Roy Porter Student Prize Essay How (Not) to Survive a Plague: The Theology of Fleeing Disease in Sixteenth-century England

2018 ◽  
Vol 33 (2) ◽  
pp. 355-376
Author(s):  
Spencer J Weinreich

Abstract Early modern medicine favoured flight as the best prophylactic against epidemic disease. Theologically, however, flight savoured of an attempt to defy divine providence, or a dereliction of Christian charity, while staying could seem an act of presumption or recklessness. This essay studies six theologians whose writings on the issue circulated in sixteenth-century England. Long dismissed as inconclusive and derivative, these ‘flight theologies’ can be better understood as products of theological principle and communal experience, whose combined influence precluded definitive prescriptions. Instead, authors marshalled the rhetoric of ‘conscience’ to displace the decision back onto their readers, while retaining interpretive authority over the key factors of Scripture and personal obligations. Flight theology thus seeks less to solve a practical problem, than to produce a particular kind of political subjectivity, bound to the community and predicated on persuasion. In so doing, the discourse fuelled the emergence of an early modern English public sphere.

2018 ◽  
pp. 1-20
Author(s):  
David J. Appleby ◽  
Andrew Hopper

The introduction surveys the historical and historiographical contexts which underpin and link the various chapters in Battle-Scarred, before outlining the questions and topics covered in the chapters. By adumbrating trends in military historiography and the history of early modern medicine, the editors highlight how the contributors have utilised potential synergies between these two sub-disciplines in order to make a series of significant contributions to the study of military medicine and war-related welfare. The chapters are arranged in three sections: the first section considers attitudes towards the bodies of the slain and efforts to control epidemic disease in civil-war garrisons; the second brings together professional, political and literary aspects of military medicine; whilst the third explores the complex relationships between war, societal culture, welfare and memorialisation. The editors argue that by examining the myriad ways in which English and Scottish people at various levels of society responded to the trauma and stress of civil war, the volume will help foster a more rounded approach to military history, and a sounder grasp of the historical origins of modern British attitudes towards war-related institutional care.


The Lancet ◽  
2019 ◽  
Vol 393 (10173) ◽  
pp. 738-739
Author(s):  
Dániel Margócsy ◽  
Mark Somos ◽  
Stephen N Joffe

2016 ◽  
Vol 29 (2) ◽  
pp. 211-223 ◽  
Author(s):  
Daphna Oren-Magidor ◽  
Catherine Rider

2020 ◽  
Vol 20 (2) ◽  
pp. 67-93
Author(s):  
Jukka Tyrkkö

The standardisation process of English spelling largely came to its conclusion during the Early Modern period. While the progress of standardisation has been studied in both printed and manuscript texts, few studies have looked at these processes side by side, especially focusing on the same genre of writing and by using corpora that are sufficiently large for quantitative comparison. Using two Early Modern medical corpora, one based on manuscripts and the other on printed sources, this paper compares the trajectories of spelling standardisation in the two textual domains and shows that while spelling standardisation progressed in an almost linear fashion in printed texts, the manuscripts reveal a much more varied and shallow cline toward standardisation.


2013 ◽  
Vol 12 (1) ◽  
pp. 93-111
Author(s):  
Greta Perletti

Abstract While the hysterical ailments of women in Shakespeare’s works have often been read from psychoanalytical standpoints, early modern medicine may provide new insights into the ‘frozen’, seemingly dead bodies of some of his heroines, such as Desdemona, Thaisa, and Hermione. In the wake of recent critical work (Peterson, Slights, Pettigrew), this paper will shed fresh light on the ‘excess’ of female physiology and on Shakespeare’s creative redeployment of some medical concepts and narratives.


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