Re-membering the Postcolonial Musical Audience with Indigenous Soundscapes: Mbeyu Njija Music-Video Documentary in Tanzania

2021 ◽  
pp. 1-18
Author(s):  
Kaghondi wamwa Mwanga
Keyword(s):  
Music Video ◽  
Video Documentary

Viewing music videos: Emotion and viewer interpretation

2002 ◽  
Vol 14 (2) ◽  
pp. 69-79 ◽  
Author(s):  
Joan M. Preston ◽  
Michael Eden
Keyword(s):  
University Students ◽  
Emotional Content ◽  
Music Videos ◽  
Music Video ◽  
Mediating Factors ◽  
Comparative Media

Abstract. Music video (MV) content is frequently measured using researcher descriptions. This study examines subjective or viewers’ notions of sex and violence. 168 university students watched 9 mainstream MVs. Incidence counts of sex and violence involve more mediating factors than ratings. High incidents are associated with older viewers, higher scores for Expressivity, lower scores for Instrumentality, and with video orders beginning with high sex and violence. Ratings of sex and violence are associated with older viewers and lower scores for Instrumentality. For sex MVs, inexperienced viewers reported higher incidents and ratings. Because MVs tend to be sexier but less violent than TV and film, viewers may also use comparative media standards to evaluate emotional content MVs.

LET'S GO TO FRENZY A Brief History of New Zealand Music TV and Music Video

Perfect Beat ◽  
2015 ◽  
Vol 1 (4) ◽  
pp. 111-121
Author(s):  
Bruce Sheridan ◽  
Philip Hayward
Keyword(s):  
New Zealand ◽  
Music Video ◽  
History Of

AEIOU Moana and the Moahunters, Music Video and the Communication of Polynesian Cultures in Contemporary New Zealand

Perfect Beat ◽  
2015 ◽  
Vol 2 (4) ◽  
pp. 78-88
Author(s):  
SARA VUI-TALITU
Keyword(s):  
New Zealand ◽  
Music Video

Seeing Stories, Hearing Stories in Narrative Music Video

2019 ◽  
Vol 5 (5) ◽  
Author(s):  
Matthew E. Ferrandino ◽  
Brad Osborn
Keyword(s):  
Music Video ◽  
Visual Content ◽  
Moving Images

Music video combines moving images with a preexisting song. The narrative implied by a music video’s visual content can either support or seem at odds with the narrative suggested by the song’s music and lyrics, in ways that have fascinating repercussions. In this video, we explore four different relationships between image and sound and how these interactions influence our interpretation of music video.

Women's Beauty in As If It's Your Last by BLACKPINK

2019 ◽  
Author(s):  
Laila Fariha Zein ◽  
Adib Rifqi Setiawan
Keyword(s):  
Music Video ◽  
As If

This research was conducted to find out the representation of women's beauty in BLACKPINK's As If It's Your Last music video. The method used in this study is John Fiske's Semiotics with 3 levels, namely the level of reality, the level of representation and the level of ideology. The approach taken in this study is qualitative interpretive to describe the signs and symbols in the music video. It is obtained that the representation of beauty is shown through physical (outer beauty) and personality (inner beauty) which can be seen from the signs and symbols contained in the music video showing: 1) Women's beauty is a product of media engineering, 2) Beauty of women is made as a commodity object, and 3) Women's beauty is synonymous with the image of luxury.

Auteurship and Agency In Television Music

2013 ◽  
pp. 525-556
Author(s):  
Ronald Rodman
Keyword(s):  
Music Video ◽  
Distinctive Character ◽  
Music Research ◽  
Analytical Approaches

This chapteroffers a survey of literature and analytical approaches in the study of television music. It explains the distinction between composer-based,auteurist models and agency-oriented models of television music, and describes the distinctive character of music video. It discusses the trend in current television and television music and evaluates the presentstate and prospects for television music research. This chapteralso considers the factors that significantly influenced the evolution of television music, including the advent of DVR technology.

Music video on China’s benevolence earns flak

2021 ◽  
Author(s):  
Joanna Juvyjoy Rojo
Keyword(s):  
Music Video

Anderson .Paak, Kendrick Lamar, and Colin Tilley “Get up in Our Rearview Mirror”: Collectively Analyzing the “Tints” Music Video

2021 ◽  
pp. 1-40
Author(s):  
Carol Vernallis ◽  
Lauren McLeod Cramer ◽  
Jonathan Leal ◽  
Anders Liljedahl ◽  
Daniel Oore ◽  
...  
Keyword(s):  
Music Video ◽  
Rearview Mirror

scholarly journals Adolescent/Young Adult Perspectives of a Therapeutic Music Video Intervention to Improve Resilience During Hematopoietic Stem Cell Transplant for Cancer*

2019 ◽  
Vol 57 (1) ◽  
pp. 3-33 ◽  
Author(s):  
Joan E Haase ◽  
Sheri L Robb ◽  
Debra S Burns ◽  
Kristin Stegenga ◽  
Brooke Cherven ◽  
...  
Keyword(s):  
Stem Cell ◽  
Hematopoietic Stem Cell ◽  
Hematopoietic Stem Cell Transplant ◽  
Stem Cell Transplant ◽  
Meaning Making ◽  
Music Video ◽  
Controlled Clinical Trial ◽  
Cell Transplant ◽  
Hematopoietic Stem ◽  
Personal Strengths

Abstract This empirical phenomenology study reports adolescents/young adults (AYA) experiences of the therapeutic music video (TMV) intervention arm of a randomized controlled clinical trial (Children’s Oncology Group; COG-ANUR0631; R01 NR008583) during hospitalization for a hematopoietic stem cell transplant. A purposive subsample of 14 AYA were interviewed using a broad open-ended data-generating question about their TMV intervention experiences. At the end of each interview, we also asked AYA for suggestions on how to improve the TMV. Analysis of the narrative data resulted in four theme categories: (a) An Interwoven Experience of the Transplant and TMV Intervention; (b) TMV as a Guided Opportunity for Reflection, Self-Expression, and Meaning-Making; (c) Telling My Story: The Work of Deriving Meaning; and (d) A Way to Overcome the Bad Side of Cancer. AYA suggestions for improving the TMV are also summarized. Findings provide insight into ways the TMV supports AYA efforts to overcome distress and challenges by providing opportunities to reflect on what is meaningful, connect with others, and explore/identify personal strengths. Findings also inform our understanding about how the TMV may have functioned (i.e., mechanisms of action) to bring about significant change in AYA self-reported outcomes (i.e., positive coping, social support, and family function) for this trial.

Music video, songs, sound: experience, technique and emotion in Eternal Sunshine of the Spotless Mind

Screen ◽  
2008 ◽  
Vol 49 (3) ◽  
pp. 277-297 ◽  
Author(s):  
C. Vernallis
Keyword(s):  
Music Video
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