Empowering Black Boys to Challenge Rape Culture

Gordon Braxton was in his third year of college before anybody bothered to speak to him about sexual violence, this despite the fact that he already knew friends and family members who had survived a sexual assault. Gordon now knows that he was not alone, as his talks with boys are often the first and only opportunities that they have to discuss their views on sexual violence and what role they might play in preventing it. These isolated conversations are not enough to change an entire culture. This book supports the training of a rising generation by providing commentary from an experienced educator, an overview of existing research and preventive techniques, and insight into young men’s perspectives on violence. The resultant crash course on violence prevention is the first to focus on Black boys and to be written by a Black male author. The most important lesson that boys have to learn is that they have an essential role to play in preventing sexual violence. So many of them accept this violence as beyond their control when they could be valuable agents of change. More and more parents and mentors of boys are coming to address sexual violence as a cultural problem rather than representing the activities of isolated social deviants. Empowering Black Boys to Challenge Rape Culture stands to help America as it comes to the realization that sexual violence can be prevented and that a rising generation of boys will play a part in realizing a nonviolent future.

'The Powerful Ones': Exploring Young Men’s Understandings of Sexual Violence and Rape Culture in Aotearoa New Zealand

<p>The centralising of women within institutional responses to sexual violence (Ministry of Justice, 2019) and sexual violence scholarship (Fanslow & Robinson, 2004a, 2011; Fanslow, Robinson, Crengle, & Perese, 2010; Gavey, 1991; Jordan, 2004, 2008) consequently means that despite men being both the primary perpetrators of sexual violence, and whose privileged identities create and maintain rape culture, men often remain invisible within sexual violence discourse. To gain insight into how young men understand sexual violence, rape culture, and their own identity within these structures, this research involved (n=11) qualitative semi-structured interviews with cisgender men aged between 18-30 who identified as heterosexual. These interviews highlighted the complexities of participant’s comprehension of sexual violence, particularly regarding the typology and motivations of offenders, the relationship between gender, alcohol, power and consent, and the various perceived causes of sexual violence. Participants also signalled the importance of comprehensive consent and sex education as a method of sexual violence prevention. This research is essential to responsibilise sexual violence prevention as the obligation of men, effectively inform prevention, intervention and response measures, and work towards ultimately eradicating sexual violence and the wider rape culture in Aotearoa New Zealand.</p>

'The Powerful Ones': Exploring Young Men’s Understandings of Sexual Violence and Rape Culture in Aotearoa New Zealand

<p>The centralising of women within institutional responses to sexual violence (Ministry of Justice, 2019) and sexual violence scholarship (Fanslow & Robinson, 2004a, 2011; Fanslow, Robinson, Crengle, & Perese, 2010; Gavey, 1991; Jordan, 2004, 2008) consequently means that despite men being both the primary perpetrators of sexual violence, and whose privileged identities create and maintain rape culture, men often remain invisible within sexual violence discourse. To gain insight into how young men understand sexual violence, rape culture, and their own identity within these structures, this research involved (n=11) qualitative semi-structured interviews with cisgender men aged between 18-30 who identified as heterosexual. These interviews highlighted the complexities of participant’s comprehension of sexual violence, particularly regarding the typology and motivations of offenders, the relationship between gender, alcohol, power and consent, and the various perceived causes of sexual violence. Participants also signalled the importance of comprehensive consent and sex education as a method of sexual violence prevention. This research is essential to responsibilise sexual violence prevention as the obligation of men, effectively inform prevention, intervention and response measures, and work towards ultimately eradicating sexual violence and the wider rape culture in Aotearoa New Zealand.</p>

Look at her: Analysing the depiction of women on the covers of women's magazines from 1975-2015

<p>Women’s magazines have a role in constructing and defining what it means to be a woman. Deciphering messages in mediums specifically designed for women is therefore key to understanding what women may be learning about femininity. This thesis examines the depiction of women in women’s magazines, focussing on sexualisation and the portrayal of traditional gender roles. Traditional gender stereotypes and the sexual objectification of women are key mechanisms contributing to the subordinate position of women in society. This thesis argues that alongside their contributions to gender inequality, such depictions can also reinforce ideas that sustain rape culture with the latter referring to a climate where sexual violence is normalised and trivialised. By conducting a longitudinal content analysis (1975 –2015) of cover pages from New Zealand women’s magazines, this thesis investigates whether there are any changes in the level of sexualisation and depiction of traditional gender roles across prominent women’s magazines. The findings of this thesis indicate that overall there is a low level of sexualisation present in cover page images from women’s magazines, and significant differences exist both between publications as well as across the four decades of analysis. The depiction of traditional gender roles is consistent across the time period studied, and when such gender stereotypes are present they remove agency from women reducing them to ‘decorative’ objects within images. Messages suggesting women should be sexualised and decorative may reinforce ideas central to gender inequality, rape culture, and sexual violence against women. The implications of this thesis suggest that women’s magazines may not be a safe space for readers to celebrate their gender – rather, such publications may influence ideas that facilitate gender inequality.</p>

Look at her: Analysing the depiction of women on the covers of women's magazines from 1975-2015

<p>Women’s magazines have a role in constructing and defining what it means to be a woman. Deciphering messages in mediums specifically designed for women is therefore key to understanding what women may be learning about femininity. This thesis examines the depiction of women in women’s magazines, focussing on sexualisation and the portrayal of traditional gender roles. Traditional gender stereotypes and the sexual objectification of women are key mechanisms contributing to the subordinate position of women in society. This thesis argues that alongside their contributions to gender inequality, such depictions can also reinforce ideas that sustain rape culture with the latter referring to a climate where sexual violence is normalised and trivialised. By conducting a longitudinal content analysis (1975 –2015) of cover pages from New Zealand women’s magazines, this thesis investigates whether there are any changes in the level of sexualisation and depiction of traditional gender roles across prominent women’s magazines. The findings of this thesis indicate that overall there is a low level of sexualisation present in cover page images from women’s magazines, and significant differences exist both between publications as well as across the four decades of analysis. The depiction of traditional gender roles is consistent across the time period studied, and when such gender stereotypes are present they remove agency from women reducing them to ‘decorative’ objects within images. Messages suggesting women should be sexualised and decorative may reinforce ideas central to gender inequality, rape culture, and sexual violence against women. The implications of this thesis suggest that women’s magazines may not be a safe space for readers to celebrate their gender – rather, such publications may influence ideas that facilitate gender inequality.</p>

Sexual Violence at University Level: A Philosophical Feminism Overview

<p class="p1">This paper highlights the philosophical issues related to sexual violence cases at the university level. Many reports were found related to the sexual violence cases at the university level, but did not came to a solution that take sides to the victim. This is not just a problem about the unstrict law to handle the cases. There is a basic problem that underline in the mindset and behavior. Rape culture in society failed us to understand that this is a form of violence against humanity. The basis of patriarchal logic also affirms the condition. Based on the standpoint feminism method, also supported by data on sexual violence reports, I pointed the importance of using the feminist logic approach in viewing this issue. I aim to restore the point of view on siding the victim which can provide justice in handling the sexual violence cases at the university level.</p>

Construction of rape culture amongst the Shona indigenous religion and culture: Perspectives from African feminist cultural hermeneutics

Rape culture is reportedly prevalent in sub-Saharan Africa. Culture, patriarchy, poverty and religion continue to sustain rape culture. The notions of the objectification of women’s bodies amongst the Shona people are causatives for rape culture within diverse cultural institutions. Africans reasonably uphold marriage with high esteem; unfortunately, the marriage institution is also susceptible to becoming a source of abuse, coercion, and is often used as a tool for controlling women. Some of the entrenched marital rituals embody diverse detrimental and contentious practices, which deprive girls and women their autonomous rights, particularly their sexual and reproductive rights. This research article interrogates numerous aspects within the Shona indigenous religion and culture, which precipitate the construction of rape culture. The study uses African feminism as a theoretical framework. It utilises African feminist cultural hermeneutics to interrogate rape culture amongst the Shona people. The research study is qualitative with a conceptual analysis paradigm. It concludes by proposing the need for tapping into some life-giving and gender inclusive principles within the Shona indigenous religion and culture to be utilised as tools for eradicating rape culture.Contribution: Utilising the African feminist cultural hermeneutical framework, the article interrogated several factors precipitating rape culture amongst the Shona people. It foregrounded that women bear the brunt of burden of rape culture. It concludes by proposing the need for tapping into some positive Shona indigenous traditions as tools for curbing rape culture.

Rethinking the Rhetorical Epistemics of Gaslighting

Gaslighting is defined as a dysfunctional communication dynamic in which one interlocutor attempts to destabilize another’s sense of reality. In this article, we advance a model of gaslighting based in an epistemic rhetoric perspective. Our model directs attention to the rhetorics used to justify competing knowledge claims, as opposed to philosophical models that tend to rely on objective truth-value. We probe the discursive manifestations of gaslighting in logocentric, ethotic, or pathemic terms. We then apply our model to explain sexist and racist gaslighting that derives power from normatively instantiated discourses of rape culture and White supremacy. Specifically, our analysis identifies the appeal structures used to legitimate such gaslighting in response to disclosures of sexual violence and testimony about racial injustice.