Influences and Sources

2020 ◽  
pp. 266-297
Author(s):  
Gerard O'Daly

In the City of God Augustine uses a large variety of literary sources, and in a variety of ways. Some are cited in passing, others are repeatedly used; some are referred to by name, others may be inferred; in some cases, a specific use or influence is disputed by modern interpreters. This chapter collects and summarizes the literary influences upon Augustine in City, and the sources he used, often polemically. It contains sections on secular Latin writers, on Greek, mainly philosophical, writers in Latin translations, and on Jewish and Christian writers. The principal authors discussed are, in the first section, Varro, Cicero, Sallust, Virgil, and Apuleius; in the second section, Plato, Plotinus, and Porphyry; and in the third section, Origen, Eusebius, and Jerome.

Author(s):  
David S. Potter

This chapter offers an analysis of how inscriptions can complement the narratives of Roman history from the third century BCE to the third century CE provided in literary sources. They reveal certain historical events or details that would otherwise be unknown, and they supplement the information offered by the surviving Roman historians .


1986 ◽  
Vol 33 (2) ◽  
pp. 156-163 ◽  
Author(s):  
Janice J. Gabbert

Pirates were frequently employed by the Diadochoi and the Epigonoi of Alexander as an auxiliary military or naval force, and some examples are given below. Unfortunately, the surviving evidence does not allow us to do more than make the general statement. The evidence for piratical activity is largely in the form of personal anecdotes, and the evidence for the nature of Hellenistic military and naval establishments is nothing more than a record of a few persons and/or positions. The authors of our scant literary sources, especially those who wrote many generations after the events which they describe, were not attempting to analyse the role of pirates for posterity, thus they often use the word ‘pirate’ with a notable lack of precision, if they use it at all. Nevertheless, a review of the existing evidence suggests a rather remarkable degree of social and occupational mobility in the third century B.C.


Author(s):  
Daniele Castrizio

The paper examines the coins found inside the Antikythera wreck. The wreck of Antikythera was discovered by chance by some sponge fishermen in October 1900, in the northern part of the island of Antikythera. The archaeological excavation of the wreck has allowed the recovery of many finds in marble and bronze, with acquisitions of human skeletons related to the crew of the sunken ship, in addition to the famous “Antikythera mechanism”. Various proposals have been made for the chronology of the shipwreck, as well as the port of departure of the ship, which have been based on literary sources or on the chronology of ceramic finds. As far as coins are concerned, it should be remembered that thirty-six silver coins and some forty bronze coins were recovered in 1976, all corroded and covered by encrustations. The separate study of the two classes of materials, those Aegean and those Sicilian allows to deepen the history of the ship shipwrecked to Antikythera. The treasury of silver coinage is composed of thirty-six silver cistophoric tetradrachms, 32 of which are attributable to the mint of Pergamon and 4 to that of Ephesus. From the chronological point of view, the coins minted in Pergamon have been attributed by scholars to the years from 104/98 B.C. to 76/67 B.C., the date that marks the end of the coinage until 59 B.C. The coins of Ephesus are easier to date because they report the year of issue, even if, in the specimens found, the only legible refers to the year 53, corresponding to our 77/76 B.C., if it is assumed as the beginning of the era of Ephesus its elevation to the capital of the province of Asia in 129 B.C., or 82/81 B.C., if we consider 134/133 B.C., the year of the creation of the Provincia Asiana. As for the three legible bronzes, we note that there are a specimen of Cnidus and two of Ephesus. The coin of the city of Caria was dated by scholars in the second half of the third century B.C. The two bronzes of Ephesus are dated almost unanimously around the middle of the first century B.C., although this fundamental data was never considered for the dating of the shipwreck. The remaining three legible bronzes from Asian mints, two from the Katane mint and one from the Panormos mint, belong to a completely different geographical context, such as Sicily, with its own circulation of coins. The two coins of Katane show a typology with a right-facing head of Dionysus with ivy crown, while on the reverse we find the figures of the Pii Fratres of Katane, Amphinomos and Anapias, with their parents on their shoulders. The specimen of Panormos has on the front the graduated head of Zeus turned to the left, and on the verse the standing figure of a warrior with whole panoply, in the act of offering a libation, with on the left the monogram of the name of the mint. As regards the series of Katane, usually dated to the second century B.C., it should be noted, as, moreover, had already noticed Michael Crawford, that there is an extraordinary similarity between the reverse of these bronzes and that of the issuance of silver denarii in the name of Sextus Pompey, that have on the front the head of the general, facing right, and towards the two brothers from Katane on the sides of a figure of Neptune with an aplustre in his right hand, and the foot resting on the bow of the ship, dated around 40 B.C., during the course of the Bellum siculum. We wonder how it is possible to justify the presence in a wreck of the half of the first century B.C. of two specimens of a very rare series of one hundred and fifty years before, but well known to the engravers of the coins of Sextus Pompey. The only possible answer is that Katane coins have been minted more recently than scholars have established. For the coin series of Panormos, then, it must be kept in mind that there are three different variants of the same type of reverse, for which it is not possible to indicate a relative chronology. In one coin issue, the legend of the ethnic is written in Greek characters all around the warrior; in another coin we have a monogram that can be easily dissolved as an abbreviation of the name of the city of Panormos; in the third, in addition to the same monogram, we find the legend CATO, written in Latin characters. In our opinion, this legend must necessarily refer to the presence in Sicily of Marcus Porcius Cato of Utica, with the charge of propraetor in the year 49 B.C. Drawing the necessary consequences from the in-depth analysis, the data of the Sicilian coins seem to attest to their production towards the middle of the first century B.C., in line with what is obtained from the ceramic material found inside the shipwrecked ship, and from the dating of the coins of Ephesus. The study of numismatic materials and a proposal of more precise dating allows to offer a new chronological data for the sinking of the ship. The presence of rare bronze coins of Sicilian mints suggests that the ship came from a port on the island, most likely from that of Katane.


Author(s):  
John Reeves ◽  
Annette Yoshiko Reed

This book provides scholars with a comprehensive collection of core references extracted from Jewish, Christian, and Muslim literature to a plethora of ancient writings associated with the name of the biblical character Enoch (Gen 5:214). It assembles citations of and references to writings attributed to Enoch in non-canonical Jewish, Christian, and Muslim literary sources (ranging in age from roughly the third century BCE up through the thirteenth and fourteenth centuries CE) into one convenient thematically arranged repository, and it classifies, compares, and briefly analyzes these references and citations to develop a clearer picture of the scope and range of what one might term “the Enochic library,” or the entire corpus of works attributed to Enoch and his subsequent cross-cultural avatars. The book consists of two parts. The present volume, Volume 1, is devoted to textual traditions about the narratological career of the character Enoch. It collects materials about the distinctive epithets frequently paired with his name, outlines his cultural achievements, articulates his societal roles, describes his interactions with the celestial world, assembles the varied traditions about his eventual fate, and surveys the various identities he is assigned outside the purely biblical world of discourse within other discursive networks and intellectual circles. It also assembles a range of testimonies which express how writings associated with Enoch were evaluated by Jewish, Christian, and Muslim writers during late antiquity and the Middle Ages. Volume 2, currently in preparation, will concentrate upon textual sources which arguably display a knowledge of the peculiar contents, motifs, and themes of extant Enochic literature, including but not limited to 1 Enoch (the Ethiopic Book of Enoch) and 2 Enoch (the Slavonic Book of Enoch).


2021 ◽  
pp. 1-31
Author(s):  
Peter Altmann

Abstract This essay analyzes the Torah’s role in Judean communities from Ptolemaic Egypt in order to evaluate the significance of the Judean claim of divine origins for their law in relation to the conceptual or functional nature of this law. An introductory step explores the nature of the Judean communities in Egypt under the Ptolemies. The essay then moves to consider the nature of judicial practice in Ptolemaic Egypt, especially among Judean communities, where scholars have asserted overlap with the written Greek Torah in the interpretation of legal records. Given the largely negative finds from papyri documents concerning practical judicial conceptions, the discussion turns to depictions of Torah in the Letter of Aristeas and other Hellenistic-Judean literature. The argument demonstrates that direct references to the Torah conceive of its importance in philosophical terms and group affiliation rather than judicial categories, even when the conception of God as a divine legislator emerges.


Panta Rei ◽  
2021 ◽  
Vol 15 ◽  
pp. 7-29
Author(s):  
Miguel Pablo Sancho Gómez

Pese a la gran cantidad de sublevaciones militares acontecidas en el Imperio Romano, y muy especialmente en el siglo III, sabemos muy poco de cómo se preparaban y ejecutaban sobre el papel estos complots. Quitando el atípico caso de Procopio, relatado con detalle por Amiano Marcelino, las fuentes literarias, ya en muchos casos problemáticas y/o escasas, dejan bastantes lagunas en los relatos de tales procesos, que la historiografía reciente intenta suplir con hipótesis. Sin entrar a valorar las motivaciones del fenómeno o el grado de responsabilidad de los diferentes involucrados en las denominadas usurpaciones, nos planteamos ofrecer una propuesta explicativa desde el punto de vista meramente técnico, esto es, cómo un determinado grupo de conjurados logra idear, planear y ejecutar un plan o una serie de planes con el objetivo de alcanzar el poder mediante el apoyo de ciertas fuerzas militares para derrocar, casi siempre asesinando, al emperador reinante. Despite the large number of military uprisings that occurred in the Roman Empire, and especially in the Third Century, we know very little about how these conspiracies were prepared and executed on paper. Not counting the atypical case of Procopius, related in detail by Ammianus Marcellinus, the literary sources, already problematic and /or scarce in many cases, leave many gaps in the accounts of such processes, which recent historiography tries to fill with hypotheses. Without assessing the motivations of the phenomenon or the degree of responsibility of the different parties involved in the so-called usurpations, we offer an explanatory proposal from the merely technical point of view, that is, how a certain group of conspirators manages to devise, scheme and execute a plan or series of plans with the aim of attaining power through the support of certain military forces and overthrow, almost always assassinating, the reigning emperor.


2019 ◽  
Vol 31 (1) ◽  
pp. 129-138
Author(s):  
Hermann Harrauer ◽  
István Kovács

This article will be published in the Analecta Papyrologica [Messina] 2019 in German. In this study we would like to give a short presentation about the origin and meaning of the word kαρακάλλiov In the first part we cite the literary sources, in the second part we would like to give evidence about the papyri which contain the word, and in the third part we try to count the different types of hooded cloaks known as Καρακάλλiα.


2020 ◽  
Vol 65 ◽  
pp. 487-491
Author(s):  
Roman V. Zaitsev

The book of V.E. Molodiakov, a well-known Russian historian, is devoted to the life of the Third Reich Minister of Foreign Affairs Joachim von Ribbentrop (1893 – 1946). On the basis of the impressive strata of documents and literary sources the author reconstructs the biography of Ribbentrop, analyzes his diplomatic views and concepts, and describes in detail the Reich minister’s role in Germany’s internal and foreign policy in the 30s and 40s of the 20th century. There are several unique photos in the book, including those from the collection of V.E. Molodiakov.


1986 ◽  
Vol 36 ◽  
pp. 165-171 ◽  
Author(s):  
Engin Özgen

Four-wheeled wagons, which can be considered as one of the major breakthroughs of man's technological evolution and range over a considerable period of time, seem to appear as pictographic signs on inscribed clay tablets from Uruk in southern Mesopotamia during the fourth millennium B.C. These simple vehicles which are depicted with a roofed superstructure were probably drawn by a pair of bovids the existence of which is attested in the ancient Near East both by literary sources and osteologically. The evidence for four-wheeled wagons, this time without a roof, becomes extensive in the following millennium as represented on the “Standard of Ur”, the “Vulture Stele”, specimens of vase painting, sealing and seals, terracotta and metal wagon models and actual wagon remains. In the beginning of the third millennium B.C. they are depicted in military contexts, hence the name “battle cars”, whereas there is no evidence for a similar use towards the end of the period and following millennia. It seems that they were relegated to cult use in the later third millennium B.C. and continued to the early second millennium B.C.


2021 ◽  
pp. 91-113
Author(s):  
Elizabeth Marlowe

This chapter critically examines how scholars have interpreted Roman portraits of the third century ce. It focuses on two case studies. The first is a famous portrait of Maximinus Thrax from the Albani collection and now in the Capitoline Museum. Read through the lens of late antique literary sources, the portrait has been seen by art historians as portraying Maximinus’ ferocity, physical strength, and low class, barbarian origins. The second case study is a far less well-known pair of portraits excavated at the Roman villa of Lullingstone, south of London, which became the object of a highly unusual domestic cult in late antiquity. These case studies are used to argue that the heavy reliance on iconography and literary sources required to interpret portraits lacking archaeological context is less reliable and less informative than interpretations derived from a combination of iconography and archaeology.


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