Exhibiting Cultures: The Poetics and Politics of Museum Display. Ivan Karp , Steven D. Lavine

1991 ◽  
Vol 26 (4) ◽  
pp. 306-310
Author(s):  
Roger B. Stein
Keyword(s):  
Museum Display

Studies on naturally dyed silk for painting exposed to museum display

2014 ◽  
Vol 59 (sup1) ◽  
pp. S81-S84
Author(s):  
Boyoung Lee ◽  
Hyo seon Ryu
Keyword(s):  
Museum Display

scholarly journals The Inquiry of Storytelling Narrative in the Museum Display Design

2017 ◽  
Vol 4 (2) ◽  
pp. 114
Author(s):  
Yutong Han ◽  
Chuanhong Xu
Keyword(s):  
Social Education ◽  
Experience Design ◽  
Scene Design ◽  
Display Design ◽  
The People ◽  
The World ◽  
Story Construction ◽  
Museum Display

<em>This article starts from space story construction, display scene design and the “people-oriented” </em><em>experience design direction, combines with quality cases that leading the world museum display design, </em><em>discusses how to use the storytelling narrative into museum display design. The paper will help better </em><em>promote the plot development between space and exhibits, exhibits, people and exhibits, optimize the</em><br /><em>social education function of traditional museum, and spread exhibition information more effectively.</em>

Renewed investigations at the Folsom Palaeoindian type site

Antiquity ◽  
2000 ◽  
Vol 74 (283) ◽  
pp. 35-36
Author(s):  
David J. Meltzer
Keyword(s):  
New Mexico ◽  
Natural History ◽  
New World ◽  
Projectile Point ◽  
Projectile Points ◽  
Type Site ◽  
Bison Antiquus ◽  
Museum Display

The Folsom site (New Mexico, USA) is justly famous as the place where in 1927 four decades of sometimes bitter controversy came to an end, when it was finally demonstrated humans had been in the New World since the Pleistocene (Meltzer 1993). Folsom became the type site for the Palaeoindian period and distinctive fluted projectile point that bears its name (see Hofman 1999). Yet, as the excavations done in the 1920s by the Colorado (now Denver) and American Museums of Natural History focused initially on the recovery of Bison antiquus skeletons suitable for museum display, and latterly on documenting the association of projectile points with those bison remains, many fundamental questions of interest about the site’s stratigraphic, environmental and archaeological context were left unanswered (and often not asked).

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