Lardner, Ring

Author(s):  
Jen Hirt

Ring Lardner was a sharp-witted American humorist who had an amazing ear for malapropisms, idioms, and the lively vernacular of early 20th-century Chicago and later the East Coast. Originally a sports writer for baseball, Lardner branched out to short stories in 1914, when he wrote serial fiction for the Saturday Evening Post. This job lead to him honing the authorial control that lead to him creating three original and beloved fictional characters. They were the baseball player Jack Keefe (who appeared in the Saturday Evening Post stories); later, an unnamed but sarcastic husband; and years later, Fred Gross, an inept detective. His unique, first-person stories held an air of authenticity and daring. Readers loved his work for the style and subjects that transcended the stodgy halls of refined literature, and yet intellectuals mined them for the brilliant irony and cultural criticism. Lardner developed a reputation as a complex writer whose column, nonetheless, was read weekly by the mainstream, not just the experts. Additionally, critics saw immediate value in how Lardner let himself be fascinated by the social microcosm of baseball (with minor leaguers maneuvering to rise in the ranks); he saw in it a parallel to class struggles in America. When he later became an actual Long Island neighbor of American novelist F. Scott Fitzgerald, he sought to capture in literature the decadence of the American lifestyle. His later work was fiercely critical of shallow attitudes, social climbing, and the tendency for business interests to undermine culture. By 1929, Lardner's rough lifestyle and utter disenchantment with America—as well as a tuberculosis diagnosis—took a toll on his creative output. He had been a binge drinker since his days as Fitzgerald's socialite neighbor. His drinking was fueled by his deep vein of disgust for his own society. His wildly comedic and witty writing belied his own weaknesses, including succumbing to the stress of being financially responsible for his family. Monetary success eventually came in 1930, when he coauthored a musical, “June Moon.” It was fleeting, however; the next years saw him produce a weekly radio column and rehash the Jack Keefe adventures in a 1933 redux of fictional baseball letters, titled Lose with a Smile. He died that year, of a heart attack, on September 25. He was forty-eight years old.

2003 ◽  
Vol 35 (10) ◽  
pp. 1853-1876 ◽  
Author(s):  
Mike Raco

The reform of regional governance in the United Kingdom has been, in part, premised on the notion that regions provide new territories of action in which cooperative networks between business communities and state agencies can be established. Promoting business interests is seen as one mechanism for enhancing the economic competitiveness and performance of ‘laggard’ regions. Yet, within this context of change, business agendas and capacities are often assumed to exist ‘out there’, as a resource waiting to be tapped by state institutions. There is little recognition that business organisations' involvement in networks of governance owes much to historical patterns and practices of business representation, to the types of activities that exist within the business sector, and to interpretations of their own role and position within wider policymaking and implementation networks. This paper, drawing on a study of business agendas in post-devolution Scotland, demonstrates that in practice business agendas are highly complex. Their formation in any particular place depends on the actions of reflexive agents, whose perspectives and capacities are shaped by the social, economic, and political contexts within which they are operating. As such, any understanding of business agendas needs to identify the social relations of business as a whole, rather than assuming away such complexities.


Author(s):  
Donal Harris

FRESH ON THE HEELS OF COMPILING FLAPPERS AND PHILOSOPHERS (1920), a short-story collection mostly culled from fiction previously published in the Saturday Evening Post, F. Scott Fitzgerald momentarily paused to imagine how popular magazines might occupy themselves when no one is reading them. The resulting short play, “This Is a Magazine,” published in ...


Author(s):  
William E. Ellis

After his career move from the Saturday Evening Post to Cosmopolitan magazine, owned by William Randolph Hearst, Cobb continued to win awards for his brilliant storytelling. - A man who took great pride in his accomplishments, Cobb apparently cared little about critical approval; his only goal was to satisfy his reading public—the vast middle class that read poplar magazines and novels. Ellis reveals Cobb’s close relationship with his daughter Buff, who also pursued a writing career. Much of the chapter, however, focuses on Cobb’s writing in the mid to late 1920s as he continued to do what he did best—turning out popular and predictable articles and stories for Hearst publications. Cobb was one of the highest paid writers of his time.


2001 ◽  
Vol 25 (3) ◽  
pp. 321-346
Author(s):  
Peter Baskerville

Much has been written about boarding and lodging in late-nineteenthcentury North America. Modell and Hareven 1977 provides a benchmark study of boarding in East Coast urban centers in the United States. For Canada, Medjuck 1980; Katz 1975; Katz et al. 1982; Harney 1978; Bradbury 1984, 1993; and Harris 1992, 1994, and 1996 shed light on aspects of boarding in various Canadian urban communities from the 1850s to the 1950s. In general these studies emphasize the importance of family cycles and economic circumstance for an understanding of the boarding process (see also Robinson 1993; Shergold 1982). Some point to the similarity in social and class background of boarders and boardinghouse keepers (Harney 1978;Medjuck 1980; Modell and Hareven 1977; Harris 1992). Literature on boardinghouse keeping has focused generally, however, on the economic rather than the social or cultural importance of boarding. Even when cultural implications are explored, the unit of analysis is that of community or region or, as in the literature on the acculturation of newcomers, on sojourners and immigrants only


2018 ◽  
Vol 58 (2) ◽  
pp. 609
Author(s):  
Jonathan Spink

The Northern Gas Pipeline (NGP), is a 622-km gas pipeline in outback Australia that will connect gas reserves in the Northern Territory to the east coast gas market. With the current east coast gas crisis and continuing pressure to reduce coal-fired base load power, this project creates a new market to deliver additional gas to the east coast. The project includes the construction of the pipeline and two compressor station facilities at the start and end of the line: the Phillip Creek Compressor Station, which includes gas processing infrastructure, and the Mount Isa Compressor Station. The AU$800 million project began in November 2015 and first gas is scheduled to flow in late 2018. The bid to contract the pipeline included a range of local and Indigenous commitments that would maximise local participation in the project, ensuring that the social licence to achieve land access and government approvals was realised while keeping to a very aggressive timetable. Jemena worked closely with local businesses, communities and Traditional Owners to provide training and development opportunities, employment and other social support services. This approach has meant that the project is on track to deliver this nationally significant gas pipeline under budget, ahead of the contractual schedule requirement, while meeting or exceeding all local obligations and commitments.


Prospects ◽  
1997 ◽  
Vol 22 ◽  
pp. 323-356 ◽  
Author(s):  
William Graebner

By the summer of 1929, Norman Rockwell was a full-fledged success. At age thirty-five, he had been creating covers for the Saturday Evening Post for thirteen years. A generation of American youth had grown up beguiled by his illustrations for Boys' Life, St. Nicholas, and the Boy Scouts' calendar. For more than a decade, Rockwell's artistry had helped sell Adams Black Jack gum, American Mutual insurance, Sun Maid raisins, and Coca-Cola. As this commercial success modulated into social success, Rockwell, whose father had risen to middle-class respectability in the offices of a New York City textile firm, found himself living the good life in the artists' colony of suburban New Rochelle. The drab apartments and boardinghouses of his youth and adolescence had been left behind. He joined the Larchmont Yacht Club, golfed in clothes from Brooks Brothers, and hosted elaborate parties worthy of Jay Gatsby.


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