Twentieth- and Twenty-First–Century Interpretations
The performance history of Dido and Aeneas from 1950 can be divided into three distinct periods. The first (1951–80) concentrated on the establishment of an accurate score based on the earliest sources and was defined by two major performances in London in 1951. The second (1980–95), coincident with the growth of the early music movement, focused on a transition to historical instruments, performance practices, and vocal techniques and to smaller forces; it is represented by an abundance of audio recordings. The third period (1995–2016) is defined by scholarly and theatrical interpretations of Dido and Aeneas that consider issues of gender, race, sexuality, and colonialism. An array of recordings, videos, and scholarly writings demarcate this postmodern period of interpretation. Each of these periods is discussed in turn.