Desert Insurgency

Author(s):  
Nicholas J. Saunders

This book explores the once-hidden conflict landscape along the Hejaz Railway in the desert sands of southern Jordan. Built at the beginning of the twentieth century. This railway track stretched from Damascus to Medina and served to facilitate participation in the annual Muslim Hajj to Mecca. The discovery and archaeological investigation of an unknown landscape of insurgency and counterinsurgency along this route tells a different story of the origins of modern guerrilla warfare; the exploits of T. E. Lawrence, Emir Feisal, and Bedouin warriors; and the dramatic events of the Arab Revolt of 1916–18. Ten years of research in this prehistoric terrain has revealed sites lost for almost 100 years: vast campsites occupied by railway builders; Ottoman Turkish machine-gun redoubts; Rolls-Royce armoured-car raiding camps; an ephemeral Royal Air Force desert aerodrome; as well as the actual site of the Hallat Ammar railway ambush. Ultimately, this unique and richly illustrated account tells, in intimate detail, the story of a seminal episode of the First World War and the reshaping of the Middle East that followed.

Author(s):  
NEIL FAULKNER ◽  
NICHOLAS J. SAUNDERS

The Arab Revolt of 1916–18 played a significant part in the military collapse of the Ottoman Empire at the end of the First World War. This chapter argues that archaeological evidence indicates that the revolt's importance was probably substantially greater than has sometimes been acknowledged. The evidence demonstrates the need for a critical re-evaluation of the issue in southern Jordan. The archaeological investigation of sites associated with the Arab Revolt in southern Jordan offers dramatic insights into the material consequences for the Ottoman army of combating the guerrilla tactics of British-backed Arab guerrillas. The aim of the discussion is twofold: to give more precision to the military assessment of the Arab Revolt in the area between Ma'an and Wadi Rutm, and to demonstrate the potential of the new and multidisciplinary sub-discipline of twentieth-century ‘conflict archaeology’.


1966 ◽  
Vol 70 (661) ◽  
pp. 230-231
Author(s):  
F. S. Barton ◽  
N. Cox Walker

The Royal Flying Corps and the Royal Naval Air Service, which were combined in 1918 to form the Royal Air Force, both ended the First World War with radio communication by telegraphy and telephony between aircraft and ground stations and between actual aircraft.The equipment to achieve this was the result of research and development carried out for the Royal Flying Corps at various military establishments such as the Signals Experimental Establishment at Woolwich and for the Royal Naval Air Service, first at Eastchurch, Isle of Sheppey, and latterly at Cranwell.


Author(s):  
Frank Ledwidge

Once powered aircraft had taken to the air in the early 20th century, it did not take long for their potential as a military instrument to be realized. The First World War demonstrated that aeroplanes would indeed be war machines, and very formidable ones. ‘Beginnings: the First World War 1914–1918’ explains that whilst it was never a decisive arm on any WW1 front, all the elements of aircraft’s future deployment were present with the exception of its mobility potential. By the end of the war, the combatant nations had thousands of aircraft in their inventories with their attendant administrative and logistical structures. The world’s first independent air arm, the Royal Air Force, had been formed.


2010 ◽  
Vol 5 (2) ◽  
pp. 181-194
Author(s):  
Marjorie Perloff

This essay offers a critical re-assessment of Hugh Kenner's The Pound Era. It argues that Kenner's magisterial survey remains important to our understanding of Modernism, despite its frankly partisan viewpoint. Kenner's is an insider's account of the Anglo-American Modernist writing that he takes to have been significant because it sought to invent a new language consonant with the ethos of the twentieth century. The essay suggests that Kenner's impeccable attention to the Modernist renovation of language goes beyond formalism, since, for him, its ‘patterned energies’ (a term derived from Buckminster Fuller's theory of knots) relate Modernism to the larger complex of artefacts within which it functions and, beyond these, to what he takes to be the great works of the past and to the scientific-technological inventions of the present. But the essay also points out that Kenner's is an eccentric canon, which makes no room for Forster, Frost, Lawrence, or Stevens. Furthermore, Kenner's emphasis on the First World War as a great cultural rupture, while plausible, works less well for Joyce and Williams than it does for Pound and Eliot.


2020 ◽  
Vol 9 (4) ◽  
pp. 22-33
Author(s):  
T.N. GELLA ◽  

The main purpose of the article is to analyze the views of a famous British historian G.D.G. Cole on the history of the British workers' and UK socialist movement in the early twentieth century. The arti-cle focuses on the historian's assessment and the reasons for the workers' strike movement intensi-fication on the eve of the First World War, the specifics of such trends as labourism, trade unionism and syndicalism.


Author(s):  
Connal Parr

St John Ervine and Thomas Carnduff were born in working-class Protestant parts of Belfast in the 1880s, though Ervine would escape to an eventually prosperous existence in England. Orangeism, the politics of early twentieth-century Ireland, the militancy of the age—and the involvement of these writers in it—along with Ervine’s journey from ardent Fabian to reactionary Unionist, via his pivotal experiences managing the Abbey Theatre and losing a leg in the First World War, are all discussed. Carnduff’s own tumultuous life is reflected through his complicated Orange affiliation, gut class-consciousness, poetry, unpublished work, contempt for the local (and gentrified) Ulster artistic scene, and veneration of socially conscious United Irishman James Hope. It concludes with an assessment of their respective legacies and continuing import.


Author(s):  
Aaron Shaheen

Drawing on rehabilitation publications, novels by both famous and lesser-known American writers, and even the prosthetic masks of a classically trained sculptor, Great War Prostheses in American Literature and Culture addresses the ways in which prosthetic devices were designed, promoted, and depicted in America in the years during and after the First World War. The war’s mechanized weaponry ushered in an entirely new relationship between organic bodies and the technology that could both cause and attempt to remedy hideous injuries. This relationship was evident in the realm of prosthetic development, which by the second decade of the twentieth century promoted the belief that a prosthesis should be a spiritual extension of the person who possessed it. This spiritualized vision of prostheses held a particular resonance in American postwar culture. Relying on some of the most recent developments in literary and disability studies, the book’s six chapters explain how a prosthesis’s spiritual promise was largely dependent on its ability to nullify an injury and help an amputee renew (or even improve upon) his prewar life. But if it proved too cumbersome, obtrusive, or painful, the device had the long-lasting power to efface or distort his “spirit” or personality.


2020 ◽  
Vol 33 (3) ◽  
pp. 227-250
Author(s):  
Sjang L. ten Hagen

ArgumentThis article contributes to a global history of relativity, by exploring how Einstein’s theory was appropriated in Belgium. This may sound like a contradiction in terms, yet the early-twentieth-century Belgian context, because of its cultural diversity and reflectiveness of global conditions (the principal example being the First World War), proves well-suited to expose transnational flows and patterns in the global history of relativity. The attempts of Belgian physicist Théophile de Donder to contribute to relativity physics during the 1910s and 1920s illustrate the role of the war in shaping the transnational networks through which relativity circulated. The local attitudes of conservative Belgian Catholic scientists and philosophers, who denied that relativity was philosophically significant, exemplify a global pattern: while critics of relativity feared to become marginalized by the scientific, political, and cultural revolutions that Einstein and his theory were taken to represent, supporters sympathized with these revolutions.


2006 ◽  
Vol 49 (4) ◽  
pp. 1253-1271
Author(s):  
TALBOT C. IMLAY

Anticipating total war: the German and American experiences, 1871–1914. By Manfred Boemeke, Roger Chickering, and Stig Förster. New York and Cambridge: Cambridge University Press, 1999. Pp. ix+506. ISBN 0-521-62294-8. £55.00.German strategy and the path to Verdun: Erich von Falkenhayn and the development of attrition, 1870–1916. By Robert T. Foley. Cambridge: Cambridge University Press, 2005. Pp. xiv+316. ISBN 0-521-84193-3. £45.00.Europe's last summer: who started the Great War in 1914? By David Fromkin. New York: Knopf, 2004. Pp. xiii+368. ISBN 0-375-41156-9. £26.95.The origins of World War I. Edited by Richard F. Hamilton and Holger H. Herwig. Cambridge: Cambridge University Press, 2003. Pp. xiii+552. ISBN 0-521-81735-8. £35.00.Geheime Diplomatie und öffentliche Meinung: Die Parlamente in Frankreich, Deutschland und Grossbritanien und die erste Marokkokrise, 1904–1906. By Martin Mayer. Düsseldorf: Droste, 2002. Pp. 382. ISBN 3-7700-5242-0. £44.80.Helmuth von Moltke and the origins of the First World War. By Annika Mombauer. Cambridge: Cambridge University Press, 2001. Pp. xvi+344. ISBN 0-521-79101-4. £48.00.The origins of the First World War: controversies and consensus. By Annika Mombauer. London: Pearson Education, 2002. Pp. ix+256. ISBN 0-582-41872-0. £15.99.Inventing the Schlieffen plan: German war planning, 1871–1914. By Terence Zuber. Oxford: Oxford University Press, 2002. Pp. xi+340. ISBN 0-19-925016-2. £52.50.As Richard Hamilton and Holger Herwig remark in the introduction to their edited collection of essays on the origins of the First World War, thousands of books (and countless articles) have been written on the subject, a veritable flood that began with the outbreak of the conflict in 1914 and continues to this day. This enduring interest is understandable: the First World War was, in George Kennan’s still apt phrase, the ‘great seminal catastrophe’ of the twentieth century. Marking the end of the long nineteenth century and the beginning of the short twentieth century, the war amounted to an earthquake whose seismic shocks and after-shocks resonated decades afterwards both inside and outside of the belligerent countries. The Bolshevik Revolution, the growth of fascist and Nazi movements, the accelerated emergence of the United States as a leading great power, the economic depression of the 1930s – these and other developments all have their roots in the tempest of war during 1914–18. Given the momentous nature of the conflict, it is little wonder that scholars continue to investigate – and to argue about – its origins. At the same time, as Hamilton and Herwig suggest, the sheer number of existing studies places the onus on scholars themselves to justify their decision to add to this historiographical mountain. This being so, in assessing the need for a new work on the origins of the war, one might usefully ask whether it fulfills one of several functions.


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