Hemispheric Approaches to Asian American Literature

Author(s):  
Donald C. Goellnicht

Hemispheric approaches to Asian American literature disrupt, supplement, and interrogate the cultural nationalist focus of early Asian American studies, transpacific and transnational approaches to Asian American studies that came to prominence in the 1990s, and the overall dominance of the United States in Asian American studies. These approaches have largely been championed by scholars working in Canada or on Canadian material, by feminist and queer scholars, and by those working on interethnic or interracial approaches between “Asian American” and black/African American, Latinx, and/or Native/Indigenous communities. The term “hemispheric” was preceded by Asian North American, which has been employed from fairly early in the maturing of Asian American literary and cultural criticism. Key also is the scholarly history of hemispheric approaches to Asian North American literature and culture (and to a lesser extent Asian Caribbean and Latin American literature and culture), the cross-border relations between artists and activists of Asian descent in North America, and the U.S. cultural imperialism inherent in this approach as well as its potential to diversify and open up the field of Asian American literary and cultural studies. The hemispheric approach also uncovers some of the limitations of the “transnational” and “diaspora” approaches that currently dominate Asian American studies and emphasize an east-west, transpacific spatiality.

Author(s):  
Tamara Bhalla

Asian American literary studies, and multi-ethnic literatures more broadly, have maintained a constant faith in the power of literature as a potential tool of anti-racist education. This faith in literature’s potential is not naïve, since it also recognizes how even the most diverse and ideal literary education can be co-opted by the workings of capitalism and neoliberalism. These fields are founded in an enduring and powerful belief that literature affects the social, cultural, and political esteem of a minority group in the United States. Within the field of Asian American studies, academics, activists, and cultural critics have sought to harness the power of various forms of cultural discourse and literature by mediating the stories told about (and at times by) Asian Americans. As Asian American literature has grown in popularity, there has been increasing attention to questions of who is represented within Asian American literature and who is deemed worthy to produce these representations. Such concerns have over time produced an abiding if somewhat tacit interest in questions of literary reception in the field. In fact, although many of the major literary controversies in Asian American studies have circulated around questions of representation and reception and ushered in paradigm shifts in how the field has conceptualized itself, it is an area that remains understudied. Asian American literary reception study and studies of readership are still emerging and crucial areas of analysis that could pose and posit answers to questions of literature’s possibilities and limitations as a tool of anti-racism in 21st-century America.


boundary 2 ◽  
2019 ◽  
Vol 46 (3) ◽  
pp. 89-115
Author(s):  
Chih-ming Wang

In honor of the late Masao Miyoshi, whose work has opened a transpacific dimension in Asian American studies, this essay first explores the notion of asymmetry, which is seminal to his critical vision, to build an analytical framework for understanding and evaluating the transnational impulses in recent Asian American literature. Using asymmetry as an analytical lens, it then provides a critical interpretation of Ruth Ozeki’s important novel A Tale for the Time Being (2013) to consider the intricate connections between Asia and North America that are embedded in the subterranean history of war, migration, resistance, and hope. By foregrounding the entangled, even complicit, transpacific transactions in Asian American narratives, this essay will not only speak to the complexities of the transpacific turn in Asian American studies but will also remind us of the importance of Miyoshi’s off-centered approach to questions of culture, history, and politics undeterred by borders.


Author(s):  
Jeehyun Lim

Abstract Read together, Patricia Chu’s Where I have Never Been (2019), Jinah Kim’s Postcolonial Grief (2019), Sze Wei Ang’s The State of Race (2019), and Janna Odabas’s The Ghosts Within (2018) allow for a review of the state and meaning of diaspora and diasporic frames of analysis in Asian American literary and cultural criticism. Approaching these books through the 1990s debate on minority nationalism in Asian American studies shows one prominent direction that critical engagements with transnationalism have taken. While postcolonialism’s place in the 1990s debate on transnationalism and Asian America was tenuous at best, these books suggest that it has become a crucial part of envisioning the critical work diasporic Asian American culture can do. In these books, diasporic frames of analysis lead to recognizing Asian American culture as a site where the unresolved and unaccounted for violence of US nationalism and globalization surfaces and challenges to dominant ideas of race and nation appear. Both as method of inquiry and as historical understanding of twentieth-century US–Asian relations, postcolonialism in these books shows the critical potential of diaspora for Asian America.


2021 ◽  
Vol 80 (4) ◽  
pp. 1033-1044
Author(s):  
Sonia Ryang

Based on the articles in this “Global Asias” forum, this essay proposes that in order to build a meaningful bridge between Asian studies and Asian American studies, we must first face what needs to be critically overcome in Asian studies itself: persistent white male domination of the field, on the one hand, and historical role that the United States has played in Asia, on the other. One possibility is to adopt a transnational Asian studies approach, which advocates bringing Asian studies and Asian American studies together while also envisioning radical interdisciplinarity across Asian studies and African American studies, Latino/a studies, and Asian American studies. The key to pursuing such an approach would be to create a teaching and research environment of inclusion and collaboration.


Author(s):  
Michelle N. Huang

Is the posthuman postracial? Posthumanism, an interpretive paradigm that unseats the human individual as the de facto unit of literary analysis, can be a powerful tool for Asian American literary studies when deployed with attention to critical race theory and literary form. Throughout American literature, Asian Americans have frequently been figured as inhuman—alien, inscrutable, and inassimilable. Representations of Asian Americans as either sub- or superhuman populate many genres, including adventure literature, domestic realism, comics, and science fiction. This trope, which combines yellow peril and model minority stereotypes, forms a through line that runs from depictions of Asian Americans as nerveless 19th-century coolies to 21st-century robotic office workers. Manifesting both threat and promise for America, posthuman representations of Asian Americans refract national and racial anxieties about the fading of the United States’ global influence as Asian nations, especially China, become political and economic superpowers. Rather than directly refuting these characterizations, Asian American writers have creatively engaged these same thematics to contemplate how developments in science and technology produce different ways of understanding the human and, concomitantly, engender changes in racial formation. Novelists, dramatists, poets, and artists have all deployed posthumanism in order to conduct imaginative experiments that challenge expectations regarding the typical purview of Asian American literature. Several nodes of inquiry that demonstrate the importance of posthumanist critique for Asian American literary studies include race as an index of humanity, the mutability of race through biotechnology, the amplification of racial inequality through infrastructure, and the reproduction of race through algorithmic culture. In the wake of early 21st-century ecological disaster and biotechnological fragmentation, examining the evolving relationship between Asian American racialization and posthumanism continues to provide important insights into how race is structured by the changing boundaries of the human and, in turn, demonstrates that the posthuman subject is never “beyond” race. In addition to offering an overview, this article provides a case study regarding the stereotyping of Asian Americans as robotic.


Author(s):  
Carol W.N. Fadda

The interconnections between Asian American and Arab American studies are deep and long-standing, with scholars and activists in both these intersecting fields affirming their common investments in anti-racist, anti-imperial, transnational, and coalitional feminist frameworks. Various scholars have even called for Arab Americans to be included under a broader definition of Asian American identities. An intersectional study of the forms of alliances and solidarities developing among these racialized communities becomes a cornerstone for combating the effects of racism, orientalism, imperialism, and xenophobia, as well as enactments of occupation, exclusions, internment, and incarceration carried out by the projects of colonialism and empire within the United States and abroad. Even while being shaped by the specificities of geographical, historical, and political contexts, Arab American literature showcases an array of thematic foci and engagements that link it to other ethnic literary traditions, including Asian American literature. Such thematic connections extend to engagements with cultural and transnational in-betweenness, collective and individual marginalization and racialization, wars and conflicts in original home countries and their effects on US diasporic identities, transnational connections and movement across borders, food and cultural memory, language, gender roles, heritage, and religious expression, to name but a few. The literary output of Arab American and Asian American writers from the 19th century up till the early 21st century closely reflects the factors that shape Arab and Asian experiences in the United States and the conditions that shape the affective, material, legal, and political lives of immigrant and diasporic communities. The viewpoints, experiences, and perspectives presented in the works of Arab American and Asian American writers, however, are far from uniform. They are widely varied, encompassing different immigration pathways, histories, struggles, military and geopolitical conflicts, literary lineages, and artistic investments.


Author(s):  
Iyko Day

The study of settler colonialism has evolved from a nearly exclusive examination of the interplay of Indigeneity and white settler colonial domination to an engagement that has become attentive to questions of racialized migration. Because British settler colonies violently displaced Indigenous peoples without widespread exploitation of their labor, racialized migrant labor has played an important role in establishing and developing settler colonies, from the exploitation of enslaved and convict labor, to indentured and contract labor, and to contemporary iterations of guest and undocumented labor. The reliance on hyper-exploitable, deportable, or disposable classes of migrants has been an integral logic of settler colonialism in North America, rendering Indigenous communities even more vulnerable to dislocation, dispossession, and environmental harm. Asian North American cultural representation offers a rich site to explore settler colonial logics of land dispossession, resource extraction, relocation, urban redevelopment, and incarceration. In particular, Asian North American cultural production has often recycled settler colonial tropes that both denigrate and romanticize Indigenous cultures in claims for belonging that attempt to challenge the racial logics of civil, social, and political exclusion. In North America, the projection of a heroic “pioneer” identity aims to recover early Asian labor from historical obscurity by demonstrating its vital contributions to developing the settler nation. These expressions reinforce the value of Western civilization and industry over an empty, uncivilized, and unproductive Indigenous world. Asian American invocations of “local” identity in Hawai‘i similarly assert a romanticized identification with Indigenous cultures that obscures Asian Americans’ structural dominance and active role in the dispossession of Native Hawaiians. Alternatively, Asian North American cultural producers have also become strong voices in social and cultural movements to prioritize Indigenous self-determination, ecological protection, and decolonial anti-capitalism. Critical approaches to Asian North American representation have become increasingly attuned to reckoning with colonial complicity, exploring the ethics of responsibility, indebtedness, and solidarity with Indigenous communities.


Author(s):  
Asha Nadkarni

Asian American literature has capaciously explored the issues of gender, sexuality, and reproduction that have been so foundational to Asian American racial formation. It has likewise engaged, directly or indirectly, with “eugenics,” a pseudoscience by which nation states sought to improve their populations through managing reproduction. Eugenics, a term coined by Charles Darwin’s cousin Sir Francis Galton in 1883, spans the late 19th to the early 21st centuries, where it continues in the form of population control and the “new” eugenics of genetic and reproductive technologies. In some national sites eugenics was aligned with feminist movements for birth control, whereas in others, such as the United States, they were largely opposed. Nonetheless, eugenic feminists argued that women’s right reproduction was the necessary mechanism by which women should gain rights within the state; as a formation, moreover, eugenic feminism specifically targeted Asian American women as standing in the way of US feminist advance. As such, one of the key ways eugenics was practiced in the United States in relationship to Asian populations was through immigration policy. The history of Asian exclusion in the United States therefore speaks to a larger eugenic project predicated on the notion that Asian immigrants embodied a public health threat in terms of diseases and deviant sexualities of various sorts. The 1965 Immigration and Naturalization Act opened up Asian immigration to the United States and also gave rise to a new set of stereotypes, gendered and otherwise, about Asian Americans as model minorities. Asian American literature has critically mined these issues, with some Asian American literature acceding to eugenics by stressing an assimilationist politics and with other works challenging it by critiquing eugenics’ reproductive logic of purity.


Author(s):  
Masumi Izumi

This chapter juxtaposes Asian American scholarship in Japan and the United States, and explores ways in which the field can be pedagogically useful for deconstructing hegemonic social discourses on race, culture, ethnicity and justice both for Japanese and American university students and scholars. Teaching the history of Japanese emigration to the Pan-Pacific region not only helps Japanese students to overcome the historical amnesia about their country’s imperial past, but also helps American students to contextualize the migration from Japan to the US within the overall Japanese emigration history. Structural analyses of race lead to students’ better understanding of different ways in which race has historically created, naturalized and perpetuated social and economic hierarchy within the United States and Japan. Furthermore, learning about the social protest and cultural movements that led to the birth of Asian American studies can promote positive views among university students toward political engagement and social activism.


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