Bored in the USA: Experience sampling and boredom in everyday life.

Este artículo presenta resultados de la investigación «Género y migración: Recomposición Familiar», que fue llevada a cabo en los municipios de Comalapa y Concepción Quezaltepeque del Departamento de Chalatenango, en El Salvador; cuyo trabajo de campo se realizó entre 2009 y 2010. De esa investigación se ha retomado el análisis del fenómeno migratorio que experimenta El Salvador desde la perspectiva de la hibridación cultural, y se centra en la vida cotidiana de los municipios antes mencionados con la intención de comparar las dinámicas culturales que se establecen en ambos, tomando en cuenta que en el primero las personas migran hacia EUA y en el segundo mayoritariamente a Italia. MIGRATION AND SOCIOCULTURAL CHANGE IN TWO RURAL COMMUNITIES FROM CHALATENANGO, EL SALVADORABSTRACTThis article presents results from the piece of research titled «Gender and Migration: Family Recomposition.» This study was conducted in the municipalities of Comalapa and Concepción Quezaltepeque in Chalatenango, El Salvador. Fieldwork was carried out between 2009 and 2010. The analysis of the migration phenomenon experienced in El Salvador has been taken from this piece of research. This analysis was made from a cultural hybridization perspective and focuses on the everyday life in the aforementioned municipalities. The intention is to compare the cultural dynamics established between the two, taking into consideration that in the former, people migrate to the USA, whereas in the latter they mostly migrate to Italy.

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What does frustration, serendipity and uncertainties of global media and communication means? Some versions from Latvia and Estonia

Informacijos mokslai ◽

10.15388/im.2020.87.23 ◽

2020 ◽

Vol 87 ◽

pp. 8-12

Author(s):

Deniss Hanovs ◽

Anda Rozukalne

Keyword(s):

Everyday Life ◽

Digital Media ◽

Chemical Formula ◽

Global Media ◽

Short Novel ◽

The Usa ◽

On Line ◽

Media And Communication ◽

Low Wages ◽

Entertainment Culture

In a short novel by contemporary Russian writer Vladimir Sorokin “White square” (2018), the moderator of the show with the same title gets killed during the show in which four guests express their visions of present society. Everyone can follow the killing on-line, having voted shortly before for the most entertaining guest. After having received an injection of a new chemical formula which is supposed to entertain the audience, the four participants get wild and destroy the whole show enjoyed by the audience. A new moderator is being engaged to let the show go on... This rather gothic plot shows another part of the reality – the memories of the director of the show about someone, a person unknown to the reader, who has been killed to start the bloody entertainment. The ring, made of the skin of this unknown person gets lost and lands in a realm beyond the on-line entertainment culture: poor workers, their uneducated wives and alcoholics, who still inhabit the off-line everyday life of low wages, heavy physical jobs and simple joys ignored by blood thirsty audience, voting and selling advertisement time for higher prices. Both groups, digital media users and poor underpaid blue collars are in contemporary Europe and the USA targets for populist messages in media.

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