Chinese Calligraphy and Painting in the Collection of John M. Crawford, Jr.Laurence Sickman

1963 ◽  
Vol 57 (2) ◽  
pp. 249-251
Author(s):  
T. H. Tsien
Keyword(s):  
2021 ◽  
pp. 097133362199044
Author(s):  
Henry S. R. Kao ◽  
Min Xu ◽  
Tin Tin Kao

Our research in the past 40 years has identified beneficial effects of Chinese calligraphy handwriting (CCH) practice on visual attention, cognitive activation, physiological slowdown, emotional relaxation and behavioural change. We hypothesised that these outcomes may constitute a compressive set of foundations which could impact several traits of Chinese personality within the context of Confucian culture and values. Here, we give a brief overview of the background of CCH and its effect in the cognitive, physiological and bio-emotional domains. We then provide empirical evidence showing strong association of CCH and personality traits and discuss the results in the contexts of calligraphy practice and Confucian literati personality, Confucianism and Chinese personalities as well as calligraphy writing and tool-using psychological theory.


Author(s):  
HENRY S.R. KAO ◽  
LAM PING-WAH ◽  
LISA ROBINSON ◽  
NAI-SHING YEN
Keyword(s):  

2011 ◽  
Vol 16 (01) ◽  
pp. 61-93
Author(s):  
Pietro de Laurentis

This paper presents an early Ming companion on Chinese calligraphy, the Comprehensive Explanations on Calligraphy (Fashu tongshi 法書通釋) as well as the life of its author Zhang Shen 張紳 (fl. half of the fourteenth century). By analysing the content and the quotations included therein, the present article traces the history and outlines the structure of Zhang’s compendium, while providing also a preliminary translation of the introductory sections of the ten chapters which constitute the entire work. Also, at the same time, through the analysis of biographical materials about the author, Zhang’s life, his official career, personality, and literary works are elucidated. It is concluded that Zhang Shen, an expert classicist as well as a Confucian scholar, whose purpose in his Explanations is to expose and clarify a series of fundamental questions related to the study and practice of calligraphy, which are pertinent to the analysis and interpretation of classical treatises of calligraphy.


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