Barnett, Pamela E. Dangerous Desire: Literature of Sexual Freedom and Sexual Violence since the Sixties. New York & London: Routledge, 2004. xxxvi + 182 pp. £22.95. ISBN 0–415–97050–4

2006 ◽  
Vol 42 (1) ◽  
pp. 93-93
2020 ◽  
Vol 73 (3) ◽  
pp. 66-78
Author(s):  
Vince Schleitwiler ◽  
Abby Sun ◽  
Rea Tajiri

This roundtable grew out of conversations between filmmaker Rea Tajiri, programmer Abby Sun, and scholar Vince Schleitwiler about a misunderstood chapter in the history of Asian American film and media: New York City in the eighties, a vibrant capital of Asian American filmmaking with a distinctively experimental edge. To tell this story, Rea Tajiri contacted her artist contemporaries Shu Lea Cheang and Roddy Bogawa as well as writer and critic Daryl Chin. Daryl had been a fixture in New York City art circles since the sixties, his presence central to Asian American film from the beginning. The scope of this discussion extends loosely from the mid-seventies through the late nineties, with Tajiri, Abby Sun, and Vince Schleitwiler initiating topics, compiling responses, and finalizing its form as a collage-style conversation.


1991 ◽  
Vol 7 (28) ◽  
pp. 315-323 ◽  
Author(s):  
Richard Schechner

This is a personal record of a theatre worker's journey to places where theatre is inextricably mixed with politics — or is no less significantly divorced from social concerns. Visiting mainland China and South Africa in the summer of 1990, Richard Schechner records how theatre people confronted the aftermath of major political upheavals – the crushing of hopes in Tiananmen Square, and the perhaps deceptive raising of them following the release of Nelson Mandela. His trip also took in the widely different perspectives and problems of Taiwan, where pluralism struggles (almost unnoticed in the West) to displace an ageing autocracy. Richard Schechner teaches at New York University, and recently returned to the editorial chair at The Drama Review, the journal he conducted through its vintage years in the 'sixties – at the same time creating the Performance Group, and beginning his researches into theatre and anthropology, the field in which he has published widely and innovatively in the interim.


Young ◽  
2020 ◽  
pp. 110330882096645
Author(s):  
Indigo Willing

This article examines the 1995 fictional feature film Kids, which locates its story in skateboarding culture. The film reached its 25th anniversary in 2020; it is directed by Larry Clark and written by Harmony Korine, both recognizable figures in skateboarding, and it featured a cast of youth from the New York skateboarding scene. The research analyses narrative content that depicts sexual coercion and rape. Contemporary social and feminist theories of sexual violence, rape culture and media on the film inform the analysis. The discussion points to how the characters that the boys play embody forms of hegemonic masculinity, pointing to the social and cultural dimensions of male power and how sexual violence can be an element of that. The article also presents an occasion to reflect on such issues in skateboarding culture more widely, with emerging insights that can be useful to studies of other male-dominated youth cultures, lifestyle sports and subcultures.


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