Mineralogical Exhibit at the World's Fair

1892 ◽  
Vol 34 (870supp) ◽  
pp. 13904-13905
Author(s):  
George F. Kunz
Keyword(s):  
Moreana ◽  
2005 ◽  
Vol 42 (Number 164) (4) ◽  
pp. 157-186
Author(s):  
James M. McCutcheon

America’s appeal to Utopian visionaries is best illustrated by the Oneida Community, and by Etienne Cabet’s experiment (Moreana 31/215 f and 43/71 f). A Messianic spirit was a determinant in the Puritans’ crossing the Atlantic. The Edenic appeal of the vast lands in a New World to migrants in a crowded Europe is obvious. This article documents the ambition of urbanists to preserve that rural quality after the mushrooming of towns: the largest proved exemplary in bringing the country into the city. New York’s Central Park was emulated by the open spaces on the grounds of the Chicago World’s Fair of 1893. The garden-cities surrounding London also provided inspiration, as did the avenues by which Georges Haussmann made Paris into a tourist mecca, and Pierre L’Enfant’s designs for the nation’s capital. The author concentrates on two growing cities of the twentieth century, Los Angeles and Honolulu. His detailed analysis shows politicians often slow to implement the bold and costly plans of designers whose ambition was to use the new technology in order to vie with the splendor of the natural sites and create the “City Beautiful.” Some titles in the bibliography show the hopes of those dreamers to have been tempered by fears of “supersize” or similar drawbacks.


Author(s):  
Andrey Izyumov ◽  
Ekaterina Luchinina ◽  
Alexey Pokazeev ◽  
Alexanr Soklakov

1974 ◽  
Vol 8 (3) ◽  
pp. 319-337 ◽  
Author(s):  
Ann Massa

The scope of the Chicago World's Fair of 1893, which celebrated, albeit a year late, the four hundredth anniversary of Columbus's discovery of America, ranged over many centuries, numerous nations and almost every type of human achievement. The 27 million people who came to the five months long Fair were able to see Grace Darling's boat or Spanish galleons of Columbus's time; they could follow the history of transport from coracles to cars; they could see the latest in Krupp's cannon and Bell's telephone in a classically styled Machinery Hall six times the size of the Coliseum. With the exception of Louis Sullivan's golden Transportation Pavilion, the buildings which housed the Fair, covered uniformly with staff, composed a classical ‘White City’, grouped round a complex of lagoons and fountains on Chicago's Lake Front.


2009 ◽  
Vol 18 (1) ◽  
pp. 67-98 ◽  
Author(s):  
PHILIP WHALEN

AbstractBurgundians developed new cultural strategies to market their wines during the inter-war years. Regional leaders, cultural intermediaries and the wine industry collaborated to overcome overproduction, prohibition and foreign as well as regional competition by exploiting the concept of terroir to develop a repertoire of popular festivals such as the Gastronomic Fair of Dijon, the Paulée of Meursault, Saint Vincent parades, an annual wine auction at the Hospice in Beaune and a Burgundian Pavilion at the 1937 World's Fair in Paris. These drew attention to the unique qualities of their wines and suggested how they might be best consumed. This aggressive marketing strategy was so successful that it became a model for French agricultural products promoted through the système d'appelation d'origine controlée. The result united natural resources, historical memory, marketing strategies and cultural performance into an imaginative and enduring form of commercial regionalism.


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