author(s):  
Ceylan Coskuner
Keyword(s):  
Simone De Beauvoir ◽  
Jean Paul ◽  
The Impact

Tête-à-Tête: Simone de Beauvoir and Jean-Paul Sartreby Hazel Rowley

Hypatia ◽  
2008 ◽  
Vol 23 (1) ◽  
pp. 208-211
Author(s):  
Julien S. Murphy
Keyword(s):  
Simone De Beauvoir ◽  
Jean Paul

Sex, Love, and Letters

2020 ◽  
Author(s):  
Judith G. Coffin
Keyword(s):  
World War Ii ◽  
Albert Camus ◽  
Simone De Beauvoir ◽  
Gay Liberation ◽  
Betty Friedan ◽  
Private Lives ◽  
Jean Paul ◽  
French Colonial ◽  
Francois Mauriac ◽  
Feminist Movements

When this book's author discovered a virtually unexplored treasure trove of letters to Simone de Beauvoir from Beauvoir's international readers, it inspired the author to explore the intimate bond between the famed author and her reading public. This correspondence, at the heart of the book, immerses us in the tumultuous decades from the late 1940s to the 1970s — from the painful aftermath of World War II to the horror and shame of French colonial brutality in Algeria and through the dilemmas and exhilarations of the early gay liberation and feminist movements. The letters provide a glimpse into the power of reading and the power of readers to seduce their favorite authors. The relationship between Beauvoir and her audience proved especially long, intimate, and vexed. The book traces this relationship, from the publication of Beauvoir's acclaimed The Second Sex to the release of the last volume of her memoirs, offering an unfamiliar perspective on one of the most magnetic and polarizing philosophers of the twentieth century. Along the way, we meet many of the greatest writers of Beauvoir's generation — Hannah Arendt; Dominique Aury, author of The Story of O; François Mauriac, winner of the Nobel Prize and nemesis of Albert Camus; Betty Friedan; and, of course, Jean-Paul Sartre — bringing the electrically charged salon experience to life. The book lays bare the private lives and political emotions of the letter writers and of Beauvoir herself. Her readers did not simply pen fan letters but, as the book shows, engaged in a dialogue that revealed intellectual and literary life to be a joint and collaborative production.

scholarly journals “The Mandarins”: Simone de Beauvoir’s Artistic Method

2018 ◽  
pp. 96-109
Author(s):  
Yu. V. Korelskaya
Keyword(s):  
Albert Camus ◽  
Literary Form ◽  
The Novel ◽  
Simone De Beauvoir ◽  
Inner Life ◽  
Postwar Literature ◽  
Outer Line ◽  
Jean Paul ◽  
Literary Methods ◽  
Intimate Life

Simone de Beauvoir is a representative of one of the leading philosophical schools in the middle of the 20th century. The article presents Beauvoir’s artistic method, applied in her novel The Mandarins, and examines the theoretical and biographical sources of the novel. The author demonstrates the place that the novel has in the Beauvoir’s literary and philosophical heritage and reveals the genre features of the work, introducing some special terms such as engaged, modern or philosophical novel and testimonial autobiographical project. The article also analyzes the novel’s literary form and the binary structure of the narrative. The study of the main characters, who are Henri Perron, Anne Dubreuilh and her husband Robert, allows to give a couple of narrative lines. First of them is the inner line that opens the reflective, contemplative and intimate life of one of the main characters – Anne. The second one is the outer line that means that the reader receives the information about characters from the Henry’s actions. Basing on this structure, we draw a conclusion about the modifications in the genre of existential novel in the postwar years. The new themes can be found in the literature. Authors introduce to readers the certain social reality through the inner life of some characters – intellectuals, novelists or philosophers. The thesis about the inner transformation of the genre is proved on Beauvoir’ and Jean-Paul Sartre’s works and on the prewar works of Sartre and Albert Camus. Beauvoir’s new literary methods and plots, which are the logical development of her work, made her novel one of the pioneers in the postwar literature.

R. Crumb

2021 ◽  
Author(s):  
David Stephen Calonne
Keyword(s):  
Charles Dickens ◽  
Jack Kerouac ◽  
Literary Texts ◽  
Gary Snyder ◽  
Spiritual Quest ◽  
Jean Paul ◽  
Book Of Genesis ◽  
The Impact ◽  
Jelly Roll

Robert Crumb: Literature, Autobiography, and the Quest for Self is the first monograph to explore the intersection between Crumb’s love of literature, his search for the meaning of life and the ways he connects his own autobiography with the themes of the writers he has admired. Crumb’s comics from the beginning reflected the fact that he was a voracious reader from childhood and perused a variety of authors including Charles Dickens, J.D. Salinger, and, during his adolescence, Beat writers like Jack Kerouac. He was profoundly influenced by music, especially the blues, and the ecstatic power of music appears in his artwork throughout his career. The first chapter explores the ways Robert Crumb illustrates works by William S. Burroughs, Jack Kerouac, Allen Ginsberg, Gary Snyder, and Charles Bukowski. The book continues with individual chapters devoted to Crumb’s illustrations of biographies of blues musicians Jelly Roll Morton and Charley Patton; Philip K. Dick; Jean-Paul Sartre; Franz Kafka; and concludes with an exploration of Crumb’s illustrations to the book of Genesis. In all his drawings accompanying literary texts, Crumb returns to a number of key themes regarding his personal spiritual quest such as suffering and existential solitude; the search for romantic and sexual love; the impact of entheogens such as LSD on his quest for answers to his cosmic questions. We discover that Crumb gradually embraces a mysticism rooted in his studies of Gnosticism. In the final chapter on the book of Genesis, readers may observe the ways Crumb continues his critique of monotheistic religion in a variety of subtle ways. Robert Crumb: Literature, Autobiography, and the Quest for Self concludes with an Epilogue which discusses Crumb’s present-day life in France and the ways he has continued to engage with spiritual and philosophical themes in his later work.

FANTASY 33 and religious or quasi-religious contexts, whereby colonising and invading forces have assumed non-white and/or non-Christian cultures to be barbaric, 'heathen', or, in some instances, not human. Ethnocentrist attitudes thus transform relative difference between cultures into value judgments mobilised by an ideology of hierarchical identification and comparison in which questions of race also figure exten-sively. As a corrective to ethnocentric tendencies, cultural relativism has stressed that cultures can not be evaluated for their merits or faults in comparison with other cultures; rather, a structural approach to ethnic cultural analysis has emerged which seeks to identify the various constituent elements and their interrelations within a culture which gives a particular culture its identity. However, such an approach is still not free from the problematic of ethnocentrism in-asmuch as the act of analysis and the epistemological frame-works that generate analysis can still be marked invisibly by cultural assumptions. Ethnography—Systematic and organised recording and classifi-cation of human cultures. Existentialism—A philosophical movement that involves the study of individual existence in an infinite, unfathomable universe. Existentialism devotes particular attention to the individual's notion of free will and interpersonal responsi-bility without any concrete knowledge of what constitutes right and wrong. A variety of twentieth-century thinkers and writers have explored the possibilities of existentialism, including Jean-Paul Sartre, Martin Heidegger and Simone de Beauvoir, among others. False consciousness—Illusory or mistaken beliefs, the term is used in marxist theories to designate the beliefs of groups with whom one disagrees or who are in need of liberation and enlightenment; otherwise, the belief on the part of the middle classes which insists that class-based interests are not posi-tioned ideologically but are universal. Fantasy—In everyday language, fantasy refers simply to the workings of the imagination, but in different theoretical

2016 ◽  
pp. 49-51
Keyword(s):  
Relative Difference ◽  
Cultural Analysis ◽  
Cultural Relativism ◽  
False Consciousness ◽  
Simone De Beauvoir ◽  
Value Judgments ◽  
Cultural Assumptions ◽  
Jean Paul ◽  
Individual Existence ◽  
Constituent Elements

Introduction

2019 ◽  
pp. 1-15
Author(s):  
Cairns Craig
Keyword(s):  
Nineteenth Century ◽  
Second World War ◽  
The Novel ◽  
Simone De Beauvoir ◽  
World War ◽  
Christian Philosophy ◽  
Muriel Spark ◽  
Jean Paul ◽  
Intellectual Context ◽  
Second World

Muriel Spark has regularly been described as a Catholic novelist, given that her conversion to Catholicism was followed closely by the publication of her first novel, The Comforters, about the struggles of a Catholic convert. However, the intellectual context in which she came to maturity in the years after the Second World War was pervaded by the issues raised by existentialism, issues which surface directly in her novel The Mandelbaum Gate. Existentialism is now associated with Jean-Paul Sartre and Simone de Beauvoir as an atheistic philosophy, but it began as a Christian philosophy inspired by nineteenth-century Danish philosopher Søren Kierkegaard. It was Kierkegaard’s Christian existentialism which shaped Spark’s own ‘leap to faith’ and his ironic style which shaped her own approach to the novel form.

Hazel Rowley’s Tête-à-Tête: Simone de Beauvoir and Jean-Paul Sartre

2006 ◽  
Vol 22 (1) ◽  
pp. 92-94
Author(s):  
Mary Lawrence Test ◽  
Myrna Bell Rochester
Keyword(s):  
Simone De Beauvoir ◽  
Jean Paul

scholarly journals The Blood of Others

2020 ◽  
Vol 30 (2) ◽  
pp. 341-366
Author(s):  
Emmanuel de Saint Aubert ◽  
Jennifer McWeeny
Keyword(s):  
The Political ◽  
Jean Paul ◽  
Political Stance ◽  
Unpublished Manuscripts ◽  
The Impact

Abstract The author argues, with reference to a number of Merleau-Ponty’s unpublished manuscripts, that Merleau-Ponty’s notion of encroachment (empiétement) has origins in Simone de Beauvoir’s 1945 novel, The Blood of Others. He examines how the two philosophers approach the encroachment of freedoms, the political stance of pacifism, and the interpretation of Voltaire’s Candide (Part I). The impact of Élisabeth Lacoin’s death on Beauvoir’s and Merleau-Ponty’s philosophies, as well as their relationships with Jean-Paul Sartre, is also considered (Part II).

scholarly journals The impact of Jean-Paul Zahn discoveries on rotation and evolution

2019 ◽  
Vol 82 ◽  
pp. 137-151
Author(s):  
A. Maeder ◽  
G. Meynet
Keyword(s):  
Binary Stars ◽  
Dominant Role ◽  
Close Binaries ◽  
Stellar Rotation ◽  
Jean Paul ◽  
Low Metallicity ◽  
Main Effects ◽  
The Impact ◽  
Rotational Coupling ◽  
Internal Coupling

We first review the main effects of stellar rotation on evolution along the fundamental discoveries by Jean-Paul. Then, we examine some of the consequences of rotation in the evolution of single and binary stars. The proper account of meridional circulation in close binaries tends to increase the synchronization time because meridional currents always counteract the tidal interaction. We consider the case of the very low metallicity Z stars, in particular the CEMP-no stars, where rotational mixing may have played a dominant role in their strange chemical composition. Then, turning to “What are the mysteries?”, we emphasize that all over the evolution and for various masses the present models seem to still have a lack of rotational coupling between cores and envelopes. We suggest that magnetic fields may produce this missing internal coupling.

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