How to Publish an Egyptian Temple?
This chapter aims to draw colleagues’ attention to certain important points about the principles of publishing temples. Mentioned as critical to epigraphic work are, among other things, sequential numbering, separate sheets with key plans, exploded-views of rooms, notes on the condition of the wall, collation, and working in groups. The benefits of “old-fashioned” methods, using lead pencil on graph paper, are extolled. Drawing, even without a sure hand, is above all observing and concentrating—the essence of the epigrapher’s profession. Benefits of working in this way accrue not just in the work, which requires time, concentration, and calm, but also for the worker who experiences that intellectually fertile interval. Technologies, such as reflectance transformation imaging (RTI) and orthophotography, which offer truly dazzling results, are discussed not as “new,” but are contextualized within the history of epigraphic innovation. Regardless of which method a team adopts, the purpose of all epigraphic publication should not be forgotten: to provide an easy-to-understand substitute for the monument. It is, as it were, a way of assuring the monument’s permanence.