Jazz Drums

2019 ◽  
pp. 219-230
Author(s):  
Gregory Evans

It is no secret that music educators are faced with unique challenges when engaging young musicians who play drum sets. Many educators aren’t drummers themselves, which can create fear and uncertainty and ultimately lead them to avoid, rather than embrace, the wonderful and exciting world of jazz percussion. This chapter provides conceptual and technical approaches to understanding the role each component of the drum set contributes to the ensemble, as well as the role of the drum set in its entirety. It also touches on how dynamics can change the function and style of a groove as well as creative ways to encourage students to move beyond pattern playing. In particular, discussion and examples are provided regarding setup, sound sources, keeping time, functioning within the rhythm section, transitioning from timekeeping to improvising, and various rhythms and grooves.

Acoustics ◽  
2020 ◽  
Vol 2 (4) ◽  
pp. 847-867
Author(s):  
Michael Isnaeni Djimantoro ◽  
Widjaja Martokusumo ◽  
Heru W. Poerbo ◽  
R. Joko Sarwono

Understanding conceptions of the protection of cultural heritage continues to develop until now. Presently, urban historic places are not only comprehended as tangible but also include intangible dimensions. However, the conservation of cultural heritage dominantly still emphasises the visual sense more than any other senses. Thus, this paper addressed several questions on the role of human senses, the historic sonic environments, and the soundmarks of the past in examining a historical area. This paper aims to reveal the relation between sound sources and its predicted sonic environment in historic places over the time. The case study was Fatahillah Square, Jakarta, which has been documented from the 19th century until now. Some methods were carried out such as soundwalk, recalled in memory, and visual analysis. The results show that comprehensive study of multisensorial stimulus can increase a holistic understanding of historic places. Therefore, the protection of historic sites cannot only focus on the object per se, but also it must be considered to be a holistic entity. This research highlights new perspectives in analysing historical areas using combination of pictorial sources and sonic information.


2019 ◽  
Vol 9 (3) ◽  
pp. 460 ◽  
Author(s):  
Song Li ◽  
Roman Schlieper ◽  
Jürgen Peissig

Several studies show that the reverberation and spectral details in direct sounds are two essential cues for perceived externalization of virtual sound sources in reverberant environments. The present study investigated the role of these two cues in contralateral and ipsilateral ear signals on perceived externalization of headphone-reproduced binaural sound images at different azimuth angles. For this purpose, seven pairs of non-individual binaural room impulse responses (BRIRs) were measured at azimuth angles of −90°, −60°, −30°, 0°, 30°, 60°, and 90° in a listening room. The magnitude spectra of direct parts were smoothed, and the reverberation was removed, either in left or right ear BRIRs. Such modified BRIRs were convolved with a speech signal, and the resulting binaural sounds were presented over headphones. Subjects were asked to assess the degree of perceived externalization for the presented stimuli. The result of the subjective listening experiment revealed that the magnitude spectra of direct parts in ipsilateral ear signals and the reverberation in contralateral ear signals are important for perceived externalization of virtual lateral sound sources.


1958 ◽  
Vol 44 (3) ◽  
pp. 70
Author(s):  
E. Arthur Hill
Keyword(s):  

2011 ◽  
Vol 129 (4) ◽  
pp. 2488-2488
Author(s):  
Willim A. Yost ◽  
Christopher Brown ◽  
Farris Walling

2007 ◽  
Vol 121 (5) ◽  
pp. 3166-3166 ◽  
Author(s):  
Bruno L. Giordano ◽  
Stephen McAdams ◽  
Davide Rocchesso
Keyword(s):  

Author(s):  
Gary Spruce ◽  
Oscar Odena

This article focuses on music teaching and learning during the adolescent years by identifying and exploring key issues, concepts, and debates that particularly impact on, or are significant for, the musical experiences and development of young people during this period of their lives. A number of key themes emerge from the discussions that cause us to question assumptions about the role of music in the lives of adolescents, including how young people use and relate to music, and the way music educators can best meet the challenges of addressing young people's musical and wider needs in the range of contexts in which their musical learning and experiences take place.


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