The Disappearing Subject: Language, transparency, and modern architecture in the works of Michel Houellebecq

2011 ◽  
Vol 15 (3) ◽  
pp. 339-347
Author(s):  
Delphine Grass
2020 ◽  
Vol 102 (2) ◽  
pp. 143-157
Author(s):  
Raymond Richard Neutra

The Lovell Health House (1927–1929) by Richard Neutra for Dr. Phillip Lovell and his wife, Leah Lovell, was a turning point in modern architecture. The house not only carried out Phillip Lovell’s principles of healthy living, it also incorporated a school conducted along the progressive educational theories embraced by Leah Lovell. This article identifies the educational features in Neutra’s plan. Interviews with one of the last remaining students of the school shed light on the students and faculty and how the design served the school’s curriculum. Neutra’s innovative design accommodating the progressive educational program at the Lovell Health House belongs in any discussion of the later school designs for which he won lasting acclaim.


2013 ◽  
Vol 8 (1) ◽  
pp. 133-140
Author(s):  
Tamás Molnár
Keyword(s):  

Author(s):  
Navid Gohardani

Historiography marks a relatively unexplored research domain in architecture. Despite the obscure nature of this subject matter, architectural historiography equally illuminates a hidden pathway to the historical interaction of architecture with art or literature. Critical historiography adds another dimension to this emerging research topic that further encapsulates multiple levels of criticism. In recognition of a growing interest for historiography, it can be argued that the critical aspects of historiography may serve as crucial instruments for an enhanced understanding of architectural historiography. In this article, the realm of architectural historiography is investigated through a multidisciplinary perspective that revisits architectural criticism, critical historiography, modern architecture, phenomenology, and a number of aspects of architectural historiography in the Swedish Million Homes Program.


2019 ◽  
Author(s):  
Ангелина Вадимовна Яшкевич

В данной статье с опорой на тексты ряда исследователей раскрывается, что в современной архитектуре коллаж может использоваться и как метод, и как модель города. Автором выдвинут тезис о том, что одновременное использование коллажа по этим двум направлениям способно связать город и построения зданий в единую умозрительную логику, обеспечивая при этом целостность общего и его частей. In this article, based on the texts of a number of researchers, it is revealed that in Modern architecture a collage can be used both as a method and as a model of a city. The author put forward the thesis that the simultaneous use of a collage in these two areas is able to link the city and the construction of buildings into a single speculative logic, while ensuring the integrity of the general and its parts.


1990 ◽  
Vol 3 (1) ◽  
pp. 49-66
Author(s):  
Leo R. Zrudlo

This article addresses architects, planners, and developers but should also interest any other professionals involved in the creation of the built environment. It begins by stating that the built environment is principally made up of buildings and groupings of buildings. Therefore, architecture and urban design are the major focus of the article. Definitions of architecture are then presented from a variety of authors and architects. An argument is made that there actually is a missing dimension in the built environment illustrated by quotations from architects, architectural theorists, amid critics. It becomes evident that architecture is unable to satisfy the emotional and aesthetic needs of people and also that the profession itself, which admits that modern architecture has created bleak and insensitive environments, is in profound disagreement on how to rectify the situation. Under the heading “Architecture–The Object” arguments for and against different architectural movements or stylistic tendencies are highlighted by quotations from the proponents of tile various styles and theories. A similar approach is taken for cities under the heading “Urban Design–The Juxtaposition of Objects.” The fact that something is missing from architectural and city design is concluded, and examples of a preoccupation for the spiritual aspect of architecture and urban design are used to illustrate this growing concern for a dimension that has been much neglected in tile previous several decades. The notion of “spiritual” is then defined, followed by a list of spiritual qualities. Two important principles, unity in diversity and consultation are discussed before presenting some concluding thoughts on how the designers of the built environment can begin finding ways of infusing their designs with a spiritual dimension.


Author(s):  
Carol Krinsky

En la última generación, la historia de la arquitectura de Norteamérica ha incluido estudios sobre la arquitectura de indígenas y grupos minoritarios. Este artículo presenta los antecedentes del fenómeno, y cita referencias a la arquitectura por y para los judíos, afroamericanos y nativos norteamericanos. El artículo promueve preguntas sobre cómo se define la identidad, especialmente para personas con patrimonio mixto.


Gragoatá ◽  
2020 ◽  
Vol 25 ◽  
pp. 455-472
Author(s):  
Angela Maria Dias

O presente ensaio busca apresentar, numa perspectiva comparatista e atualizadora, duas diferentes leituras de temas cruciais ao século XIX, como o dandismo e o decadentismo. Nesse sentido, aproxima, respectivamente, O retrato de Dorian Gray (1890), de Oscar Wilde, e Submissão (2015), de Michel Houellebecq, do romance emblemático À rebours (1884) de Joris-Karl Huysmans. Tanto a obra de Wilde, quanto a de Houellebecq, de maneiras distintas, interpretam tais questões em chaves inusitadas. O primeiro desloca seu refinamento, pelo apetite da crueldade melodramática ao explorar a margem monstruosa de sua época. O segundo desvia-se da melancolia desencantada do seu clima crepuscular, numa deriva satírica e cínica, por reconhecer a convergência entre o decadentismo novecentista e a nossa atualidade distópica e aviltada pelo avanço da desterritorialização do humano.


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