Newcastle Upon Tyne: Mapping the City

Author(s):  
Peter Vujakovic
Keyword(s):  
The City ◽  
1927 ◽  
Vol 7 (4) ◽  
pp. 424-437 ◽  
Author(s):  
Charles Johnson

In the course of last year I was concerned, together with Mr. R. J. Whitwell, in publishing in Archaeologia Aeliana a particularly detailed account of the construction of a galley at Newcastle-upon- Tyne in 1295. The building of this vessel was part of an extensive naval programme due to the war with France begun in the previous year. Although I was able to trace the accounts of many of the vessels built on this occasion, I failed to find those of the two galleys which the City of London was directed to furnish. Quite recently, I came upon the full particulars of the building of the second of these among the ‘Sheriffs' Administrative Accounts’ at the Public Record Office, which are a subdivision of the class of ‘Accounts, etc.’, formed from the ancient miscellanea of the King's Remembrancer of the Exchequer. With this detailed account I found a summary of expenses prepared from it, and a similar summary of the expenses of some repairs done at the same time and place to two barges. In the similar subdivision entitled ‘Works ’ was a like summary of the expenses of construction of the first galley. The accounts which I had previously found had been classified as ‘Army and Navy’, but the circumstances that in London the sheriffs were responsible for the expenses had led to these accounts being separated from those of the other vessels.


2020 ◽  
Vol 32 (3) ◽  
pp. 523-536
Author(s):  
Laia Anguix

Abstract In 1909 the city of Newcastle was offered the bequest of J.A.D. Shipley. Containing 2,500 paintings attributed to masters such as Rembrandt and Raphael, and linked to a sum of £30,000 for museum accommodation, it caused a media stir. C. B. Stevenson, curator of the Laing Art Gallery in Newcastle upon Tyne, reported that the collection contained many ‘feeble imitations . . . unworthy of the names attached to them.’1 Nevertheless, he recommended its acceptance, because of the benefit it would confer on the Laing. But Newcastle council rejected Stevenson’s advice, favouring external reports to support its verdict, which was based on financial concerns and on the negative responses of prominent citizens. The Laing’s appeals were disregarded and Gateshead obtained the bequest, leading to the creation of the town’s first public art gallery, the Shipley Art Gallery, in 1917. The Shipley case is here discussed as an example of misunderstanding between cultural institutions and political structures, and of the power of local elites to raise questions regarding authorship and authenticity.


2019 ◽  
Vol 8 (7) ◽  
pp. 212
Author(s):  
Matthias Flug ◽  
Jason Hussein

Newcastle upon Tyne, a post-industrial city in the North East of England, has long been committed to hosting refugees. Although the city has suffered drastic cuts in government funding and faces high levels of deprivation, Newcastle declared itself a city of sanctuary and participates in several dispersal schemes for asylum seekers and refugees. This paper shows how political support as well as the self-motivating ambition to be a city of sanctuary are driving forces behind the city’s commitment to hosting refugees. This study then proceeds to explore the integration experiences of refugees in Newcastle, with a focus on housing, employment and the relations between refugees and local residents. While an overall positive picture emerges across these areas, language barriers, the refusal to accept refugees’ previous qualifications and experiences of racism remain major obstacles to integration. Moreover, the gulf in funding and support between resettled refugees and former asylum seekers greatly aggravates the latter’s access to housing and employment and contributes to a lower feeling of safety among this group.


1997 ◽  
Vol 26 (4) ◽  
pp. 830-836 ◽  
Author(s):  
J. Metcalf ◽  
R. Bhopal ◽  
J Gray ◽  
D Howel ◽  
O. James

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