The War That Bond Markets Did not Perceive as Such The Prices of South African Bonds during the Second Anglo-Boer War: An Extreme Case of Resilience

2020 ◽  
Author(s):  
Kim Oosterlinck ◽  
Marie Van Gansbeke
2021 ◽  

The Boer War of 1899–1902, also termed the Anglo-Boer War or South African War, was waged by Britain to establish its imperial supremacy in South Africa and by Boers/Afrikaners to defend their independent republican order and control of the destiny of the white settler states they had secured in the interior. Large, long, controversial and costly, the Boer War was a colonial conflict which finally completed the British imperial conquest of the Southern African region. As is to be expected of a war that has a widely recognized significance not only in the history of European imperialism in Southern Africa but in world history more generally, literature on the 1899–1902 conflict is, simply, enormous. Scholarship is available not merely in English and in Afrikaans, but also in Dutch, French, German, Russian, Spanish, and even in Japanese. As it happens, more recent decades have seen the publication of sizeable bibliographies covering a century of writings on the Boer War in German and in Dutch. Although it could obviously not be claimed that every aspect of the 1899–1902 period—military, political, economic, social, or cultural—has been treated, evenly or otherwise, by so vast a body of literature, the sheer quantity of work available has to influence the scope and selectivity of any Boer War bibliography of this kind. While this bibliographic article includes some seminal early pieces, it is weighted toward more recently works and, in particular, includes scholarship which contains detailed bibliographies covering aspects of warfare (battles, sieges) that are not a specific focus of the approach taken here. Secondly, other classifiable areas of historiography which fall beyond the limits of this article, such as war memory and commemoration, and postwar economic reconstruction and political state-making, are treated—in some instances, quite substantially—in single-author general overviews and in multi-author edited treatments. In other respects, this article goes beyond more conventional historical terrain in including the war’s literary and cultural influences.


2019 ◽  
Vol 49 (4) ◽  
pp. 641-648
Author(s):  
Robert I. Rotberg

South Africa’s Jameson Raid ultimately betrayed African rights by transferring power to white Afrikaner nationalists after helping to precipitate the Anglo-Boer War (1899–1902). The Raid also removed Cecil Rhodes from the premiership of the Cape Colony; strengthened Afrikaner control of the South African Republic (the Transvaal) and its world-supplying gold mines; and motivated the Afrikaner-controlled consolidation of segregation in the Union of South Africa, and thence apartheid. Perceptively, Charles van Onselen’s The Cowboy Capitalist links what happened on the goldfields of South Africa to earlier labor unrest in Idaho’s silver mines. Americans helped to originate the Raid and all of the events in its wake.


Author(s):  
Aidan Forth

Guerrilla warfare during the South African (or Anglo-Boer) War presented a new context for the development of British camps. On the one hand, camps were a measure of military counterinsurgency that concentrated and detained scattered civilian populations suspected of aiding enemy insurgents. On the other hand, camps were measures of social control and sympathetic concern that organized shelter and humanitarian relief for refugees who had been displaced by scorched earth warfare and were congregating in overcrowded towns. Boer and African refugees presented a specter of social destitution and sanitary disarray familiar from Indian plague and famine operations. Like plague and famine camps, wartime concentration camps removed “uncivilized” and unhygienic populations from the center of towns and systematized ad hoc charitable arrangements by confining relief within demarcated boundaries. Although Boers were ostensibly Europeans respected for their vigor and courage, racialized discourses in the later phases of an asymmetric conflict denigrated them as uncivilized and even subhuman: such representations ultimately facilitated encampment.


Author(s):  
P. Eric Louw

A song about a Boer War general, released in 2006, stirred controversy in South Africa by triggering a gearshift amongst Afrikaners towards re-engaging in the political process. The song “De la Rey”, which became a popular South African hit, captured the alienation many Afrikaners felt at having become a politically marginalized and disempowered ethnic minority within a state where Black Nationalism had become the dominant discourse. The song triggered the De la Rey phenomenon in which Afrikaners became once more politically assertive, following a decade in which this community had been politically dormant. Afrikaners took to singing “De la Rey” as a sort of ‘national anthem' when they gathered in sports stadiums, BBQs, pubs and parties. Twelve months after “De la Rey” was released, the South African government expressed concern the song could become “a rallying point for treason”. The De la Rey phenomenon offers an excellent fulcrum to consider how music can provide a platform for political messages which have consequences for the political process.


2020 ◽  
pp. 733-752
Author(s):  
P. Eric Louw

A song about a Boer War general, released in 2006, stirred controversy in South Africa by triggering a gearshift amongst Afrikaners towards re-engaging in the political process. The song “De la Rey”, which became a popular South African hit, captured the alienation many Afrikaners felt at having become a politically marginalized and disempowered ethnic minority within a state where Black Nationalism had become the dominant discourse. The song triggered the De la Rey phenomenon in which Afrikaners became once more politically assertive, following a decade in which this community had been politically dormant. Afrikaners took to singing “De la Rey” as a sort of ‘national anthem' when they gathered in sports stadiums, BBQs, pubs and parties. Twelve months after “De la Rey” was released, the South African government expressed concern the song could become “a rallying point for treason”. The De la Rey phenomenon offers an excellent fulcrum to consider how music can provide a platform for political messages which have consequences for the political process.


1994 ◽  
Vol 29 (114) ◽  
pp. 208-233 ◽  
Author(s):  
Terence Denman

In November 1899 The Times published a letter from a correspondent in Enniskillen recalling the army’s recruiting parades when he was a boy:The recruiting party — members of the regiment stationed here — usually fell in about 2 o’clock. There were two rows of non-commissioned officers (sergeants) in front, with swords drawn and ribbons streaming from their caps, then came the band playing spirit-stirring airs, a few rows of corporals forming the rear. Their appearance was quite imposing and invariably attracted a large crowd of stalwart peasant lads, as well as town youths and others. And it was certainly calculated to inspire a military enthusiasm in the breasts of the people . . . and many a fine young fellow, becoming enamoured of the service, was induced to accompany the party to the barracks and finally take the shilling.Only weeks before the Boer War had broken out, and the question of seducing ‘stalwart peasant lads’ to ‘take the shilling’ was becoming one of acute political concern in Ireland. For the Boer War was ‘nearly as crucial an event for Irish nationalism as the death of Parnell’. The sight of England engaged in a major colonial war and, in the early months, being ‘worsted in the game’ stimulated national sentiment: ‘the feeling against the British government was brought out in a remarkable manner, owing to the difficulties of the South African War’. Yet there were thousands of Irishmen in Britain’s army in South Africa.


2018 ◽  
Vol 32 (3) ◽  
pp. 586-608 ◽  
Author(s):  
Thembisa Waetjen

Summary Controls over trade and consumption of narcotic medicines emerged as both a concern and emblem of progressive governance around the turn of the twentieth century. This article traces political struggles over drugs regulation in the case of colonial South Africa. It focuses on two parallel streams of law-making by the British occupation regime in the Transvaal, following the Anglo-Boer war. Controversies over the availability of traditional ‘Dutch medicines’ to Boer farmers and prohibitions of certain patent medicines to African consumers were elements of, and contradictions within, the process of building a modern pharmaceutical economy. An influx to the region of new curatives coincided with the growth of vernacular newspapers as well as temperance campaigns. Working to nurture white national cohesion and support a mining industry premised on unskilled black labour, the South African state created race-based drugs controls. These developments proved significant to regulatory statecraft later in the century.


Literator ◽  
2002 ◽  
Vol 23 (3) ◽  
pp. 17-32 ◽  
Author(s):  
M. Wenzel

Several English and Afrikaans novels written during the nineties focus on confrontation with the past by exposing past injustices and undermining various myths and legends constructed in support of ideological beliefs. This commitment has gradually assumed the proportions of a Truth and Reconciliation Commission. A comparison of two recent novels dealing with events preceding and during the Anglo-Boer War, Manly Pursuits by Ann Harries and Op soek na generaal Mannetjies Mentz (In search of General Mannetjies Mentz) by Christoffel Coetzee provides an interesting angle to this debate. This article is an attempt to contextualise these novels within the larger framework of a contemporary South African reality; to acknowledge and reconcile, or assemble, disparate “faces” of a South African historical event at a specific moment in time. In Manly Pursuits, Ann Harries focuses on the arch imperialist, the “colossus of Africa”, Cecil John Rhodes, to expose the machinations behind the scenes in the “take over” of southern Africa, while in the Afrikaans novel, Op soek na generaal Mannetjies Mentz, the General becomes the embodiment of collective guilt. Written within a postmodern paradigm, both texts problematize the relationship between history and fiction by revealing deviations from “historic data” suggesting alternate versions of such "documentation" and by juxtaposing the private lives of historical personages with their public images.


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