scholarly journals Pithorain the Time of Kings, Elephants and Art Dealers: Art and Social Change in Western India

2014 ◽  
Vol 28 (1) ◽  
pp. 1-20 ◽  
Author(s):  
Alice Tilche
1959 ◽  
Vol 18 (3) ◽  
pp. 411
Author(s):  
Stanley Wolpert ◽  
Kenneth Ballhatchet

1981 ◽  
Vol 15 (4) ◽  
pp. 771-821 ◽  
Author(s):  
Crispin N. Bates

The Kheda (or Kaira) district has lately attracted great interest among Indian historians, not only because it was the area in which Gandhi chose to launch the very first peasant ‘satyagraha’ in resistance to government revenue demands, but also because it harboured a highly progressive class of peasant farmers, known as the Patidars, who to this day rank among the wealthiest cultivators in Western India.


1968 ◽  
Vol 100 (2) ◽  
pp. 151-165
Author(s):  
J. F. M. Jhirad

The traditional forms of landholding and the government's land policy are two problems in the study of the nature of social change in 19th-century Western India; as the necessary aetiology of agrarian movements they are also linked with the organization and idiom of popular protest on the one hand, and the structure and temper of official institutions on the other. The Khandesh Survey riots are a microcosm of these problems as they existed in a raīyatwārī (peasant-proprietary) area of the Bombay Presidency, five years before the Mutiny. An analysis of the agrarian relations—partly as seen articulated in the movement of the riots—seems to have an undiminished relevance for later periods, and may perhaps qualify an impression of the Bombay raīyatwārī system as one where the government as landlord had a uniformly direct relationship with a standard cultivatortenant.


2020 ◽  
Vol 15 (2) ◽  
pp. 247-254
Author(s):  
Mamta ◽  
Harminder Kaur Saini

The past few decades witnessed some developments that have left a permanent mark on the life style and costumes. The traditional costumes, jewellery and other accessories as well as a traditional lifestyle have been adversely affected by various factors of the social change process and vanished into the antiquity. It is significant to document this heritage for posterity and conservation of our age-old rich traditions. The purpose of this study was to explore and document the attire of Bagri females of North Western India. Interview questions were mainly focused on specific information related to the upper and lower garments, headdresses and jewellery and body decoration. Findings of the study revealed that most preferred traditional dresses of Bagri females were Aangi, Jamper, Ghaghro, Bugiyo, Sunkukdo, Chundadi and Pila. In the fashion market, there are some contemporary designs of dresses and jewellery available which shows similarity with Bagri attire.


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