John King. Magical Reels: A History of Cinema in Latin America. (Critical Studies in Latin American Culture.) New York: Verso, in association with the Latin America Bureau. 1990. Pp. x, 266. $49.95

Author(s):  
Héctor Fernández L’Hoeste ◽  
Juan Carlos Rodríguez

This introductory chapter provides a general context for this collection, starting with the anecdotal inception of the project. It provides a list of some of the important titles in the field of digital humanities that figure prominently as academic predecessors and ponders on the consequences and implications of the digital turn in the humanities for the study of Latinx and Latin American culture. In response to the cultural hegemony of Anglocentric circles in the digital humanities, it provides ample evidence of the development and existence of the field in Latin America. Finally, it provides a brief overview of the four sections into which the book is divided: digital nations, transnational networks, digital aesthetics and practices, and interviews with Latin American DH scholars.


1995 ◽  
Vol 20 (3) ◽  
pp. 8-10 ◽  
Author(s):  
Elsa Barberena

Latin American culture is very rich, yet there is insufficient documentation on Latin American art, and much of the documentation which does exist is not adequately covered by the major art indexes. A number of magazines have set out, especially since the 1940s, to disseminate information about Latin American art, but most have been short-lived. The LATINOARTE project, based in the Facultad de Filosofía y Letras at the Universidad Nacional Autónoma de México (UNAM), aims to develop and to network a database including citations to documentation available in 62 libraries and information centres inside and outside Latin America. Already, some 1,500 records are available on contemporary Latin American art. (The edited text of a paper presented to the IFLA Section of Art Libraries at the IFLA General Conference at Havana, August 1994.)


2009 ◽  
Vol 3 (2) ◽  
pp. 157-173 ◽  
Author(s):  
Leopoldo Cervantes-Ortiz

AbstractThis essay tries to show the diverse ways in which it is possible to refer to the Christian Trinity inside the Latin American culture. An example is given—the Mexican culture—where Christian beliefs are continuously changing under the impact of certain ideas and practices from the postmodern mind. Contemporary Latin American cultures are a mixture of pre-modern, modern, and post-modern elements. The belief in the Trinity is a product of these elements and expresses social, political, and ideological transformations. The traditional, dogmatic, Christian teaching of the Trinity is not the main source for comprehension in that situation. Indeed, theological education has not brought enough explanation of the better form to actualize these types of beliefs. Both Catholic and Protestant theologies need a fresh approach to this problem.


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