Increased right auditory cortex activity in absolute pitch possessors

Neuroreport ◽  
2005 ◽  
Vol 16 (16) ◽  
pp. 1775-1779 ◽  
Author(s):  
Hiroyuki Hirose ◽  
Masaya Kubota ◽  
Ikumi Kimura ◽  
Masato Yumoto ◽  
Yoichi Sakakihara
2013 ◽  
Vol 24 (5) ◽  
pp. 1127-1137 ◽  
Author(s):  
Martina Wengenroth ◽  
Maria Blatow ◽  
Armin Heinecke ◽  
Julia Reinhardt ◽  
Christoph Stippich ◽  
...  

Neuroreport ◽  
1999 ◽  
Vol 10 (5) ◽  
pp. 999-1002 ◽  
Author(s):  
Yoshihiro Hirata ◽  
Shinya Kuriki ◽  
Christo Pantev

2020 ◽  
Author(s):  
Marielle Greber ◽  
Carina Klein ◽  
Simon Leipold ◽  
Silvano Sele ◽  
Lutz Jäncke

AbstractThe neural basis of absolute pitch (AP), the ability to effortlessly identify a musical tone without an external reference, is poorly understood. One of the key questions is whether perceptual or cognitive processes underlie the phenomenon as both sensory and higher-order brain regions have been associated with AP. One approach to elucidate the neural underpinnings of a specific expertise is the examination of resting-state networks.Thus, in this paper, we report a comprehensive functional network analysis of intracranial resting-state EEG data in a large sample of AP musicians (n = 54) and non-AP musicians (n = 51). We adopted two analysis approaches: First, we applied an ROI-based analysis to examine the connectivity between the auditory cortex and the dorsolateral prefrontal cortex (DLPFC) using several established functional connectivity measures. This analysis is a replication of a previous study which reported increased connectivity between these two regions in AP musicians. Second, we performed a whole-brain network-based analysis on the same functional connectivity measures to gain a more complete picture of the brain regions involved in a possibly large-scale network supporting AP ability.In our sample, the ROI-based analysis did not provide evidence for an AP-specific connectivity increase between the auditory cortex and the DLPFC. In contrast, the whole-brain analysis revealed three networks with increased connectivity in AP musicians comprising nodes in frontal, temporal, subcortical, and occipital areas. Commonalities of the networks were found in both sensory and higher-order brain regions of the perisylvian area. Further research will be needed to confirm these exploratory results.


Author(s):  
Lilach Akiva-Kabiri ◽  
Avishai Henik

The Stroop task has been employed to study automaticity or failures of selective attention for many years. The effect is known to be asymmetrical, with words affecting color naming but not vice versa. In the current work two auditory-visual Stroop-like tasks were devised in order to study the automaticity of pitch processing in both absolute pitch (AP) possessors and musically trained controls without AP (nAP). In the tone naming task, participants were asked to name the auditory tone while ignoring a visual note name. In the note naming task, participants were asked to read a note name while ignoring the auditory tone. The nAP group showed a significant congruency effect only in the tone naming task, whereas AP possessors showed the reverse pattern, with a significant congruency effect only in the note reading task. Thus, AP possessors were unable to ignore the auditory tone when asked to read the note, but were unaffected by the verbal note name when asked to label the auditory tone. The results suggest that pitch identification in participants endowed with AP ability is automatic and impossible to suppress.


2005 ◽  
Vol 84 (01) ◽  
Author(s):  
P Benesová ◽  
M Langmeier ◽  
J Betka ◽  
S Trojan
Keyword(s):  

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