The Concentration Camps of the South African (Anglo-Boer) War, 1900-1902

2009 ◽  
Vol 7 (1) ◽  
pp. 22-43 ◽  
Author(s):  
Elizabeth van Heyningen
2012 ◽  
Author(s):  
◽  
Joan Alkema

This dissertation was researched in two main parts. The first enquiry was to establish whether the Afrikaner women practised any form of craft during their time of interment in the Anglo-Boer War concentration camps, during 1899-1902. The second part explores the appropriation of craft within the Post-Modern context by five South African artists. During this research into the craft practises of Afrikaner women in the concentration camps, I discovered that this particular issue has not been satisfactorily documented. The reasons for this are directly connected to the patriarchal system of the Calvinist Afrikaner. The impact which this system had on the craft practices of Afrikaner women and the lack of documentation thereof, are discussed. The paucity of information on Afrikaner women‟s history led to primary research where I gained the information I needed from the descendents of interned women. The findings of this research includes various forms of needlecraft such as embroidery, quilting, crocheting, and dress and bonnet making. Amongst the artefacts found were two ceramic dogs made in the camp. Various forms of tin and wire artefacts were also found. The contribution to the impoverished Afrikaner women by Hobhouse, the South African Agricultural Association and the South African Women‟s Federation is explained in relation to this dissertation. The freedom that Post-Modern thought created amongst artists enabled them to explore exciting ways of executing their art. The five South African artists whose work I chose to explore are Billy Zangewa, Sue Pam-Grant, Gina Waldman, Antionette Murdoch and Nirmi Ziegler. Their art practices are varied but the common denominator is the incorporation of various forms of traditional feminine craft into their work. They subvert the patriarchal order, draw attention to land issues, explore women‟s fragility and raise awareness concerning the abuse of the environment. I conducted an interview with Ziegler and relied on written documentation for the research concerning the other artists. I also made use of my own analysis and instinct as a woman and mother to interpret some works. As an Afrikaner woman I execute my work by using traditional feminine craft and specific motives found during my research. I deliver commentary on the lack of vi documentation of all of Afrikaner women‟s history. I use myself as an example of an Afrikaner woman and document my own history within the greater Afrikaner history which is contained and embedded within the history of South Africa. My research into and documentation of the craft practises of Afrikaner women during and directly after the Anglo-Boer War adds to the body of knowledge concerning the history of Afrikaner women. The same applies to the work of the five artists I explored. The diversity of material, concept and execution of their work will add some knowledge to the existing body of knowledge about their work, but more so to the documentation of women's history.


Author(s):  
John Boje

The South African War (1899–1902), also called the Boer War and Anglo-Boer War, began as a conventional conflict. It escalated into a savage irregular war fought between the two Boer republics and a British imperial force that adopted a scorched-earth policy and used concentration camps to break the will of Afrikaner patriots and Boer guerrillas. This book delves into the agonizing choices faced by Winburg district residents during the British occupation. Afrikaner men fought or evaded combat or collaborated; Afrikaner women fled over the veld or submitted to life in the camps; and black Africans weighed the life or death consequences of taking sides. The book’s sensitive analysis showcases the motives, actions, and reactions of Boers and Africans alike as initial British accommodation gave way to ruthlessness. Challenging notions of Boer unity and homogeneity, the book illustrates the precarious tightrope of resistance, neutrality, and collaboration walked by people on all sides. It also reveals how the repercussions of the War’s transformative effect on Afrikaner identity plays out in today’s South Africa. The book provides a dramatic account of the often overlooked aspects of one of the first “modern” wars.


2019 ◽  
Vol 49 (4) ◽  
pp. 641-648
Author(s):  
Robert I. Rotberg

South Africa’s Jameson Raid ultimately betrayed African rights by transferring power to white Afrikaner nationalists after helping to precipitate the Anglo-Boer War (1899–1902). The Raid also removed Cecil Rhodes from the premiership of the Cape Colony; strengthened Afrikaner control of the South African Republic (the Transvaal) and its world-supplying gold mines; and motivated the Afrikaner-controlled consolidation of segregation in the Union of South Africa, and thence apartheid. Perceptively, Charles van Onselen’s The Cowboy Capitalist links what happened on the goldfields of South Africa to earlier labor unrest in Idaho’s silver mines. Americans helped to originate the Raid and all of the events in its wake.


Author(s):  
Aidan Forth

Guerrilla warfare during the South African (or Anglo-Boer) War presented a new context for the development of British camps. On the one hand, camps were a measure of military counterinsurgency that concentrated and detained scattered civilian populations suspected of aiding enemy insurgents. On the other hand, camps were measures of social control and sympathetic concern that organized shelter and humanitarian relief for refugees who had been displaced by scorched earth warfare and were congregating in overcrowded towns. Boer and African refugees presented a specter of social destitution and sanitary disarray familiar from Indian plague and famine operations. Like plague and famine camps, wartime concentration camps removed “uncivilized” and unhygienic populations from the center of towns and systematized ad hoc charitable arrangements by confining relief within demarcated boundaries. Although Boers were ostensibly Europeans respected for their vigor and courage, racialized discourses in the later phases of an asymmetric conflict denigrated them as uncivilized and even subhuman: such representations ultimately facilitated encampment.


2006 ◽  
Vol 11 (1) ◽  
pp. 14-50 ◽  
Author(s):  
Liz Stanley ◽  
Sue Wise

Feminist fractured foundationalism has been developed over a series of collaborative writings as a combined epistemology and methodology, although it has mainly been discussed in epistemological terms. It was operationalised as a methodology in a joint research project in South Africa concerned with investigating two important ways that the experiences of children in the South African War 1899-1902, in particular in the concentration camps established during its commando and ‘scorched earth’ phase, were represented contemporaneously: in the official records, and in photography. The details of the research and writing process involved are provided around discussion of the nine strategies that compose feminist fractured foundationalism and its strengths and limitations in methodological terms are reviewed.


Author(s):  
John Boje

This chapter examines the Boers’ involvement in, and labors during, the South African War. It first considers the Boer–black relations, citing the Boers’ racist attitude toward blacks before and during the South African War. It then looks at blacks in Boer service; black resistance to Boer hegemony fostered by Ethiopianism and manifested in the activities of armed gangs; and blacks’ service with the British troops, particularly Bergh’s Scouts. It also discusses the black concentration camps and concludes with an analysis of the claims that blacks murdered and mutilated whites, contextualized in the colonial mythology of black savagery and recontextualized in terms of a general descent into murderous brutality.


Author(s):  
Stephen M. Miller

In an effort to bring political and economic rationalization to South Africa, the British pursued a plan of confederation. An important step toward accomplishing that goal was the annexation of the Transvaal in 1877. In late 1880, the Transvaal reasserted its independence and war erupted. Shortly after the humiliating defeat at Majuba in February 1881, Gladstone’s Liberal government eagerly sought a way out of the conflict. Two inconclusive peace “conventions” followed. New problems arose later in the century caused by the discovery of gold, the emergence of German power in the region, the awakening of Afrikaner nationalism, and the aggressive political pursuits of British administrators. Attempts to prevent a second war were pursued half-heartedly by Lord Milner, the British High Commissioner. As the British prepared an ultimatum, Paul Kruger, the president of the Transvaal, issued one of his own on 9 October 1899. The Second Anglo-Boer War, or South African War, began with a Boer invasion of the Cape Colony and Natal that led to the sieges of Ladysmith, Kimberley, and Mafeking. British attempts to break the sieges failed and culminated in Black Week in December 1899. Salisbury’s government struck back in the new year. Lord Roberts took command of a much larger force, strengthened by British volunteers and imperial troops, and drove through the Boer Republics. As the Boers embraced insurgency tactics, the conventional phase of the war came to an end. Lord Kitchener’s utilization of mounted drives and blockhouses, destruction of land and livestock, and the removal of civilians to concentration camps eventually destroyed the Boers capacity to continue the war. Peace came at Vereeniging on 31 May 1902. The scope of the second war naturally overshadowed the first in the literature. But important too were the growth in literacy and the drop in publishing costs. Whereas published memoirs and diaries trickled out after the first war, Great Britain witnessed a flood of literature even before the war had ended. Conan Doyle’s The Great Boer War was a bestseller and there was great interest in Leo Amery’s enormous project, The Times History of the War. Texts written in English vastly outnumbered those in Dutch and Afrikaans. Although historians, showed continued interest in the war, it was not until the late 1970s that the production of quality scholarship, based on careful analysis of primary sources and exploring topics other than battles and leadership, became the norm. The centennial brought a resurgence of interest in the war and with it lots of fine new scholarship.


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