Global Beckett

2016 ◽  
Author(s):  
Rónán McDonald
Keyword(s):  
Twentieth Century ◽  
New Orleans ◽  
Human Condition ◽  
International Reputation ◽  
Production History ◽  
Waiting For Godot ◽  
History Of ◽  
Historical Specificity ◽  
The Human Condition

Beckett, arguably the most important playwright of the twentieth century, has achieved an international reputation that goes well beyond his achievement as a writer. There is in effect a ‘Beckett brand’, a marketable image of the man and his works. The abstraction of his theatre work, its lack of definite geographical or specific referents, has led to a tenacious discourse of universalism. His global fame developed from the first production ofWaiting for Godot, seen as the epitome of modernist experiment, delivering a profound image of the human condition free of historical specificity and thus available to any number of different interpretive schemes. The production history of Beckett’s work in recent times, however, has shown that it is at its most effective in its trans-historical capacity, represented most tellingly in instances such as the productions ofGodotin Sarajevo or New Orleans. Beckett is ‘glocal’ rather than global.

ORIGINS OF POLITICAL ECONOMY

2020 ◽  
Vol 37 (1) ◽  
pp. 1-9
Author(s):  
David Schmidtz
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Political Economy ◽  
Human Condition ◽  
Scottish Enlightenment ◽  
Old Field ◽  
Field Of Study ◽  
History Of ◽  
The Human Condition

AbstractOur modern observation-based approaches to the study of the human condition were shaped by the Scottish Enlightenment. Political Economy emerged as a discipline of its own in the nineteenth century, then fragmented further around the dawn of the twentieth century. Today, we see Political Economy’s pieces being reassembled and reunited with their philosophical roots. This issue pauses to reflect on the history of this new but also old field of study.

Hard Objects in George Oppen's Discrete Series

2018 ◽  
Vol 13 (4) ◽  
pp. 496-517
Author(s):  
Ned Hercock
Keyword(s):  
Twentieth Century ◽  
Ludwig Wittgenstein ◽  
Discrete Series ◽  
Human Experience ◽  
John Ruskin ◽  
Gerard Manley Hopkins ◽  
Marcel Duchamp ◽  
The World ◽  
Production History ◽  
History Of

This essay examines the objects in George Oppen's Discrete Series (1934). It considers their primary property to be their hardness – many of them have distinctively uniform and impenetrable surfaces. This hardness and uniformity is contrasted with 19th century organicism (Gerard Manley Hopkins and John Ruskin). Taking my cue from Kirsten Blythe Painter I show how in their work with hard objects these poems participate within a wider cultural and philosophical turn towards hardness in the early twentieth century (Marcel Duchamp, Adolf Loos, Ludwig Wittgenstein and others). I describe the thinking these poems do with regard to industrialization and to human experience of a resolutely object world – I argue that the presentation of these objects bears witness to the production history of the type of objects which in this era are becoming preponderant in parts of the world. Finally, I suggest that the objects’ impenetrability offers a kind of anti-aesthetic relief: perception without conception. If ‘philosophy recognizes the Concept in everything’ it is still possible, these poems show, to experience resistance to this imperious process of conceptualization. Within thinking objects (poems) these are objects which do not think.

Dreams of a Black Commons on Turtle Island

2021 ◽  
Vol 14 (2) ◽  
pp. 454-473
Author(s):  
Rachel Zellars
Keyword(s):  
Twentieth Century ◽  
Indigenous Peoples ◽  
Human Condition ◽  
Wild Mushrooms ◽  
Black Migration ◽  
Black Freedom ◽  
Indigenous Sovereignty ◽  
Black Land ◽  
The Human Condition

This essay opens with a discussion of the Black commons and the possibility it offers for visioning coherence between Black land relationality and Indigenous sovereignty. Two sites of history – Black slavery and Black migration prior to the twentieth century – present illuminations and challenges to Black and Indigenous relations on Turtle Island, as they expose the “antagonisms history has left us” (Byrd, 2019a, p. 342), and the ways antiblackness is produced as a return to what is deemed impossible, unimaginable, or unforgivable about Black life.While the full histories are well beyond the scope of this paper, I highlight the violent impossibilities and afterlives produced and sustained by both – those that deserve care and attention within a “new relationality,” as Tiffany King has named, between Black and Indigenous peoples. At the end of the essay, I return briefly to Anna Tsing’s spiritual science of foraging wild mushrooms. Her allegory about the human condition offers a bridge, I conclude, between the emancipatory dreams of Black freedom and Indigenous sovereignty.  

Holiness and Ethics

2018 ◽  
pp. 89-153
Author(s):  
Alan L. Mittleman
Keyword(s):  
Natural History ◽  
Moral Realism ◽  
Human Condition ◽  
Ethical Naturalism ◽  
History Of ◽  
The Right ◽  
The Human Condition

This chapter explores the connection between holiness and ethics or between holiness and goodness. Drawing on a theory of holiness in Judaism, it considers how holiness relates to other values, including moral ones, and whether holiness is more primordial or primitive than ethics. The discussion is anchored on two texts: the first from the Book of Leviticus, and the second from the modern Jewish thinker, Abraham Joshua Heschel. The chapter argues that holiness and morality are equally primordial, equally original to the human condition, and goes on to propose a natural history of holiness in which the human experiences of love and awe, of goodness and holiness arise together against man's evolutionary background as a social primate. It also examines the concepts of primordial morality, natural morality, ethical naturalism, and moral realism before concluding with an analysis of intuition in relation to the good, the right, and the holy.

Caribbean and Latin American Reverberations and the First Birth of Latin Jazz

Latin Jazz ◽  
2020 ◽  
pp. 36-63
Author(s):  
Christopher Washburne
Keyword(s):  
Twentieth Century ◽  
New Orleans ◽  
Social History ◽  
Latin American ◽  
Political Development ◽  
Formative Period ◽  
Latin American Music ◽  
The Social ◽  
History Of ◽  
Latin Jazz

This chapter documents the strong ties of the Caribbean and Latin America to the formative period of jazz and how that influence reverberated throughout the twentieth century. It argues that the strong foundational influence of Caribbean and Latin American music on pre-jazz styles makes the birth of jazz synchronous with the birth of Latin jazz. By building on the work of a number of scholars who have recently begun to tackle this complexity through historical studies of immigration patterns and the social and political development of New Orleans throughout the 1700s and 1800s and by conducting a “sonic archeology” of jazz styles throughout the twentieth century, reverberations of jazz’s pre-history are uncovered and shown to resound loudly. Along with a discussion of the social history of New Orleans, the focus is on the function of certain rhythmic cells in the jazz repertoire that are most typically associated with Caribbean and Latin American styles.

scholarly journals Elements of a History of the Soul in North-West Semitic Texts

2020 ◽  
Vol 70 (1) ◽  
pp. 156-176
Author(s):  
Joachim Schaper
Keyword(s):  
Present Article ◽  
Hebrew Bible ◽  
Human Condition ◽  
North West ◽  
Literature And Religion ◽  
History Of ◽  
Key Terms ◽  
The Human Condition

Abstract Amongst Hebrew Bible scholars the question of the understanding of biblical key terms and concepts pertaining to the human condition has attracted a fair amount of interest. And amongst those key terms and concepts it is the concept of nefeš that has proved to be particularly attractive and challenging. New light is thrown on the biblical concept by the recent discovery of the Katumuwa stele in Zincirli. The present article examines the evidence and draws conclusions with regard to the history of the concept of nefeš in the Hebrew Bible and in North-West Semitic literature and religion generally.

Households and ‘Home Cultures’

2012 ◽  
Author(s):  
Victor Buchli
Keyword(s):  
Twentieth Century ◽  
Religious Life ◽  
Human Condition ◽  
Economic Life ◽  
Gradual Change ◽  
Domestic Sphere ◽  
Public And Private ◽  
The World ◽  
The Individual ◽  
The Human Condition

The domestic sphere or ‘home cultures’ as the term is used here is the location of many disciplinary investigations into the home. It is in the domestic sphere that one investigates the key elements of the human condition. This article's essence happens to be households and home cultures. It is where family, gender, and the nature of the individual are understood. It is also where the basic elements of cosmology and religious life and the elemental context for the understanding of political and economic life are lived and perceived. Here public and private realms are forged; nature/culture boundaries are created and negotiated. The home is typically how we know the world and know about people who inhabit the world. It is the key point of orientation for members of a given society as it is to its visitors and outsiders. A study of the gradual change in the domestic realm in the twentieth century concludes this article.

Frances Burney and the Art of Accident

2019 ◽  
Vol 52 (3) ◽  
pp. 425-441
Author(s):  
Katarina O'Briain
Keyword(s):  
Eighteenth Century ◽  
Human Condition ◽  
The Novel ◽  
Frances Burney ◽  
History Of The Novel ◽  
Late Capitalism ◽  
Unexpected Events ◽  
History Of ◽  
The Human Condition

Abstract This article argues that Frances Burney's long, diffuse works of fiction develop an ethics of accident within the history of the novel. Whereas critics from the eighteenth century to today have privileged “art”—in the sense of careful, deliberate skill and conduct—as a crucial marker of human character, Burney insists on filling her novels with a succession of unexpected events and a multitude of characters surprised by their own actions. By refusing to treat accident as a mistake to be improved upon—in the realm of either characterological conduct or authorial craft—Burney posits an ethics of the novel that treats matters of chance and modes of depleted agency as central aspects of the human condition rather than as markers of moral or aesthetic failure. Setting Burney's texts within ascendant modes of economy and finance in the eighteenth century, the article suggests that this ethics marks a key change within the rise of the novel that continues well into late capitalism.

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