Collective Liability in Islam: The ʿĀqila and Blood Money Payments By Nurit Tsafrir

Author(s):  
Yossef Rapoport
Keyword(s):  
Author(s):  
عارف علي عارف القره داغي ◽  
فايزة بنت إسماعيل ◽  
ئاوات محمد آغا بابا

الملخّصيتعلق هذا البحث بموضوع دية القتل الخطأ في الحوادث المرورية في الفقه الإسلامي في العصر الحاضر لكثرة وقوعها وحاجة الناس إلى بيان أحكامها من حيث كيفية تقديرها. وتحرير الخلاف في دية المرأة، ومسألة دية الجنين في حال تعرضه للموت في بطن أمه نتيجة الحادث المروري، أو في حالة تعرضه للإجهاض والموت، وتناول أيضًا دية شخصين إذا ماتا نتيجة اصطدام سيارتين؛ فكيف تقدَّر الدِّية؟ وعالج البحث مسألة العاقلة في الوقت الحاضر التي تساعد الطرفين (الجاني والمجني عليه وذلك بجمع الدية وإعطائها للمجني عليه). وذلك من خلال استخدام المنهج الاستقرائي والمنهج المقارن: حيث يتم من خلاله جمع النصوص المتعلقة بالموضوع، وآراء العلماء المتقدمين، والمعاصرين، والمقارنة بينهما لمعرفة نقاط الاتفاق والاختلاف، لتجلية معالم الموضوع، وتسهيل مناقشتها بصورة دقيقة، ثم بيان الرأي الراجح. وقد توصلت الدراسة إلى أنَّ دية القتل في الحوادث المرورية في العصر الحاضر تساوي بالدينار الذهبي، الذي يساوي 4.250 جرامًا من الذهب، أو بما يساويها من النقد. وأنَّ الراجح هو تساوي دية الرجل مع دية المرأة. وفي حالة عدم وجود العاقلة لابأس من إنشاء شركة تعاونية لمساعدة من وقع منه الحادث.الكلمات المفتاحية: الدِّية، حوادث المرور، دية المرأة، دية الجنين، العاقلة. Abstract         This research addresses the subject of blood money for unintended manslaughter in traffic accidents according to Islamic jurisprudence in the present era due to the frequency of their occurrence and the need for people to understand the legal provisions concerning determining the amount. In this regard, we seek to clarify the disagreements regarding the blood money for women and foetuses that die in the mother’s womb as a result of traffic accidents or abortion. We also address the issue of blood money for two people who die as a result of collision between two cars. We also examine the issue of ʿĀqilah (those who pay the blood money) who helped the two parties (the offender and the victim by collecting blood money and giving it to the victim). To clarify these issues, we use the inductive approach and comparative method wherein we collect the various texts on the subject, and the views of classical and contemporary scholars to engage in a comparison between them in order to identify the points of agreement and disagreement between views. From here, we also hope to identify the major factors pertaining to such issues in order to facilitate a precise and concrete discussion to arrive at the most correct opinion. The study found that blood money for manslaughter in traffic accidents in the present era is equal to a gold dinar, which is equal to 4.250 grams of gold, or its cash equivalent. We advocate that the correct view is that the amount of blood money paid to a man is equal to that of a woman, and that in the absence of an ʿĀqilah it is possible to form a cooperative or mutual fund to render assistance to the victim.Keywords: blood money, traffic accidents, women, foetus, ʿĀqilah.


2020 ◽  
Vol 1 (2) ◽  
pp. 145-148
Author(s):  
Omar Anchassi

A man came before al-Hajjaj (d. 95/714) complaining that his house had been demolished and his stipend (ʿaṭāʾ) suspended because of the misdemeanours of a fellow tribesman. ‘That’s too bad’, the governor replied, ‘have you not heard the poet say: ‘…it might be that someone is seized for the sin of his tribesman/while the one who commits the deed escapes’?’ ‘God rectify the governor’, the man replied, ‘I have heard God say otherwise.’ ‘How so?’ al-Hajjajasked. The man recited: ‘“O Minister! He has an aged father, so take one of us in his place: we see you as one of the virtuous.” He [Joseph] said, “We seek refuge in God that we should seize someone other than him in whose possession our [stolen] goods were found; otherwise, we would be of the wrongdoers”’ (Q. 12:78–79). Al-Hajjajordered that the man’s house be rebuilt, his stipend restored, and that a crier announce ‘God has spoken the truth, and the poet has lied!’ As this anecdote stresses, and al-Hajjaj pointedly recognises, the principle of individual responsibility is crucial to Islam’s moral weltanschauung. It marks a significant departure from jāhilī ethics, which were tribal in character and stressed group loyalty to the detriment of all else: ‘Succour your brother, oppressor or oppressed’. Nurit Tsafrir’s brilliantly researched monograph on the institution of the ʿāqila, its adoption and subsequent modification under the Umayyads and the Hanafī School, sheds much needed light on this development, and on how the careful reading of legal and other sources can allow for the reconstruction of aspects of social and legal history. The ʿāqila is the group responsible for the payment of blood-money in cases of non-intentional homicide or injury. Jurists conceded that while its origins are indeed jāhilī, the Prophet confirmed (aqarra) this institution, rendering it properly Islamic. That those not responsible for offences should still bear the financial burden of compensation clearly reflects the tribal context of the Prophet’s mission, and seemingly contradicts, Tsafrir observes, the principle of individual responsibility, a tension jurists alternately recognised and explained away (2–3). The Hijaz had no history of state formation prior to Islam, and as generations of Islamicists have remarked, the resulting law of homicide resembles a civil more than it does a criminal wrong (8). According to the jurists, it in fact belongs to a composite category, since the perpetrator is required to atone for their sin irrespective of any compensation (15).


2017 ◽  
Vol 29 (3) ◽  
pp. 253-286
Author(s):  
Tim Summers

AbstractThis article aims to illuminate the meanings and aesthetic effects generated by scenes of staged opera in video games. It also explores the images of opera transmitted to the huge audiences that games address. Three dimensions of the opera-game encounter are discussed. First,ToscainHitman: Blood MoneyandThe Beggar’s OperainAssassin’s Creed IIIare used to examine the treatment of violence and the discourse of popular appeal in games and opera. Second, the arias sung by women inFinal Fantasy VIandParasite Eveillustrate how a melodramatic mode of expression represents a confluence of the aesthetic priorities of the two media. Finally,The Beast Within’s meditation on Wagner reveals how opera sequences aim to engage players by conjuring phantasmagorias through a unifying and enrapturing spectacle.


2018 ◽  
Vol 51 (2) ◽  
pp. 181-203 ◽  
Author(s):  
MICHAEL J. NEUSS

AbstractWilliam Harvey's famous quantitative argument fromDe motu cordis(1628) about the circulation of blood explained how a small amount of blood could recirculate and nourish the entire body, upending the Galenic conception of the blood's motion. This paper argues that the quantitative argument drew on the calculative and rhetorical skills of merchants, including Harvey's own brothers. Modern translations ofDe motu cordisobscure the language of accountancy that Harvey himself used. Like a merchant accounting for credits and debits, intake and output, goods and moneys, Harvey treated venous and arterial blood as essentially commensurate, quantifiable and fungible. For Harvey, the circulation (and recirculation) of blood was an arithmetical necessity. The development of Harvey's circulatory model followed shifts in the epistemic value of mercantile forms of knowledge, including accounting and arithmetic, also drawing on an Aristotelian language of reciprocity and balance that Harvey shared with mercantile advisers to the royal court. This paper places Harvey's calculations in a previously underappreciated context of economic crisis, whose debates focused largely on questions of circulation.


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