Chapter 14

Author(s):  
Mark Glancy

Following Elsie Leach’s release from the asylum in 1936, Cary Grant began to rebuild his relationship with his mother. In her many letters to him, she addressed him as Archie, and she urged him to visit her and hinted that she would like to visit him in Hollywood. He was reluctant to bring her to California, where he lived a life among the rich and famous, with friends including the newspaper tycoon William Randolph Hearst and the eccentric millionaire Howard Hughes. On screen, his reputation was enhanced when he reunited with George Cukor and Katharine Hepburn in the sophisticated comedy Holiday (1938). He also branched out, playing a very unsophisticated, Cockney soldier in the British Empire adventure film Gunga Din (1939). Although his performance is delightfully zany, and Gunga Din was an enormous success on first release, it has not aged well. The film’s racist attitudes and imperialist ideology have rendered it unpalatable for modern audiences.

2018 ◽  
Vol 54 ◽  
pp. 374-392
Author(s):  
Jane Shaw

This article looks at the ways in which the Panacea Society – a heterodox, millenarian group based in Bedford during the inter-war years – spread its ideas: through personal, familial and shared belief networks across the British empire; by building new modes of attracting adherents, in particular a global healing ministry; and by shipping its publications widely. It then examines how the society appealed to its (white) members in the empire in three ways: through its theology, which put Britain at the centre of the world; by presuming the necessity and existence of a ‘Greater Britain’ and the British empire, while in so many other quarters these entities were being questioned in the wake of World War I; and by a deliberately cultivated and nostalgic notion of ‘Englishness’. The Panacea Society continued and developed the idea of the British empire as providential at a time when the idea no longer held currency in most circles. The article draws on the rich resource of letters in the Panacea Society archive to contribute to an emerging area of scholarship on migrants’ experience in the early twentieth-century British empire (especially the dominions) and their sense of identity, in this case both religious and British.


2000 ◽  
Vol 10 ◽  
pp. 1-16 ◽  
Author(s):  
P.J. Marshall

AbstractTHESE addresses have been trying to explore the obvious paradox in eighteenth-century Britain's fortunes overseas: a North American empire, as I suggested last year, deeply rooted in the rich soil of a close-knit transatlantic community, was to come crashing down in the gale unleashed by the new imperial anxieties and ambitions of Britain's rulers. A British empire was, however, to be successfully planted in the unpromising terrain of alien Asian peoples. It is to the creation of this new Indian empire that I wish now to turn.


Collections ◽  
2018 ◽  
Vol 14 (4) ◽  
pp. 497-531
Author(s):  
Grace Touzel ◽  
Beulah Garner

Lucy Evelyn Cheesman (1881-1969) was a key figure in 20th-century entomology. During both world wars, she used her fluency in German and her practical knowledge of remote New Guinea to assist allied governments; in between wars, she was the first female curator of the Insect House of the Royal Zoological Society. Her first research trip was to the Galápagos Islands (1923-1925) at age 42; her last was to Ane-ityum Island (Vanuatu) some 30 years later. She published scientific and popular literature until shortly before her death at the age of 88 and donated more than 70,000 specimens to the collections of the Natural History Museum. Many of these were new not only to the museum but also to science. In 1948, the museum's board of trustees made Evelyn an honorary associate, and her contribution to science was further recognized in 1955 with an Order of the British Empire. This article draws on the rich store of Cheesman's personal papers, held in the Library and Archives of the Natural History Museum, to place her work as an entomologist in a biographical framework. As a scientist, she was remarkable, and as a woman unwilling to accept age- or gender-based limitations, she is inspirational.


Author(s):  
Wendy Webster

During the Second World War, people arrived in Britain from all over the world as troops, war workers, nurses, refugees, exiles, and prisoners of war—chiefly from Europe, America, and the British Empire. Between 1939 and 1945, the population in Britain became more diverse than it had ever been before. Through diaries, letters, and interviews, Mixing It tells of ordinary lives which in wartime conditions were often extraordinary. Among the stories featured are those of Zbigniew Siemaszko and ‘Johnny’ Pohe. Siemaszko’s epic journey to Britain began on a horse-drawn sleigh, in a village in Kazakhstan to which he had been deported by the Soviet Union, eventually taking him to the Polish army in Scotland via Iran, Iraq, and South Africa. Pohe, from New Zealand, was the first Maori pilot to serve in the RAF. He was captured after he had to ditch his plane, took part in what was subsequently called the ‘Great Escape’, and was one of fifty escapees who were recaptured and murdered by the Gestapo. This is the first book to look at the big picture of large-scale movements to Britain and the rich variety of relations between different groups. When the war ended, awareness of the diversity of Britain’s wartime population was lost and has played little part in public memories of the war. Mixing It recovers this forgotten history. It illuminates the place of the Second World War in the making of multinational, multiethnic Britain and resonates with current debates on immigration.


PsycCRITIQUES ◽  
2006 ◽  
Vol 51 (49) ◽  
Author(s):  
Patricia M. Berliner
Keyword(s):  

1905 ◽  
Vol 59 (1521supp) ◽  
pp. 24373-24374
Author(s):  
John Eliot
Keyword(s):  

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