Introduction

Black Samson ◽  
2020 ◽  
pp. 1-10
Author(s):  
Nyasha Junior ◽  
Jeremy Schipper
Keyword(s):  
Popular Culture ◽  
American Literature ◽  
African Descent ◽  
American Art ◽  
Biblical Story ◽  
Court Records ◽  
White American ◽  
The Bible ◽  
Biblical Scholarship ◽  
Popular Subject

Samson is a popular subject in biblical scholarship on the use of the Bible in art, literature, and popular culture, although this scholarship tends to focus on Samson in White European and White American art and literature. The introduction explains how Samson becomes identified with people of African descent in American literature. It discusses the biblical story of Samson and the lack of physical descriptions of Samson in the Bible. It provides examples of the racialized uses of Samson in poetry, sermons, speeches, narratives by enslaved persons, court records, and newspapers. It offers some possible reasons why the biblical story of Samson may have become associated with African Americans.

Publishing in Bible and American Popular Culture

2020 ◽  
pp. 536-552
Author(s):  
Robert Paul Seesengood
Keyword(s):  
Popular Culture ◽  
Cultural Studies ◽  
Academic Publishing ◽  
American Popular Culture ◽  
The Bible ◽  
Biblical Scholarship ◽  
Future Work

This essay is an examination of scholarship on the Bible and (American) popular culture. It reviews the history and assumptions of cultural studies and maps how this body of work influenced biblical scholarship after 1990. It surveys an array of examples of scholarship on the Bible and popular culture and concludes with some suggestions for future work. Specifically, this essay asks the following: How has interest in Bible and popular culture affected academic publishing? How did these trends emerge, and what assumptions prompt them? What new journals or series or reference works have appeared that are specifically devoted to this broad topic, and what are some ways that the Bible and popular culture have been treated therein?

The Bible

2020 ◽  
Author(s):  
Michael Coogan
Keyword(s):  
Popular Culture ◽  
Fine Arts ◽  
Western Culture ◽  
Biblical Authority ◽  
Western History ◽  
Saturday Night ◽  
The Bible ◽  
Biblical Scholarship ◽  
Saturday Night Live ◽  
Influential Book

The Bible is the most influential book in Western history. As the foundational text of Judaism and Christianity, the Bible has been interpreted and reinterpreted over millennia, utilized to promote a seemingly endless run of theological and political positions. Adherents and detractors alike point to different passages throughout to justify wildly disparate behaviors and beliefs. Translated and retranslated, these texts lead both to unity and intense conflict. Influential books on any topic are typically called “bibles.” What is the Bible? As a text considered sacred by some, its stories and language appear throughout the fine arts and popular culture, from Shakespeare to Saturday Night Live. In Michael Coogan’s eagerly awaited addition to Oxford’s What Everyone Needs to know® series, conflicts and controversies surrounding the world’s bestselling book are addressed in a straightforward Q&A format. This book provides an unbiased look at biblical authority and authorship, the Bible’s influence in Western culture, the disputes over meaning and interpretation, and the state of biblical scholarship today. Brimming with information for the student and the expert alike, The Bible: What Everyone Needs to Know ® is a dependable introduction to a most contentious holy book.

Sigurðr, Þórr and Ragnarök and their Christian Counterparts

2019 ◽  
Vol 15 ◽  
pp. 81-104
Author(s):  
Manu Braithwaite-Westoby
Keyword(s):  
Nineteenth Century ◽  
Systematic Study ◽  
Old Norse ◽  
The Bible ◽  
In Christ ◽  
Stone Sculpture ◽  
Popular Subject ◽  
New Religion

Few scholars would deny that some Old Norse myths have Christian counterparts, a phenomenon first noticed by nineteenth-century archaeologists and antiquarians in their observations of Anglo-Scandinavian stone sculpture in northern England. It is strange, therefore, that despite this long tradition, there is no systematic study on the topic. While this ambition is unfortunately outside the scope of this article, it does seek to address a number of Old Norse myths/legends and place them in conjunction with their Christian counterparts. One of the most important myths for Anglo-Scandinavian craftsmen was probably Sigurðr, who has an obvious parallel in Christ. The apocalyptic narrative in Voluspa known as Ragnarök was also a very popular subject and has a clear cognate in the apocalyptic sections of the Bible. Þórr and the Miðgarðsormr, though less appealing to artists, strongly recalls accounts of the conflict between Christ and Satan or Leviathan. This article uses a theoretical methodology called ‘figural interpretation’ to examine the Old Norse myths and explore how they reflect certain myths from the new religion. While distinctly art historical in approach, this article also invokes some Old Norse texts where relevant, which may themselves have been influenced by Christian thinking.

Spinoza and Biblical Philology in the Dutch Republic, 1660-1710

2018 ◽  
Author(s):  
Jetze Touber
Keyword(s):  
Early Modern ◽  
Old Testament ◽  
Historical Context ◽  
Dutch Reformed ◽  
Dutch Republic ◽  
Biblical Criticism ◽  
Ecclesiastical History ◽  
The Bible ◽  
Biblical Scholarship ◽  
Dutch Golden Age

This book investigates the biblical criticism of Spinoza from the perspective of the Dutch Reformed society in which the philosopher lived and worked. It focusses on philological investigation of the Bible: its words, its language, and the historical context in which it originated. The book charts contested issues of biblical philology in mainstream Dutch Calvinism, to determine whether Spinoza’s work on the Bible had any bearing on the Reformed understanding of the way society should engage with Scripture. Spinoza has received massive attention, both inside and outside academia. His unconventional interpretation of the Old Testament passages has been examined repeatedly over the decades. So has that of fellow ‘radicals’ (rationalists, radicals, deists, libertines, enthusiasts), against the backdrop of a society that is assumed to have been hostile, overwhelmed, static, and uniform. This book inverts this perspective and looks at how the Dutch Republic digested biblical philology and biblical criticism, including that of Spinoza. It takes into account the highly neglected area of the Reformed ministry and theology of the Dutch Golden Age. The result is that Dutch ecclesiastical history, up until now the preserve of the partisan scholarship of confessionalized church historians, is brought into dialogue with Early Modern intellectual currents. This book concludes that Spinoza, rather than simply pushing biblical scholarship in the direction of modernity, acted in an indirect way upon ongoing debates in Dutch society, shifting trends in those debates, but not always in the same direction, and not always equally profoundly, at all times, on all levels.

Teaching the Bible and Popular Media as Part of Contemporary Rape Culture

2020 ◽  
pp. 423-439
Author(s):  
Beatrice J. W. Lawrence
Keyword(s):  
Popular Culture ◽  
Sexual Assault ◽  
Biblical Studies ◽  
Popular Media ◽  
Rape Culture ◽  
Pedagogical Strategies ◽  
The Bible ◽  
Cultural Myths ◽  
Biblical Texts

This essay explores pedagogical strategies for addressing rape culture in biblical studies courses, employing Genesis 34 and Judges 19–21 as primary texts. The first section discusses the nature of popular culture and its impact on gender. The following four sections highlight cultural myths about sexual assault by focusing on significant biblical texts and incorporating aspects of popular media to facilitate conversations about rape culture. The conclusion summarizes the main points and encourage further studies that combine the study of popular media and biblical texts. Overall, the essay contributes to the reading and teaching of the Bible within contemporary rape culture so that students become critical interpreters of biblical texts, as they become resistant readers of past and present rape culture.

How American Newspaper Comic Strips Portray God, Angels, and Humans

2020 ◽  
pp. 398-413
Author(s):  
Leonard Greenspoon
Keyword(s):  
Twentieth Century ◽  
Popular Culture ◽  
New Testament ◽  
Religious Identity ◽  
Online Media ◽  
Comic Strip ◽  
Comic Strips ◽  
The Bible ◽  
Biblical Texts

The comic strip as a mainstay of print and more recently online media is an American invention that began its development in the last decades of the 1800s. For many decades in the mid-twentieth century, comic strips were among the most widely disseminated forms of popular culture. With their succession of panels, pictures, and pithy perspectives, comics have come to cover an array of topics, including religion. This chapter looks at how the Bible (Old and New Testament) figures in comic strips, focusing specifically on three areas: the depiction of the divine, renderings of specific biblical texts, and how comic strips can function as sites in which religious identity and controversies play out. Relevant examples are drawn from several dozen strips. Special attention is also paid to a few, like Peanuts and BC, in which biblical imagery, ideology, and idiom are characteristically portrayed in distinctive ways.

The Bible in the German Empire

2019 ◽  
Author(s):  
Joerg Rieger
Keyword(s):  
Late Nineteenth Century ◽  
Friedrich Schleiermacher ◽  
German Empire ◽  
The Bible ◽  
Biblical Scholarship ◽  
Cultural Climate ◽  
Colonial Empire ◽  
History Of Religions ◽  
History Of ◽  
Intellectual Production

Even though Germany’s colonial empire lasted merely three decades, from 1884 to 1915, German colonial fantasies shaped intellectual production from the late eighteenth century onward. This cultural climate shapes a great variety of engagements with the Bible, from the beginnings of liberal theology with Friedrich Schleiermacher to missionary efforts and the rather abstract academic productions of biblical scholarship in the late nineteenth century, including the prominent history of religions school. At the same time, there are also efforts to resist colonial tendencies, sometimes in the work of the same authors who otherwise perpetuate the colonial spirit.

Moral Injury and Biblical Studies: An Early Sampling of Research and Emerging Trends

2021 ◽  
Vol 19 (2) ◽  
pp. 121-144
Author(s):  
Brad E. Kelle
Keyword(s):  
Biblical Studies ◽  
Moral Injury ◽  
Critical Study ◽  
Moral Beliefs ◽  
The Bible ◽  
Biblical Scholarship ◽  
Emerging Trends ◽  
New Meanings ◽  
The World ◽  
Biblical Texts

Moral injury emerged within clinical psychology and related fields to refer to a non-physical wound (psychological and emotional pain and its effects) that results from the violation (by oneself or others) of a person’s deepest moral beliefs (about oneself, others, or the world). Originally conceived in the context of warfare, the notion has now expanded to include the morally damaging impact of various non-war-related experiences and circumstances. Since its inception, moral injury has been an intersectional and cross-disciplinary term and significant work has appeared in psychology, philosophy, medicine, spiritual/pastoral care, chaplaincy, and theology. Since 2015, biblical scholarship has engaged moral injury along two primary trajectories: 1) creative re-readings of biblical stories and characters informed by insights from moral injury; and 2) explorations of the postwar rituals and symbolic practices found in biblical texts and how they might connect to the felt needs of morally injured persons. These trajectories suggest that the engagement between the Bible and moral injury generates a two-way conversation in which moral injury can serve as a heuristic that brings new meanings out of biblical texts, and the critical study of biblical texts can contribute to the attempts to understand, identify, and heal moral injury.

Towards Better Ways of Reading the Bible

1980 ◽  
Vol 33 (4) ◽  
pp. 301-315 ◽  
Author(s):  
Bryan J. Gray
Keyword(s):  
Common Core ◽  
Uniform Pattern ◽  
The Bible ◽  
Biblical Scholarship

The growing rift between biblical scholarship and the dogmatic and moral theologies of the Churches is a challenge to us all. But not only is it necessary to examine the presuppositions of the biblical scholars; it is also necessary to investigate the questions raised by their critics. Is there a uniform pattern in the questions raised? Do the critics provide any suggestions as to how the Scripture scholar should operate? Is there a common core which can be detected in the midst of the disquiet?

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