Near and Distant Lands in First Crusade Songs
Two First Crusade songs from the turn of the twelfth century—Ierusalem mirabilis and Nomen a solemnibus—demonstrate Occitanian attitudes toward violence, Jerusalem, and dynamic Crusade journeys. Both come from the Aquitanian versus repertory and reference current or recent events pertaining to the First Crusade, and the state of Jerusalem between 1096 and 1099. In this way, they enhance our understanding of the versus repertory, which typically focuses on broader themes of Marian and Christological theology. Both songs rely upon various elements of Pope Urban’s Crusade call and contemporaneous crusading ideologies. They employ musical-poetic rhetorical techniques such as circular motion and dialectic opposition in order to portray the early Crusades as active, vital campaigns. The also employ deictic language to mark positionality and us-versus-them belief systems. In so doing, they position Jerusalem and Occitania—conceptually and geographically—in relation to one another, particularly through spatial notions of nearness and distance.