Popular Culture: From Being an Enemy of the "Feminist Movement" to a Tool for Women's "Liberation"?

1999 ◽  
Vol 22 (3) ◽  
pp. 101-107 ◽  
Author(s):  
Suheyla Kirca
2019 ◽  
Vol 12 (2) ◽  
pp. 1-16 ◽  
Author(s):  
Aiyana Altrows

Bringing rape stories into popular discussion was a crucial success of the Second Wave Women’s Liberation movement. Popular culture is now inundated with rape stories. However, the repetitive scripts and schemas that dominate these are often informed by neoliberal individualism that is antithetical to feminism. The contradictions that characterize the tensions between feminism and neoliberalism in these texts are typically postfeminist, combining often inconsistent feminist rhetoric with neoliberal ideology. By examining the use of the silent victim script in young adult rape fiction, in this article I argue that most young adult rape fiction presents rape as an individual, pathological defect and a precondition to be managed by girls on an individual basis, rather than an act of violence committed against them.


Author(s):  
Bonnie J. Dow

In 1970, ABC, CBS, and NBC—the “Big Three” of the pre-cable television era—discovered the feminist movement. From the famed sit-in at Ladies' Home Journal to multi-part feature stories on the movement's ideas and leaders, nightly news broadcasts covered feminism more than in any year before or since, bringing women's liberation into American homes. This book uses case studies of key media events to delve into the ways national TV news mediated the emergence of feminism's second wave. First legitimized as a big story by print media, the feminist movement gained broadcast attention as the networks' eagerness to get in on the action was accompanied by feminists' efforts to use national media for their own purposes. The book chronicles the conditions that precipitated feminism's new visibility and analyzes the verbal and visual strategies of broadcast news discourses that tried to make sense of the movement. Groundbreaking and packed with detail, this book shows how feminism went mainstream, and what it gained and lost on the way.


2021 ◽  
Vol 38 (1) ◽  
pp. 1-31
Author(s):  
John Kapusta

This article examines the connections between experimental composer Pauline Oliveros, the US somatics movement, and the new musicology. While scholars tend to position Oliveros’s work within the familiar framework of women’s liberation and queer activism, we should instead understand Oliveros as a somatic feminist for whom somatic practice was synonymous with women’s liberation. Oliveros helped instigate an influential movement to integrate somatic discourse and practice into US musical culture—including music scholarship. Scholars of the so-called new musicology concerned with issues of embodiment also applied somatic concepts in their work. Oliveros and the new musicology share a history rooted in US popular culture of the 1970s. Across this period and beyond, US composers, performers, and scholars alike worked within and alongside the somatics movement to legitimize the performing body as a source of musical knowledge.


2019 ◽  
Vol 8 (5) ◽  
Author(s):  
Zahra Farzizadeh ◽  
Fatemeh Yusefi ◽  
Shahriar Giti

Abstract: Feminism literally means "women's liberation"," womanism " which is itself divided into different ways. Feminism has sometimes been interpreted as organized movements for women's rights and sometimes for the theory that believes in equality between men and women in political, economic, social and legal terms. With the spread of the feminist movement, much work was written on women, and all of them had a fixed principle that was to remove the inferiority and inequalities that had been permitted to women throughout history. With the spread of such works, feminist literature emerged. And many poets and writers have created works in this regard. Kuwaiti poet Souad al-Sabah is one of these poets. In this study, we have tried to look at feminism and its implications in terms of feminism, including patriarchy, patriarchy, women's dependency, women's subordination, and lack of public presence in Souad al-Sabah 's poetry.


Author(s):  
Margaretta Jolly

This ground-breaking history of the UK Women’s Liberation Movement explores the individual and collective memories of women at its heart. Spanning at least two generations and four nations, and moving through the tumultuous decades from the 1970s to the present, the narrative is powered by feminist oral history, notably the British Library’s Sisterhood and After: The Women’s Liberation Oral History Project. The book mines these precious archives to bring fresh insight into the lives of activists and the campaigns and ideas they mobilised. It navigates still-contested questions of class, race, violence, and upbringing—as well as the intimacies, sexualities and passions that helped fire women’s liberation—and shows why many feminists still regard notions of ‘equality’ or even ‘equal rights’ as insufficient. It casts new light on iconic campaigns and actions in what is sometimes simplified as feminism’s ‘second wave’, and enlivens a narrative too easily framed by ideological abstraction with candid, insightful, sometimes painful personal accounts of national and less well-known women activists. They describe lives shaped not only by structures of race, class, gender, sexuality and physical ability, but by education, age, love and cultural taste. At the same time, they offer extraordinary insights into feminist lifestyles and domestic pleasures, and the crossovers and conflicts between feminists. The work draws on oral history’s strength as creative method, as seen with its conclusion, where readers are urged to enter the archives of feminist memory and use what they find there to shape their own political futures.


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