‘A reasonably sheltered position’: Marion Milner, David Jones, and the location of art writing

2021 ◽  
Vol 63 (4) ◽  
pp. 90-110
Author(s):  
Hope Wolf
Keyword(s):  
October ◽  
2021 ◽  
pp. 88-108
Author(s):  
Liz Linden ◽  
Susan Ballard
Keyword(s):  

Abstract This essay traces the emergence of a rich and densely layered field of art writing within the Anthropocene. We ask: If the Anthropocene is all around us, where is it in art writing? We identify the emergence of Anthropocenic art writing: writing that is not art writing about the Anthropocene per se but rather art writing that takes its cue from the operations and outcomes of the Anthropocene itself, including its flagrant disregard for boundaries (disciplinary and otherwise), and its agency. We find such strategies already at work, particularly, in writing by artists such as Hito Steyerl, Martha Rosler, and Chris Kraus, as well as in writing that is polyphonic either through the collaboration of multiple writers or through collage. We map art writing's strata (its past and present delineations, some of its cardinal points) in order to identify sites of resistance to the accelerations of the contemporary era, which is to say places where deceleration and deliberation may be possible. Anthropocenic art writing claims such modes as its own. While for scientists the Anthropocene has been marked by the contestation of golden spikes, in art writing these proxy signals go far beyond employing “nature” and the environment as a theme or topic, taking the Anthropocene as an allegorical mode itself.


2021 ◽  
Vol 10 (2) ◽  
pp. 289-291
Author(s):  
Margaryta Golovchenko

Review of: Autotheory as Feminist Practice in Art, Writing and Criticism, Lauren FournierCambridge, MA and London: MIT Press (2021), 320 pp., h/bk,ISBN: 978-0-26204-556-8, US $35.00


2018 ◽  
pp. 25-29
Author(s):  
Susannah Thompson
Keyword(s):  

Author(s):  
Taey Iohe

This chapter presents a philosophical journey and practical piece of experimentation on spatiality, virtuality and displacement. A series of art practices using photography, installation and art writing form the trajectory for a sequence of conceptual maps. The discussion engages with spacing and displacing as an artistic enquiry on space. The chapter consists of an examination of the typology and meaning of displacement in its translation from Korean, and a discussion of the formation of a gendered and artistically constructed displacement by extending the scope of the theory to the displacement of women in a colonial situation. This chapter explores the way in which displaced women (in the very particular case of Korean “comfort women” during the colonial war with Japan, and through the case of the artist, Hyeseok Na) cannot belong in either their home or a foreign land. Virtual-ness, here, is approached with an artistic understanding, and is found to constitute an unreal living space rather than merely a virtual environment through technology.


Author(s):  
Holly Gallagher

Anna Jameson’s Diary of an Ennuyée, first published in 1826, follows an unnamed narrator, a dispirited female traveller, who moves through the locales of France and Italy, surveying the objects of the Grand Tour. In the reflective space of her diary, the ennuyée begins to synthesize this material world she moves in, to understand herself as part of that world of objects, and to challenge the art viewers and artists who instead perceive materiality from a distance. Following Jane Bennett’s proposition of the ‘active, earthy, not-quite-human capaciousness’ of matter, this essay argues that the diarist recognizes and contemplates the unexpected vibrancy of the materials that she encounters. The narrator demonstrates that art writing should be more than an absolute formal assessment of quality; instead, she shows how artifacts reveal their capacity to unsettle human viewers in unexpected ways and to shape networks composed of things from diverse spaces and times.


Visions ◽  
2019 ◽  
pp. 314-319
Author(s):  
Nathan Plung

In this section, advocates use their skills in art, writing, and musical composition to positively impact the lives of many people with epilepsy.


2020 ◽  
Vol 15 (1) ◽  
pp. 115-120
Author(s):  
Holly Hilboldt Swain

PurposeJoan Procter, Dragon Doctor describes the life of Joan Beauchamp Procter, renowned herpetologist, zoologist, Curator of Reptiles at the British Museum and designer of the London Zoo Reptile House. In this lesson, students reframe initial viewpoints of scientists that are not representative of a broad understanding of who scientists are and what being a scientist means. Exploring understandings and expanding their view of science to include varied areas of social sciences provokes deep discussions among students as they prepare to teach others. Using content area skills, artwork, writing, literacy and technology, students explore diverse people and fields of the sciences.Design/methodology/approachStudents engage in collaborative efforts with peers to involve themselves with content knowledge and skills in the social studies, as they integrate other areas of the curriculum including science, art, writing, literacy, literature, technology, critical thinking, research skills and inquiry-based learning. Findings include students participating in meaningful learning individually and collectively through inquiry. As students learn with and from one another, they conceptualize their own ideas through their own work in exploring relevant resources. Students plan action to move learning outside the classroom in generating changes in museums and monuments to showcase broader cultural representation of scientists in their communities.FindingsStudents engage in inquiry learning using Joan Procter, Dragon Doctor as a key text. Students explore the text and related resources, while learning with one another about scientists. Students expand their content knowledge and apply critical thinking skills, noting similarities and differences in scientists, ultimately acknowledging that what scientists do through inquiry and exploration helps them identify as scientists. Varied fields and backgrounds of scientists are explored, and students examine cultural representation in museums commemorating scientists and scientific contributions. Students create action plans to consult with museums about these issues and curate exhibits, like Joan Procter, to share with others.Originality/valueThis lesson provides students multiple avenues to deepen learning while conceptualizing and formulating their own understandings. Further, students are required to use multiple skills in conveying their ideas for social change to reflect their new broader conceptualization of scientists and the many fields that science includes. Additionally, they have to understand the topics discussed fully in order to convey their research findings to another audience in their school or community as they create museum exhibits. Finally, while students learn, they begin to see themselves represented in fields through evident, inclusive demonstrations of contributions by diverse scientists.


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