Pioneers in South African film history: Thelma gutsche's tribute to William Kennedy Laurie Dickson, the man who filmed the boer war

2005 ◽  
Vol 25 (4) ◽  
pp. 637-646 ◽  
Author(s):  
Michael Eckardt
Author(s):  
Martin P. Botha

SHORT FILMMAKING IN SOUTH AFRICA AFTER APARTHEID Historical ContextAlthough 1994 saw the birth of democracy in South Africa the South African film industry is much older. In fact, our great documentary film tradition dates back to 1896 and the Anglo Boer War(1). Surprisingly only a few books have been published regarding the history of one of the oldest film industries in the world and one of the largest on the African continent. Between 1910 and 2008 1434 features were made in South Africa (Armes 2008). Approximately 944 features were made in the period between 1978 and 1992, as well as nearly 998 documentaries and several hundred short films and videos (Blignaut & Botha 1992). South African film history is captured in a mere twelve books. Developments in early South African cinema (1895 - 1940) have been chronicled in Thelma Gutsche's The History and Social Significance of Motion...


2021 ◽  

The Boer War of 1899–1902, also termed the Anglo-Boer War or South African War, was waged by Britain to establish its imperial supremacy in South Africa and by Boers/Afrikaners to defend their independent republican order and control of the destiny of the white settler states they had secured in the interior. Large, long, controversial and costly, the Boer War was a colonial conflict which finally completed the British imperial conquest of the Southern African region. As is to be expected of a war that has a widely recognized significance not only in the history of European imperialism in Southern Africa but in world history more generally, literature on the 1899–1902 conflict is, simply, enormous. Scholarship is available not merely in English and in Afrikaans, but also in Dutch, French, German, Russian, Spanish, and even in Japanese. As it happens, more recent decades have seen the publication of sizeable bibliographies covering a century of writings on the Boer War in German and in Dutch. Although it could obviously not be claimed that every aspect of the 1899–1902 period—military, political, economic, social, or cultural—has been treated, evenly or otherwise, by so vast a body of literature, the sheer quantity of work available has to influence the scope and selectivity of any Boer War bibliography of this kind. While this bibliographic article includes some seminal early pieces, it is weighted toward more recently works and, in particular, includes scholarship which contains detailed bibliographies covering aspects of warfare (battles, sieges) that are not a specific focus of the approach taken here. Secondly, other classifiable areas of historiography which fall beyond the limits of this article, such as war memory and commemoration, and postwar economic reconstruction and political state-making, are treated—in some instances, quite substantially—in single-author general overviews and in multi-author edited treatments. In other respects, this article goes beyond more conventional historical terrain in including the war’s literary and cultural influences.


2015 ◽  
Vol 1 (1) ◽  
pp. 41 ◽  
Author(s):  
Johan Cilliers

Recognising the complexity of a pluralistic South African society, this article attempts to identify four ethical movements in preaching in the past, as well as the present. These movements are from silence to struggle, from eparation to celebration, from lamenting to longing, and from shaming to playing. In this regard, cognisance is taken in particular of the sermons, speeches, and letters of Archbishop Desmond Tutu. The paper concludes with a discussion of a classic South African film from 1976, entitled <em>e’Lollipop</em>.


2019 ◽  
Vol 49 (4) ◽  
pp. 641-648
Author(s):  
Robert I. Rotberg

South Africa’s Jameson Raid ultimately betrayed African rights by transferring power to white Afrikaner nationalists after helping to precipitate the Anglo-Boer War (1899–1902). The Raid also removed Cecil Rhodes from the premiership of the Cape Colony; strengthened Afrikaner control of the South African Republic (the Transvaal) and its world-supplying gold mines; and motivated the Afrikaner-controlled consolidation of segregation in the Union of South Africa, and thence apartheid. Perceptively, Charles van Onselen’s The Cowboy Capitalist links what happened on the goldfields of South Africa to earlier labor unrest in Idaho’s silver mines. Americans helped to originate the Raid and all of the events in its wake.


Critical Arts ◽  
1980 ◽  
Vol 1 (1) ◽  
pp. 57-62 ◽  
Author(s):  
Richard Harvey

Author(s):  
Aidan Forth

Guerrilla warfare during the South African (or Anglo-Boer) War presented a new context for the development of British camps. On the one hand, camps were a measure of military counterinsurgency that concentrated and detained scattered civilian populations suspected of aiding enemy insurgents. On the other hand, camps were measures of social control and sympathetic concern that organized shelter and humanitarian relief for refugees who had been displaced by scorched earth warfare and were congregating in overcrowded towns. Boer and African refugees presented a specter of social destitution and sanitary disarray familiar from Indian plague and famine operations. Like plague and famine camps, wartime concentration camps removed “uncivilized” and unhygienic populations from the center of towns and systematized ad hoc charitable arrangements by confining relief within demarcated boundaries. Although Boers were ostensibly Europeans respected for their vigor and courage, racialized discourses in the later phases of an asymmetric conflict denigrated them as uncivilized and even subhuman: such representations ultimately facilitated encampment.


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