The Legacy of Don Quixote
Reading Amadis in Jacobean England was conditioned by two publishing events: the appearance of the first part of Cervantes’s Don Quixote in 1605, and Munday’s 1618–19 edition of the first four books of Amadis. The revived Jacobean currency of the romance, alongside its association with Ovid and Sidney’s Arcadia as ‘arts of the heart’, explains its appearance in plays by Jacobean and Caroline dramatists including Jonson, Dekker, Massinger, Beaumont, Shirley, Brome, and Davenant. The second half of the chapter examines Amadis as the palimpsest upon which Don Quixote was written and highlights the theme of ‘ravery’ that links Amadis and Don Quixote, drawing examples from the satirical modes in which this topic is played out. This chapter therefore opens up a rich seam of literary allusion and parody that has not previously been studied, as well as shedding new light on the mechanics of reading Don Quixote in England.