Evaluation of the influence of the properties of inhomogeneous media in the formation of the image in technical vision systems

Author(s):  
Tatiana A. Akimenko ◽  
Olga Y. Gorbunova





2020 ◽  
Vol 4 (4) ◽  
pp. 64-69
Author(s):  
Valeriy Barsov ◽  
Olena Kosterna ◽  
Oleksandr Plakhotnyi


Author(s):  
Oleg Sytnik ◽  
Vladimir Kartashov

The problems of highlighting the main informational aspects of images and creating their adequate models are discussed in the chapter. Vision systems can receive information about an object in different frequency ranges and in a form that is not accessible to the human visual system. Vision systems distort the information contained in the image. Therefore, to create effective image processing and transmission systems, it is necessary to formulate mathematical models of signals and interference. The chapter discusses the features of perception by the human visual system and the issues of harmonizing the technical characteristics of industrial systems for receiving and transmitting images. Methods and algorithms of pattern recognition are discussed. The problem of conjugation of the characteristics of the technical vision system with the consumer of information is considered.



2021 ◽  
Vol 4 ◽  
pp. 7-12
Author(s):  
V.L. Martynov ◽  
◽  
E.V. Krechetova ◽  
M.S. Shimanskaya

One of the important tasks in creating underwater robotic systems is to increase their search performance. Its implementation is based on the integration of the capabilities of hydroacoustic search systems and technical vision systems, in which it is advisable to use laser emitters as a system for highlighting objects of observation in the hydrosphere. The article presents calculations of the potential ranges of visual observation by technical vision systems with laser illuminators of search objects at working depths in the Barents Sea.



2021 ◽  
Vol 27 (S4) ◽  
pp. 47-50
Author(s):  
N.V. Vasilyev ◽  
O. M. Alykova ◽  
A.V. Rybakov ◽  
V.V. Smirnov


Author(s):  
V. V. Azarenko ◽  
D. I. Komlach ◽  
V. V. Goldyban ◽  
I. A. Baranovsky ◽  
G. A. Prokopovich

Weed control automation appears to be a very promising technology based on the tremendous advances in computer processing, machine vision and robotics. Machine vision systems are based on size differences between crops and weeds and or on the regular structure of crop rows, allowing the system to recognize crop plants and control surrounding weeds. The paper provides description of the mounted system for orienting the row cultivator in rows and its displacement relative to the tractor using vision systems and automatic control. The developed technical vision system is capable of clearly identifying sugar beet leaves based on the deep learning artificial neural networks technology, and a specially developed algorithm for identifying the center of the row spacing to control the moving part of the cultivator in the required direction to level the inaccuracy of the tractor. The use of controlled mounted device with a tractor and an implement based on vision systems, the accuracy of technological operations for the row crops care, will increase the technical level of the machine and tractor unit, and reduce labor costs. Technical vision systems and automatic control of the cultivator will improve the quality of inter-row cultivation of row crops and reduce the pesticide load on the environment. The results of these studies can be used to create machines for cultivation of agricultural crops with an automated control system.



Author(s):  
Andreas Broeckmann

This chapter deals with the role that vision and images play in the conjunction of technics and aesthetics in the twentieth century. Based on an analysis of the fundamental technicity of human visual perception, it discusses the complicated notion of the “image” and that of the “medium” in art. The chapter begins with a detailed analysis of the concept of “operational images,” which pinpoints the tension between images that are produced to be seen by human eyes, and technical vision systems that are independent of human vision and human intervention. The author then presents artworks by artists including Nam June Paik, Steina Vasulka, and Julien Maire which articulate the complex aesthetics of visual media techniques. A discussion of early computer graphics artists like Vera Molnar, and more recent works by Antoine Schmitt, JODI, and others, exemplifies how issues like seriality, chance, and control have concerned visual artists working with different media supports ever since the 1920s. Finally, an analysis of works by David Rokeby, Wolfgang Staehle, and David Tomas serve to further outline the particular aesthetics of machine images and automated vision systems.



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