scholarly journals In the company of a guide: guidebooks to Indigenous Australia

2021 ◽  
pp. 1-17
Author(s):  
Robert Clarke
Keyword(s):  
2017 ◽  
Vol 17 (2) ◽  
pp. 11-19 ◽  
Author(s):  
Alison Rogers ◽  
Madeleine Bower ◽  
Cathy Malla ◽  
Sharon Manhire ◽  
Deborah Rhodes

Evaluation is understood to be important for ensuring programs and organisations are effective and relevant. Evaluation findings, however, can be potentially inappropriate or not useful if those who have an in-depth understanding of the context are not involved in guidance, direction or implementation. The Fred Hollows Foundation's Indigenous Australia Program (IAP), with more than half of its employees identifying as Aboriginal and/or Torres Strait Islander, has developed a cultural protocol for evaluation to strengthen the quality of its program evaluations, whether they are carried out by internal staff or external evaluators. The development of the protocol was initiated after an evaluation capacity building appraisal identified the potential benefits of increased external support to undertake evaluation activities, and the requirement for this external support to be undertaken in a culturally appropriate manner. The protocol was developed by combining IAP's experience and knowledge with contemporary evaluation and research approaches, particularly those developed for use in cross-cultural settings, with the aim of producing a meaningful and locally relevant resource. The protocol aims to assist staff and external evaluators to ensure that evaluation activities are undertaken with the appropriate respect for, and participation of, Aboriginal and Torres Strait Islander individuals and communities. Consistent with IAP principles, those involved in the process of developing the protocols sought to ensure that engagement between staff, evaluators and evaluation participants occurs in culturally-appropriate ways. IAP believes that the protocol will contribute to stronger evaluation practices, deeper understanding and thus, more useful outcomes. This article describes the process of engaging IAP staff with contextual evidence and the literature around cultural protocols to create a meaningful tool that is useful in our particular context. The process of development described will be useful for: organisations undertaking initiatives that source external evaluators; internal evaluators engaging with external expertise; or evaluators linking with organisations working in a cross-cultural setting.


2000 ◽  
Vol 28 (1) ◽  
pp. 17-30 ◽  
Author(s):  
Dennis Foley

The collective aim of many of this Journal's readers is to provide Indigenous Australians with a sound education to allow us (Indigenous Australia) to take a more active role in Australian society. My personal research interest is in business studies, training Indigenous Australians in management and business principles. I continually face the question of am I training my kin in a Western science that is often at the opposite end of the spectrum to Indigenous thought and practice?


Author(s):  
Louise D'Arcens

World Medievalism: The Middle Ages in Modern Textual Culture explores the ways in which a range of modern textual cultures have continued to engage creatively with the medieval past in order to come to terms with the global present. Building its argument through four case studies—from the Middle East, France, Southeast Asia, and Indigenous Australia–it shows that to understand medievalism as a cultural idiom with global reach, we need to develop a more nuanced grasp of the different ways ‘the Middle Ages’ have come to signify beyond Europe as well as within a Europe that has been transformed by multiculturalism and the global economy. The book’s case studies are explored within a conceptual framework in which medievalism itself is formulated as ‘world-disclosing’—a transhistorical encounter that enables the modern subject to apprehend the past ‘world’ opened up in medieval and medievalist texts and objects. The book analyses the cultural and material conditions under which its texts are produced, disseminated, and received and examines literature alongside films, television programs, newspapers and journals, political tracts, as well as such material and artefactual texts as photographs, paintings, statues, buildings, rock art, and fossils. While the case studies feature distinctive localized forms of medievalism, taken together they reveal how imperial and global legacies have ensured that the medieval period continues to be perceived as a commonly held past that can be retrieved, reclaimed, or revived in response to the accelerated changes and uncertainties of global modernity.


Author(s):  
Peter Minter

Contemporary Indigenous Australian literature draws on tens of thousands of years of sustained cultural continuity and diversity, while bearing witness to the destructive impacts of colonization and assimilation, and imagining new horizons of restoration, healing, and sovereign expression. The late 18th-century arrival of the English language amid complex Indigenous societies presented Indigenous peoples with a set of unfamiliar literary, linguistic, and rhetorical conditions and forms, the sudden appearance of Western literary modernity forever changing Indigenous modes of expression. This “intercultural entanglement” of Indigenous Australian literature is central to an appreciation of its achievements, from its earliest appearances in letters, petitions, and chronicles aimed at negotiating with or at times subversively mimicking modes of colonial authority, to its growing confidence and autonomy in the 20th century as Indigenous Australians fought back again colonization, asserted civil and land rights, and began the long process of cultural restoration and healing, through to the sovereign expressions of Aboriginal consciousness today. Across various modern literary genres, from mythological narratives to political manifestos, in poetry, plays, short stories, and novels, Indigenous Australian authors have borne witness to tragic and humiliating histories of violence, incarceration, and cultural suppression and fragmentation, but have also assertively developed new and at times revolutionary reimaginings of Western literary modes and styles. Realist testimonial narratives and lyrics in prose and poetry are today complemented by assured works of the imagination in which genre and mode are transformed in the recovery of blood memory, country, and language. The literature of Indigenous Australia continues to make a profound contribution to the literature of the world.


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