Design Thinking for Democracy

2021 ◽  
pp. 31-52
Author(s):  
Michael Saward

This chapter recounts the key features of design thinking that can, and should, have an impact on our thinking about designing democracy. The expansion of ‘design thinking’ and ‘design studies’ in recent years is examined in some detail to draw out promising insights for work on democracy. Designers today are turning attention to systems design, rather than focusing exclusively on material artefacts. After looking at the limitations of current democratic theory invocations of ‘design’, the chapter unpacks the meanings of design. From discussion of central features of design—its character and scope, functions and purposes, and modes of reasoning—the chapter concludes with a summary of the main implications for democratic thinking.

2007 ◽  
Vol 8 (1) ◽  
pp. 1-19 ◽  
Author(s):  
Maristella Agosti ◽  
Giorgetta Bonfiglio-Dosio ◽  
Nicola Ferro

2020 ◽  
Vol 7 ◽  
pp. 238212052092651
Author(s):  
John Sandars ◽  
Poh-Sun Goh

Design thinking is a process that applies both creativity and innovation to iteratively develop and implement a new product. The design thinking process also enhances design thinking skills that are essential for personal and professional life in a complex world. Health care is increasingly being faced with complex problems, and the education of current and future doctors in design thinking is an important curricular challenge for all medical educators. Medical educators will need to enhance their own design thinking skills to enable them to effectively respond to this challenge.


Systems ◽  
2017 ◽  
Vol 5 (1) ◽  
pp. 3 ◽  
Author(s):  
Christian Stary

Author(s):  
Cinzia Arruzza

This chapter offers a thorough analysis of both the literary tropes surrounding tyranny and the tyrant in fifth-century Greek literature—with some reference to fourth-century and later texts—and the function they played in democratic self-understanding. The chapter addresses the ongoing debate about the existence of a democratic theory of democracy in fifth- and fourth-century Athens, arguing that a proper democratic theory did not exist. Within the context of this debate, the chapter draws on theses of Diego Lanza, Giovanni Giorgini, and James F. McGlew that the depictions of tyranny in anti-tyrannical literature served the purpose of offering to the democratic citizen an inverted mirror with which he could contemplate the key features of democratic practice, by way of opposition. In other words, hatred for a highly stylized discursive representation of tyranny played a key role in democratic self-understanding.


2021 ◽  
Author(s):  
Carlye Lauff ◽  
Arianne Collopy ◽  
Amanda Swee ◽  
Wee Yu Hui ◽  
Kenneth Teo ◽  
...  

Author(s):  
Julian Tekaat ◽  
Aschot Kharatyan ◽  
Harald Anacker ◽  
Roman Dumitrescu

AbstractThe increasingly intelligent, highly complex, technical systems of tomorrow - for instance autonomous vehicles - result in the necessity for a systematic security- and safety-oriented development process that starts in the early phases of system design. Automotive Systems Engineering (ASE) as one approach is increasingly gaining ground in the automotive industry. However, this approach is still in a prototype stage. The consideration of security and safety within the early stages of systems design leads to so- called ill-defined problems. Such are not covered by ASE, but can be addressed by means of Design Thinking. Therefore we introduce an approach to combine both approaches. Based on this combination, we derive potentials in the context of the consideration of security and safety. Essential advantages are the possibility to think ahead of threat scenarios at an early stage in system design. Due to an incomplete database, this is not supported or only partially supported by conventional approaches. The resulting potentials are derived based upon a practical example.


Author(s):  
Luís Cláudio Portugal do Nascimento

This essay examines whether contemporary design is undergoing a decline in its standards of professional and pedagogic quality, due to an identity crisis which has apparently been affecting the field since the late sixties. In light of Confucius’ “rectification of names” imperative, various linguistic and aesthetic implications associated with the alleged loss of design conceptual benchmarks of the very identity and definition of the design discipline and profession are explored. It analyses concrete situations in which narratives on design seemingly weaken its bonds with objective exterior reality, arguably leading to the deterioration of previously valued and nurtured patterns and canons of excellence in technical, aesthetic, linguistic, methodological, and, above all, moral terms in the discipline of design. Attention is also given to a relatively common trend displayed – often, but not always– by “neo design specialists” of erasing conceptual boundaries around the design field, in order to establish subdomains within the greater discipline of design. These tend to be marked by pleonastic and tautological, but nevertheless impressive terminology, such as “information design”, “interface design”, “interaction design”, “user-centered design”, “user-experience design”, “user-interface design”, “communication design”, “experimental design”, “authorial design”, “handicrafts design”, “modern design”, “contemporary design”, “emotional design”, “meta-design”, “sustainable design”, “design systems”, “design thinking” and more, which then subdivides the territory of design amongst various “neo-design specialists” by suggesting, in some instances, the possibility of isolating conceptual attributes (such as, respectively, “information”, “interface”, “interaction”, “user experience”, “user interface”, “design conceptual models and methodological approaches” and so on) from the very identity of the integral design discipline itself. In this context, Confucius’ message of the “rectification of names” may thus be perceived as an important and timely call.


2017 ◽  
pp. 31-51
Author(s):  
Mark B. Brown

Environmental theorists have often considered how best to represent nature's interests. This essay develops an approach to the democratic representation of nonhuman nature by examining the relation between Bruno Latour’s account of representation and that of Thomas Hobbes. Both Hobbes and Latour develop a constructivist theory of representation as an ongoing process that partly constitutes what it represents. In this respect, Latour’s account complements the “constructivist turn” in recent democratic theory, and it suggests a promising avenue for representing nonhumans. However, Latour also follows Hobbes in viewing representation as a matter of unifying and replacing the represented. This aspect of Latour’s approach obscures certain key features of representative democracy in pluralist societies. The last part of the essay takes up an aspect of Hobbes’s theory neglected by Latour, the notion of “representation by fiction,” which suggests a way of representing nonhumans that offers more support for representative democracy than other approaches


Sign in / Sign up

Export Citation Format

Share Document