The Education of the West: A Formative Chapter in the History of Civilization. By R. Freeman Butts. 2d ed. New York: McGraw-Hill Book Co., 1973. 631 pp. $11.50

1977 ◽  
Vol 19 (1) ◽  
pp. 126-127
Author(s):  
J. C. Bryant
Keyword(s):  
New York ◽  
The West ◽  
1982 ◽  
Vol 23 (2) ◽  
pp. 141-149 ◽  
Author(s):  
David D. Mays

On Monday, October 16, 1758., Hugh Gaine reported a novelty. “Friday last,” he told his readers in the New-York Mercury, “arrived here from the West Indies, a Company of Comedians; some Part of which were here in the Year 1753.” This brief notice, which went on to assure its readers that the company had “an ample Certificate of their Private as well as publick Qualifications,” marks the beginning of the most significant event in American theatre history: the establishment of the professional theatre on this continent. The achievements of the Company of Comedians during its sixteen-year residence in North America are virtually without parallel in the history of the theatre, and have not received sufficient recognition by historians and scholars.


Author(s):  
David Faflik

Urban Formalism radically reimagines what it meant to “read” a brave new urban world during the transformative middle decades of the nineteenth century. At a time when contemporaries in the twin capitals of modernity in the West, New York and Paris, were learning to make sense of unfamiliar surroundings, city peoples increasingly looked to the experiential patterns, or forms, from their everyday lives in an attempt to translate urban experience into something they could more easily comprehend. Urban Formalism interrogates both the risks and rewards of an interpretive practice that depended on the mutual relation between urbanism and formalism, at a moment when the subjective experience of the city had reached unprecedented levels of complexity. What did it mean to read a city sidewalk as if it were a literary form, like a poem? On what basis might the material form of a burning block of buildings be received as a pleasurable spectacle? How closely aligned were the ideology and choreography of the political form of a revolutionary street protest? And what were the implications of conceiving of the city’s exciting dynamism in the static visual form of a photographic composition? These are the questions that Urban Formalism asks and begins to answer, with the aim of proposing a revisionist semantics of the city. This book not only provides an original cultural history of forms. It posits a new form of urban history, comprised of the representative rituals of interpretation that have helped give meaningful shape to metropolitan life.


2001 ◽  
Vol 33 (4) ◽  
pp. 611-613
Author(s):  
Avner Giladi

With the series of critical editions and studies of Arabic medical texts from the Middle Ages he has published in recent years, Gerrit Bos has made a significant contribution to the history of medicine in the Islamic world. He has dedicated special attention to the work of Abu Jaעfar Ahmad ibn Abi Khalid ibn al-Jazzar of Qayrawan, a 10th-century physician and prolific author of medical texts. Ibn al-Jazzar was famous and influential not only within his own Arabic– Islamic cultural domain but also—thanks to widely circulated translations of his works into Greek, Latin, and Hebrew—among Christian and Jewish physicians in the East as well as the West. (For Bos's publications on Ibn al-Jazzar's writings see p. 406).


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