5. On the present and future of American poetry

2021 ◽  
pp. 95-108
Author(s):  
David Caplan

“On the present and future of American poetry” argues that the contemporary poets who follow Robert Lowell’s model of blending public and private history often turn against the particular hierarchies that made the Lowell name seem “significant, illustrative, American, etc.” Instead, contemporary poets have taken up the challenge of presenting a new account of American history and culture. They introduce a new set of important names of people and places. The poets of the Black Lives Matter movement, for instance, elegize African American victims of police violence. At the same time, their poems add new variations of the two characteristics of American: the perceived need for distinctiveness and its transnationalism.

2006 ◽  
Author(s):  
Adams Greenwood-Ericksen ◽  
Stephen M. Fiore ◽  
Rudy McDaniel ◽  
Sandro Scielzo ◽  
Janis A. Cannon-Bowers ◽  
...  

Author(s):  
Melani McAlister

In October 2017, hundreds of faculty, friends, and former students gathered at the National Museum of African American History and Culture (NMAAHC) to remember James Oliver “Jim” Horton. It was a fitting gathering place. As the museum’s director, Lonnie Bunch, commented, Jim’s legacy is everywhere at the museum, from the fact that several of his former doctoral students are now curators to the foundational commitment of the museum itself: that African American history is not a local branch of US history but integral to its core. Jim always insisted in his lectures and classes and on his many TV appearances and public engagements that “American history is African American history.” 


2021 ◽  
pp. 001112872199933
Author(s):  
Jennifer Cobbina ◽  
Ashleigh LaCourse ◽  
Erika J. Brooke ◽  
Soma Chaudhuri

The study elucidates the interplay of COVID-19 and the wave of Black Lives Matter protests to assess motivation and risk taking for protest participation. We draw on protesters’ accounts to examine how police violence influenced the participants decision making to participate in the 2020 March on Washington during a pandemic that exacerbated the risks already in place from protesting the police. We found that protesters’ social position and commitment to the cause provided motivations, along with a zeal to do more especially among White protesters. For Black participants, the images in the media resonated with their own experiences of structural racism from police.


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