Iconography and Archaeology

This chapter critically examines how scholars have interpreted Roman portraits of the third century ce. It focuses on two case studies. The first is a famous portrait of Maximinus Thrax from the Albani collection and now in the Capitoline Museum. Read through the lens of late antique literary sources, the portrait has been seen by art historians as portraying Maximinus’ ferocity, physical strength, and low class, barbarian origins. The second case study is a far less well-known pair of portraits excavated at the Roman villa of Lullingstone, south of London, which became the object of a highly unusual domestic cult in late antiquity. These case studies are used to argue that the heavy reliance on iconography and literary sources required to interpret portraits lacking archaeological context is less reliable and less informative than interpretations derived from a combination of iconography and archaeology.

Mineralogical Insights to Identify Göktepe Marble in the Sculptural Program of Quinta Das Longas Villa (Lusitania)

This archaeometric study is focused on the marble used in a group of fragmented sculptures found at the Roman villa of Quinta das Longas (Elvas, Portugal). Dating from the 4th century AD, the pieces are of remarkable quality and correspond to ideal and mythological figures from several iconographic cycles. The numerous fragments, all of very fine-grained white marble, are associated with the ornamentation of an impressive nymphaeum of the villa. Their high level of sculpture technique and style, the models followed and their similar typology to other well-known parallels raise the hypothesis of being linked with Aphrodisian workshops. Using a well-established multi-method approach, with Optical microscopy, X-ray Powder Diffraction (XRPD), qualitative and quantitative cathodoluminescence (CL) by CL-Optical and CL-SEM, and stable C and O isotopic and trace element analytical techniques (IRMS and ICP-AES), together with complementary parameters obtained from electron paramagnetic resonance (EPR) and 87Sr/86Sr isotopes, the marble provenance can be identified with certainty. The results all point to the best quality of white Göktepe marble, confirming the stylistic connection to the ancient Carian sculptors.

Production or Consumption? Glass Beads from the Roman Villa of Aiano, Tuscany

Excavations in the Roman villa of Aiano yielded twenty glass beads, a pendant, and a glass-recycling furnace, originally interpreted as a bead workshop. This article re-assesses the evidence of bead making in light of new data obtained thanks to recent progress in archaeological glass studies. A detailed study of the typology, technology, and chemical composition of the beads clearly excludes local production. Instead, two different forming techniques, four different base glasses (Roman, HIMT, Foy 2.1 and Foy 2.1/HIMT), and numerous colouring and opacifying materials point to a well-established and extensive network of the Roman bead trade, in which Aiano evidently participated. The majority of the beads can be related to the monumentalization of the villa in the fourth to fifth century ad and represent a sample of the ornaments worn by its inhabitants.

What Happened in That Pit? An Archaeozoological and GIS Approach to Study an Accumulation of Animal Carcasses at the Roman Villa of Vilauba (Catalonia)

Some of the deposits of animal remains documented throughout prehistory and history are clearly something other than ordinary waste from meat consumption. For the Roman period and based on their characteristics, these assemblages have been classified as butchery deposits, raw material deposits, deposits created for the hygienic management and disposal of animal carcasses, or ritual deposits. However, some are difficult to classify, and the parameters that define each of them are not clear. Here, we present a unique deposit from the Roman villa of Vilauba (Catalonia). A total of 783 cattle remains were found in an irregular-shaped 187 m2 pit originally dug to extract the clay used in the construction of the villa walls around the third quarter of the 1st century AD. The application of a contextual taphonomy approach, with the integration of archaeozoological variables, stratigraphy and context, and a GIS analysis, allowed us to document the nature and formation of this singular assemblage. It consisted of the carcasses of 14 cattle individuals from which the meat had been removed to take advantage of it by preserving it. Therefore, the parameters that characterise the refuse of this activity are presented here as a baseline for other studies.

Impact of Information Sources on Promoting Tourism in a Rural Region: The Case of the Roman Villa of Noheda

This paper presents a comparative analysis of the tools provided by the internet (social networks, websites, etc.) and traditional media (television, newspapers, word of mouth, etc.) in terms of their impact on the promotion of a tourism resource in a rural area: the Roman villa of Noheda (Cuenca). Both of the aforementioned sources of information play a relevant role in promoting such archaeological destinations and influencing tourists’ decision-making when planning their visit. The literature suggests that social networks as well as other electronic channels can attract large numbers of tourists; however, this has not happened in the case of the archaeological site under study. It has become known through coverage in more traditional media such as television and the national and international press. Knowledge of the use of internet tools to promote these heritage sites is still very limited; thus, this study collected information through a questionnaire on the different sources of information (traditional and online) that tourists used when deciding to visit this site. An ANOVA analysis has been used to determine the relationship between the different sources of information and the place of residence and between said information sources and the overnight stays near Noheda. The results point to strategies that can be developed to promote these cultural resources in order to achieve the economic development of rural regions such as the Alcarria of Cuenca.

The Early Christian Heracles

This chapter is a summary of the role of Hercules in late antique art and literature, with a special focus on how Christian clergy and laypersons perceived the hero. Using literary texts and archaeological finds as source material, it shows that Hercules was still ubiquitous in late antiquity, even though there was a quantitative decline of depictions of the hero in comparison with earlier periods. Both daily life and the sepulchral sphere are considered; examples of relevant archaeological finds include the mosaics from the Roman villa at Piazza Armerina, the cycle of reliefs of Hercules’ deeds from the villa of Chiragan (France), and the wall paintings in the catacomb on the Via Latina in Rome. Additionally, the late antique stage as a space where people were confronted with the Hercules myth in the form of highly popular pantomimes is addressed. The chapter concludes with a section on the treatment of Hercules in apologetic literature, with a focus on Lactantius and Tertullian; in this context, the topos of the hero’s effeminate behavior at Omphale’s court in particular is considered.

The Harpham Roman Villa in Context: Insights from an Integrated Remote-Sensing Survey on the Yorkshire Wolds

This contribution presents the first overview of an integrated remote-sensing survey undertaken across Harpham Roman Villa, East Yorkshire, and its wider landscape setting. The survey revealed one of the largest Roman courtyard complexes in northern Britain, nestled within an impressive crossroads system that formed part of a multiphase ‘ladder settlement’. The paper considers the impact of the results on both our understanding of this unique landscape and broader methodological approaches to the study of rural settlement in Roman Britain.