scholarly journals Printing the Levellers: Clandestine Print, Radical Propaganda, and the New Model Army

The Library ◽  
2021 ◽  
Vol 22 (4) ◽  
pp. 441-486
Author(s):  
David R Como

Abstract this article uses techniques of typographical analysis to identify the print houses that secretly produced the most important writings associated with the incipient ‘Leveller’ grouping as it took shape in 1646–47. It examines the key printers, Jane Coe and Thomas Paine, while illuminating the dynamics of the clandestine book trade of the 1640s. It then shows that these same printers acted as stationers of choice for the emergent New Model Army agitators, producing works such as the The Case of the Army Truly Stated and An Agreement of the People, among other titles. The resulting account sheds light on the origins and nature of the Leveller movement, and allows for discussion of the connections between the Levellers and the New Model Army. More broadly, this article highlights the centrality of printers as political protagonists and suggests that new modes of bibliographical analysis can address major problems in early-modern history.

Author(s):  
Tom Hamilton

This chapter explores the material culture of everyday life in late-Renaissance Paris by setting L’Estoile’s diaries and after-death inventory against a sample of the inventories of thirty-nine of his colleagues. L’Estoile and his family lived embedded in the society of royal office-holders and negotiated their place in its hierarchy with mixed success. His home was cramped and his wardrobe rather shabby. The paintings he displayed in the reception rooms reveal his iconoclastic attitude to the visual, contrasting with the overwhelming number of Catholic devotional pictures displayed by his colleagues. Yet the collection he stored in his study and cabinet made him stand out in his milieu as a distinguished curieux. It deserves a place in the early modern history of collecting, as his example reveals that the civil wars might be a stimulus as much as a disruption to collecting in sixteenth-century France.


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