Recent history of electricity supply in Hong Kong

1984 ◽  
Vol 131 (6) ◽  
pp. 219
Author(s):  
W.F. Stones
2007 ◽  
Vol 189 ◽  
pp. 144-161 ◽  
Author(s):  
Matthew Chew

The qipao ceased to be worn for everyday occasions afer the 1950s in the PRC and the late 1960s in Hong Kong, Taiwan and Singapore. But it has powerfully re-emerged in the last few years. This is puzzling considering the swiftness and broad scale of the re-emergence, and the qipao's recent history of being marginalized. Are the political and cultural elites responsible and what motivated them? Besides political and cultural nationalism, are there other reasons that have led a large number of people to resume wearing the qipao? This study finds that the state did not play a significant role in the qipao's re-emergence, that cultural producers and celebrities contributed much to it, and that the symbolic meanings of the modern historical qipao have been repackaged and now cater to a variety of consumers for very different reasons.


2007 ◽  
Author(s):  
Eileen Ahearn ◽  
Mary Mussey ◽  
Catherine Johnson ◽  
Amy Krohn ◽  
Timothy Juergens ◽  
...  

2007 ◽  
Vol 4 (3) ◽  
pp. 331-358
Author(s):  
WEN-CHIN OUYANG

I begin my exploration of ‘Ali Mubarak (1823/4–1893) and the discourses on modernization ‘performed’ in his only attempt at fiction, ‘Alam al-Din (The Sign of Religion, 1882), with a quote from Guy Davenport because it elegantly sums up a key theoretical principle underpinning any discussion of cultural transformation and, more particularly, of modernization. Locating ‘Ali Mubarak and his only fictional work at the juncture of the transformation from the ‘traditional’ to the ‘modern’ in the recent history of Arab culture and of Arabic narrative, I find Davenport's pronouncement tantalizingly appropriate. He not only places the stakes of history and geography in one another, but simultaneously opens up the imagination to the combined forces of time and space that stand behind these two distinct yet related disciplines.


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