ICONOGRAPHIC INDEX TO NEW TESTAMENT SUBJECTS REPRESENTED IN PHOTOGRAPHS AND SLIDES OF THE VISUAL COLLECTIONS, FINE ARTS LIBRARY, HARVARD UNIVERSITY / Volume 1: Narrative Paintings of the Italian School (Garland Reference Library of the Humanities). Helene E. Roberts , Rachel Hall

Author(s):  
Eileen Fry
2006 ◽  
Vol 7 (2) ◽  
pp. 94-104 ◽  
Author(s):  
Pablo Alvarez

A relatively recent exchange on the Exlibris listserv inspired me to write this paper.1 Julia Walworth, Fellow Librarian at Merton College, University of Oxford, asked about other librarians’ experiences in introducing special collections—and rare books in particular—to undergraduate students.2 In a nostalgic note, several members of the list responded to Dr. Walworth's inquiry by referring to a course entitled “Fine Arts 5e” that was taught from 1915 through 1932 by George Parker Winship in the Widener Library at Harvard University.3 Other responses were more pragmatic in nature, addressing the needs of today's undergraduates. Lori N. Curtis, then Head . . .


2007 ◽  
Vol 1047 ◽  
Author(s):  
Lisa Ellis ◽  
Richard Newman ◽  
Michael Barsanti

AbstractGlazes found on ancient Nubian quartzite sculpture were characterized in a previous study by scanning electron microscopy/energy-dispersive X-ray spectrometry (SEM/EDS). Now in the collection of the Museum of Fine Arts, Boston, these objects were excavated in the early 20th century by the joint Harvard University-Boston Museum of Fine Arts Expedition, in ancient Kerma, the capital of ancient Kush. The project presented here attempts to recreate the ancient technology used to glaze quartzite with compositions determined in the previous study. Raw and fritted experimental glazes were prepared, as well as an alkali paste mixed with a copper colorant. All of the samples were fired in modern kilns. After firing, samples of the glazes and their quartzite substrates were examined with SEM/EDS.


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