The English Opium Eater: A Biography of Thomas De Quincey. Robert Morrison.

2010 ◽  
Vol 41 (4) ◽  
pp. 184-186
Author(s):  
Michael Wiley
Keyword(s):  
Thomas De Quincey

Thomas de Quincey

2001 ◽  
Author(s):  
Frederick Burwick
Keyword(s):  
Thomas De Quincey

‘Otherwise in London’ or, the ‘Essence of Things’: Modernity and Estrangement in the Nineteenth-Century Cityscape

2015 ◽  
Vol 5 (1) ◽  
pp. 17-35
Author(s):  
Julian Wolfreys
Keyword(s):  
Nineteenth Century ◽  
William Wordsworth ◽  
Urban Landscape ◽  
Thomas De Quincey ◽  
Urban Centre ◽  
Early Nineteenth Century ◽  
Urban Representation ◽  
Robert Southey ◽  
The World ◽  
The City

Writers of the early nineteenth century sought to find new ways of writing about the urban landscape when first confronted with the phenomena of London. The very nature of London's rapid growth, its unprecedented scale, and its mere difference from any other urban centre throughout the world marked it out as demanding a different register in prose and poetry. The condition of writing the city, of inventing a new writing for a new experience is explored by familiar texts of urban representation such as by Thomas De Quincey and William Wordsworth, as well as through less widely read authors such as Sarah Green, Pierce Egan, and Robert Southey, particularly his fictional Letters from England.

Levana: Levitation in Jean Paul and Thomas de Quincey

1980 ◽  
Vol 32 (1) ◽  
pp. 42
Author(s):  
Joel D. Black
Keyword(s):  
Thomas De Quincey ◽  
Jean Paul

On Not Being an Author: De Quincey's ‘Confessions’ and the Performance of Romantic Translatorship

Romanticism ◽  
2021 ◽  
Vol 27 (3) ◽  
pp. 262-271
Author(s):  
Brecht de Groote
Keyword(s):  
Literary Criticism ◽  
Translation Studies ◽  
Thomas De Quincey ◽  
Recent Developments ◽  
Successes And Failures

Through his ‘Confessions of an English Opium-Eater’, Thomas De Quincey effects a meticulously crafted entrance onto the literary scene: less a series of confidential notes than a stage-managed performance, the ‘Confessions’ serve as a stage on which he announces his literary ambitions. One such set of performative acts has received little attention: it pertains less to establishing a ground from which to authoritatively create, than it does to laying down a structure through which to mediate. Acting on recent developments within literary criticism and translation studies, this article examines the ways in which the ‘Confessions’ launch their writer on a career in interlingual and intercultural transfer, and how this performance of minority is designed to operate alongside other Romantic writers. The article ponders the successes and failures of mediation on display in emblematic scenes, and attends to how these chart the uneasy relationship between authorship and translatorship.

Opium and the Romantics

2021 ◽  
Author(s):  
Robert Morrison
Keyword(s):  
Samuel Taylor Coleridge ◽  
Daily Life ◽  
John Keats ◽  
Medical Community ◽  
Thomas De Quincey ◽  
Wide Range ◽  
Minor Ailments

Opium was an unremarkable part of daily life in Romantic Britain. It was highly prized by the medical community as a painkiller, and people of every age and class actively and unselfconsciously used it to treat a wide range of major and minor ailments. The Romantic age, however, also marks the crucial moment when British opium-eaters began to celebrate the drug, not for its medicinal powers, but for its recreational properties, as seen especially in the works of John Keats, Samuel Taylor Coleridge, and Thomas De Quincey.

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