‘I Kinda Like to Go Off the Track’: Finding David Lynch in the Middle World of Dune

Adaptation ◽  
2021 ◽  
Author(s):  
David Amadio
Keyword(s):  
Source Material ◽  
David Lynch ◽  
The Unconscious ◽  
Creative Personality ◽  
Elephant Man ◽  
The Relationship ◽  
Unconscious Mind ◽  
The Way ◽  
The Grotesque

Abstract For many scholars of David Lynch’s work, Dune is considered a spectacular failure, a costly creative misstep on the way to Blue Velvet. While it may not be regarded as one of his signature films, Dune contains enough of Lynch’s creative personality to warrant a critical re-examination. The purpose of this study is to place Dune within the context of his earlier work, namely Eraserhead and The Elephant Man, and to mine it for those tropes with which Lynch has become synonymous: enabling the grotesque, interiority and the unconscious mind, and the relationship between industry and flesh. By the director’s own admission, Dune forced him into an aesthetic middle world, wedging him between the midnight movie and mainstream cinema. Using Thomas Leitch’s theory of adaptation in both an archival and teleological reading of Dune, I demonstrate how Lynch asserts himself in this middle world, how he succeeds in honouring the source material while also meeting his authorial desire to reinvent it, to decouple from the archive and ‘go off the track’.

Conscious and Unconscious

Mind Shift ◽  
2021 ◽  
pp. 171-184
Author(s):  
John Parrington
Keyword(s):  
Sigmund Freud ◽  
Brain Function ◽  
Central Theme ◽  
Mental Processes ◽  
The Unconscious ◽  
Traumatic Memories ◽  
The Relationship ◽  
Unconscious Mind

This chapter determines the relationship between the conscious and unconscious aspects of brain function. The unconscious consists of those mental processes that occur automatically and are not available to introspection. Increasingly, studies of brain function are revealing that a surprising amount of that function is automatic, and therefore, unconscious. However, there are controversial aspects to discussions about the unconscious, particularly the idea that it may play a far more contradictory role in consciousness, even acting in opposition to conscious thoughts. Such a viewpoint sees the unconscious as a force that may suppress unwelcome thoughts, but which might also make us carry out actions that do not appear to have been planned by our rational minds, and may even appear wholly irrational. This view of the unconscious mind is most associated with Sigmund Freud. Freud viewed the unconscious as the epicentre of people's repressed thoughts, traumatic memories, and fundamental drives of sex and aggression. This chapter reconsiders this view of the unconscious by relating to Mind Shift’s central theme about the importance of language in shaping consciousness.

The Conscious and Unconscious Power in Pedagogy of Creative Writing: Liberation of Self

2017 ◽  
Vol 2 (1) ◽  
Author(s):  
Chan Wing Haw KC ◽  
Tina Abdullah
Keyword(s):  
Creative Writing ◽  
Creative Thinking ◽  
Writing Process ◽  
Higher Order Thinking ◽  
Higher Order ◽  
The Unconscious ◽  
Writing Processes ◽  
The Relationship ◽  
Unconscious Mind

This paper discusses the idea of creative writing as a stimulant for higher order thinking. In doing so, it examines the relationship between creative thinking and writing processes. Therefore, in elaborating the term creative thinking, the paper discusses in the light of Sigmund Freud’s psychoanalysis theory – the unconscious mind. Under the influence and guidance of our unconscious mind, a liberating writing process occurs in a creative form. During this writing process, we develop a new identity as a result of the production of language. In which, this “new identity” has no influence or power over reader’s knowledge, however noble the writing can be.

Dune

2019 ◽  
Author(s):  
Christian McCrea
Keyword(s):  
Science Fiction ◽  
Critical Study ◽  
David Lynch ◽  
The Novel ◽  
Distant Future ◽  
Long Form ◽  
Freedom Fighters ◽  
Village Voice ◽  
Elephant Man ◽  
The Relationship

David Lynch's Dune (1984) is the film that science fiction — and the director's most ardent fans — can neither forgive nor forget. Frank Herbert's original 1965 novel built a meticulous universe of dark majesty and justice, as wild-eyed freedom fighters and relentless authoritarians all struggled for control of the desert planet Arrakis and its mystical, life-extending “spice.” After several attempts to produce a film, Italian movie mogul Dino De Laurentiis and his producer daughter Raffaella would enlist David Lynch, whose Eraserhead (1977) and The Elephant Man (1980) had already marked him out as a visionary director. What emerges out of their strange, long process is a deeply unique vision of the distant future; an eclectic bazaar of wood-turned spaceship interiors, spitting tyrants, and dream montages. Lynch's film was “steeped in an ancient primordial nastiness that has nothing to do with the sci-fi film as we currently know it,” as Village Voice critic J. Hoberman put it — only with time becoming a cult classic. This book is the first long-form critical study of the film; it delves into the relationship with the novel, the rapidly changing context of early 1980s science fiction, and takes a close look at Lynch's attempt to breathe sincerity and mysticism into a blockbuster movie format that was shifting radically around him.

The Type of Temperament, Mood, and Strategies of Categorization

2012 ◽  
Vol 33 (4) ◽  
pp. 227-236 ◽  
Author(s):  
Agata Wytykowska
Keyword(s):  
Information Processing ◽  
Negative Mood ◽  
Cognitive Activity ◽  
Processing Capacity ◽  
Affective Value ◽  
The Relationship ◽  
The Way

In Strelau’s theory of temperament (RTT), there are four types of temperament, differentiated according to low vs. high stimulation processing capacity and to the level of their internal harmonization. The type of temperament is considered harmonized when the constellation of all temperamental traits is internally matched to the need for stimulation, which is related to effectiveness of stimulation processing. In nonharmonized temperamental structure, an internal mismatch is observed which is linked to ineffectiveness of stimulation processing. The three studies presented here investigated the relationship between temperamental structures and the strategies of categorization. Results revealed that subjects with harmonized structures efficiently control the level of stimulation stemming from the cognitive activity, independent of the affective value of situation. The pattern of results attained for subjects with nonharmonized structures was more ambiguous: They were as good as subjects with harmonized structures at adjusting the way of information processing to their stimulation processing capacities, but they also proved to be more responsive to the affective character of stimulation (positive or negative mood).

Understanding prescription in language. A corpus-based approach

2019 ◽  
Vol 41 (2) ◽  
pp. 67-81
Author(s):  
Douglas A. Kibbee ◽  
Alan Craig
Keyword(s):  
Social Context ◽  
French Tradition ◽  
Linguistic Behavior ◽  
The Relationship ◽  
The Way

We define prescription as any intervention in the way another person speaks. Long excluded from linguistics as unscientific, prescription is in fact a natural part of linguistic behavior. We seek to understand the logic and method of prescriptivism through the study of usage manuals: their authors, sources and audience; their social context; the categories of “errors” targeted; the justification for correction; the phrasing of prescription; the relationship between demonstrated usage and the usage prescribed; the effect of the prescription. Our corpus is a collection of about 30 usage manuals in the French tradition. Eventually we hope to create a database permitting easy comparison of these features.

On (Not) Translating Lacan: Barbara Cassin's Sophistico-Analytical Performances

Paragraph ◽  
2020 ◽  
Vol 43 (1) ◽  
pp. 98-113
Author(s):  
Michael Syrotinski
Keyword(s):  
Machine Translation ◽  
Reading And Writing ◽  
The Relationship ◽  
The Way

Barbara Cassin's Jacques the Sophist: Lacan, Logos, and Psychoanalysis, recently translated into English, constitutes an important rereading of Lacan, and a sustained commentary not only on his interpretation of Greek philosophers, notably the Sophists, but more broadly the relationship between psychoanalysis and sophistry. In her study, Cassin draws out the sophistic elements of Lacan's own language, or the way that Lacan ‘philosophistizes’, as she puts it. This article focuses on the relation between Cassin's text and her better-known Dictionary of Untranslatables, and aims to show how and why both ‘untranslatability’ and ‘performativity’ become keys to understanding what this book is not only saying, but also doing. It ends with a series of reflections on machine translation, and how the intersubjective dynamic as theorized by Lacan might open up the possibility of what is here termed a ‘translatorly’ mode of reading and writing.

Klein with Lacan: A Study on the Reception of Lacanian Ideas in Uruguay and Its Effects on Clinical Practices (1955–82)

2020 ◽  
Vol 22 (3) ◽  
pp. 341-361
Author(s):  
Gonzalo Grau-Pérez ◽  
J. Guillermo Milán
Keyword(s):  
Clinical Practice ◽  
Clinical Material ◽  
Clinical Practices ◽  
Before And After ◽  
The Difference ◽  
The 1960S ◽  
The Relationship ◽  
Discursive Approach ◽  
The Way ◽  
Clinical Cases

In Uruguay, Lacanian ideas arrived in the 1960s, into a context of Kleinian hegemony. Adopting a discursive approach, this study researched the initial reception of these ideas and its effects on clinical practices. We gathered a corpus of discursive data from clinical cases and theoretical-doctrinal articles (from the 1960s, 1970s and 1980s). In order to examine the effects of Lacanian ideas, we analysed the difference in the way of interpreting the clinical material before and after Lacan's reception. The results of this research illuminate some epistemological problems of psychoanalysis, especially the relationship between theory and clinical practice.

FBI and Religion

2017 ◽  
Keyword(s):  
Religious Orientation ◽  
Religious Communities ◽  
Academic Scholarship ◽  
History Of ◽  
Interdisciplinary Assessment ◽  
Civic Religion ◽  
New Research ◽  
The Relationship ◽  
The Way

This volume is an interdisciplinary assessment of the relationship between religion and the FBI. We recount the history of the FBI’s engagement with multiple religious communities and with aspects of public or “civic” religion such as morality and respectability. The book presents new research to explain roughly the history of the FBI’s interaction with religion over approximately one century, from the pre-Hoover period to the post-9/11 era. Along the way, the book explores vexed issues that go beyond the particulars of the FBI’s history—the juxtaposition of “religion” and “cult,” the ways in which race can shape the public’s perceptions of religion (and vica versa), the challenges of mediating between a religious orientation and a secular one, and the role and limits of academic scholarship as a way of addressing the differing worldviews of the FBI and some of the religious communities it encounters.

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