Plague Hospitals: Public Health for the City in Early Modern Venice. By Jane L. Stevens Crawshaw. (Burlington, VT: Ashgate Publishing, 2012. Pp. xiv, 290. $124.95.)

Historian ◽  
2014 ◽  
Vol 76 (4) ◽  
pp. 858-859
Author(s):  
Duane J. Osheim
2014 ◽  
Vol 37 (1) ◽  
pp. 143-145
Author(s):  
Jane L. Stevens Crawshaw (book author) ◽  
John Christopoulos (review author)

2021 ◽  
Vol 25 (1-2) ◽  
pp. 96-117
Author(s):  
Rosa Salzberg

Abstract The inns, or osterie, of early modern Venice were located at the heart of the city, which was one the most important hubs of mobility and travel between Europe and the Mediterranean. Close study of the locations, structures, and interiors of the inns shows how they featured centrally in both the long-range itineraries of travelers and migrants as well as smaller-scale circulations of local residents around the city. The intersection of these various trajectories in the space of the inn led to a rich array of social, economic, and cultural exchanges, but also to moments of tension and conflict. As such, a focus on the osterie illuminates the experience of being on the move in this period as well as demonstrating how mobility fundamentally shaped, and was shaped by, the early modern city and its spaces.


Author(s):  
Bryan Cheyette

How did the ‘city within a city’ concept move from early modern Venice to Harlem? ‘The ghetto in America’ looks at Chicago and New York after the African-American Great Migration of 1916 transformed the cities of the north. In prosperous times, the ghetto could be a place of entrepreneurship, culture, and social advancement—qualities seen as ‘ghetto fabulous’. In lean times, already vulnerable inhabitants had little access to loans or housing. Mid-20th-century African-American writers argued about whether they lived in a ‘ghetto’ or not, as some feared that the term limited the life chances of those who were already impoverished and segregated. Music ‘from the ghetto’—the rap of the 1980s and 1990s—blurred the lines between hedonism and dissent, making the ghetto a symbol of both injustice and transgression.


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