The Oxford History of Protestant Dissenting Traditions: Volume IV: The Twentieth Century in a Global Context

2020 ◽  
pp. 1-2
Author(s):  
Brian Stanley
2010 ◽  
Vol 19 (3) ◽  
pp. 215-230 ◽  
Author(s):  
RYAN GINGERAS

AbstractAlthough the Turkish mafia is increasingly recognised as a powerful force in the ongoing trade in weapons, narcotics and people in Europe and beyond, there are few critical histories of organised crime's origins in Turkey. Rather than present some pedantic general survey of the history of organized crime in modern Turkey, this essay attempts to address two broader critical points of departure. First, how did Anatolia's journey from imperial to republican rule impact, and how was it impacted by, criminal gangs? Second, how do we situate the experience of modern gangs in Turkey in a global context? In attempting to answer these questions, this paper looks at the development of criminal syndicates among Laz migrants in the greater Istanbul area during the first half of the twentieth century. The case of the Laz shows particularly how war, migration, imperial politics, urbanisation and the rise of the international drug trade shaped the parallel development of organised crime and the nascent Turkish Republic.


The Introduction establishes the themes of the volume but also makes an argument about how the history of Labour and the left in the 1980s might develop. It surveys the challenges for the left in the age of Thatcherism, interpreting them from the perspective of long term trends in the history of Labour and class politics in the twentieth century but also within the global context. The Introduction makes the case that the left was not an irrelevant force and that it played a major role in constructing the political and social arguments of our time.


2013 ◽  
Vol 22 (2) ◽  
pp. 283-288 ◽  
Author(s):  
FRANZ X. EDER

What can we expect from Dagmar Herzog's book on Sexuality in Europe: A Twentieth-Century History, published in a series on ‘new approaches to European history’? First, the series title suggests new approaches to this booming historical subdiscipline. There are plenty of burning questions about the history of sexuality waiting to be answered: the specificity of European sexuality or, perhaps better, sexualities, during the twentieth century, in comparison to the US, in a global context, and even the differences between the twentieth century and earlier periods. On our wish list we also have a comparative view of regional and national sexual cultures during the ‘century of sex’. A range of studies has been published on the history of sexuality in Europe during the last two decades, which could be used for reference and as templates. According to the mission statement of the Cambridge book series Herzog has to write about all these complex questions at the level of undergraduates. Therefore the bar is set really high for a historian of sexuality. To get straight to the point, Herzog has managed most of these requirements well over most passages of her book. It presents a successful combination of general introduction and historical explanation richly illustrated with numerous examples and historical images. The volume therefore offers an easy entrance into this up till now fairly confusing topic. But, as will be shown, she gives only a rather one-sided insight into the state of the art of recent historical research on European sexuality in the twentieth century.


2018 ◽  
Vol 13 (4) ◽  
pp. 496-517
Author(s):  
Ned Hercock

This essay examines the objects in George Oppen's Discrete Series (1934). It considers their primary property to be their hardness – many of them have distinctively uniform and impenetrable surfaces. This hardness and uniformity is contrasted with 19th century organicism (Gerard Manley Hopkins and John Ruskin). Taking my cue from Kirsten Blythe Painter I show how in their work with hard objects these poems participate within a wider cultural and philosophical turn towards hardness in the early twentieth century (Marcel Duchamp, Adolf Loos, Ludwig Wittgenstein and others). I describe the thinking these poems do with regard to industrialization and to human experience of a resolutely object world – I argue that the presentation of these objects bears witness to the production history of the type of objects which in this era are becoming preponderant in parts of the world. Finally, I suggest that the objects’ impenetrability offers a kind of anti-aesthetic relief: perception without conception. If ‘philosophy recognizes the Concept in everything’ it is still possible, these poems show, to experience resistance to this imperious process of conceptualization. Within thinking objects (poems) these are objects which do not think.


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